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FAMOUS SINGLE AND 
FUGITIVE POEMS 



COLLECTED AND EDITED 



BY 



ROSSITER JOHNSON 



Does he paint ? he fain would write a poem ; 
Does he write ? he iain would paint a picture, — 
Put to proof art alien to the artist's, 
Once, and only once, and for One only. 

Robert Browning. 




NEW YORK 
HENRY HOLT & COMPANY 

1880 



VJ 



-f^'ft 










Copyright, 1880, 
By Henry Holt & Co. 




PREFACE TO THE FIRST EDITION. 



There are wide differences in the fame of the poems here 
collected, as well as in their merits. Some are familiar to 
everybody who reads poetry at all ; others find reputation 
and perpetuity only with particular classes. A few, like 
those of Bishop Berkeley and Michael Barry, have been 
saved from oblivion by a single happy line or quatrain; 
while the richness and perfection of many leave us in wonder 
that their authors produced no more. If critical judgment 
in such matters is worth anything when opposed to a popular 
verdict, some of these authors have written better poems for 
no reward at all, than those which have given them fame. 
However this may be, the present volume is intended to 
represent popular rather than critical taste, and to include 
all the poems in the language which fairly come under its 
title, — excepting only those numerous anonymous ballads 
belonging to the early centuries of our literature, which are 
preserved in Percy's and other collections. In cases of 
doubt, I have generally decided in favor of insertion. It is 



vi PREFACE TO THE FIRST EDITION. 

not expected that any one reader will prize all the poems 
here brought together; if each finds what he looks for, no 
one need be offended because the volume also includes some 
which he could have spared. 

Thanks are due to living writers represented, for permis- 
sion to use their poems. In but one instance was this re- 
fused, — though in two or three cases their address could not 
be obtained. 

The poems are arranged nearly, if not exactly in chrono- 
logical order. Where any special history attaches to them, 
it will generally be found in the Notes at the end of the 
book. K. J. 

New Yorh, August 1, 1877. 



PEEFACE TO THE SECOND EDITION. 



la the revision of this volume its scope has been some- 
what enlarged, while its general character remains un- 
altered. It was found that the plan as defined by the title 
had been adhered to a little too rigidly. Readers asked 
why it did not contain " The Burial of Sir John Moore " — 
oblivious of the fact that Wolfe wrote two other poems 
equally famous if not equally popular ; and reviewers ex- 
pressed surprise at the omission of "The Blue and the 
Gray" — evidently forgetting Mr. Finch's "Nathan Hale." 
The simplest way of getting over the difl&culty seemed the 
best, and accordingly the three poems of Wolfe's and the 
two of Finch's have been inserted, together with eighteen 
others (all beyond page 275), some of which were con- 
sidered in preparing the first edition, but for one reason or 
another were omitted. Among these will be found three 
poems from other languages — "A Javanese Poem," "A 
Yukon Cradle-Song," and "The Passage." Translations 



Vlll 



PREFACE TO THE SECOND EDITION. 



generally do not come within the province of the book; 
but these three seem to stand so peculiarly alone, both in 
their character and their history, as to justify if not to de- 
mand their insertion. 

In accordance with the hints of several reviewers, and 
with his own impulse, the editor has increased the three 
pages of Notes to eighteen, and the reader wiU now find 
there some information about every poem in the book, save 
three or four. "With all these additions, nothing whatever 
has been subtracted from the contents of the first edition. 
The utmost pains have been taken to make the text of the 
poema absolutely correct, and in many cases the author's 
own manuscript has been used. 

The editor does not flatter himself, withal, that he has 
produced a perfect book, or one that will meet the unquali- 
fied approval of every reader. Collecting poetry is like 
poking the fire ; nobody can sit by and see it done, with- 
out imagining that he himself could do it a little better, — ■ 
as in truth he could, if it were for him alone. In all such 
work it is necessary to make what astronomers call a per- 
sonal equation — a small allowance, one way or the other, 
for quickness or slowness of apprehension in the individual 
observer. Taking this into account, I hope the volume will 

be found to exhibit a generous appreciation of widely varied 
expressions of the poetic art. R. J. 

New Torh, February 14, 1880. 



CONTENTS. 



Afar in the Desert, , 
Angler's Wish, The 
Ann Hathaway, 
Annuity, The . . 

Antony and Cleopatra, 
AuLD Robin Cray, 

Balaklava, 

Ballad of Agincourt, The 

Beacon, The 

Beggar, The . 

Bells of Shandon, The 

Bivouac of the Dead, The 

Blue and the Cray, The 

Bonnie Ceorge Campbell, 

Braes of Yarrow, The 

Bride, The 

Bucket, The 

Burial of Moses, The . 

Burial of Sir John Moore, 

XHG • • • • 

Burns, Ode on the Cente- 
nary OF . 



page. 

Thomas Pringle , . 119 

Izaak Walton . . 23 

William Shakespeare f . 282 

George Outram . 142 

William H. Lytle . 217 

Lady Anne Barnard 88 

Alexander B. Meek . 186 

Michael Drayton , 10 

Paul Moon James . , 122 

Thomas Moss , • 96 

Francis Mahony . , 149 

Theodore aHara . 197 

Francis M. Finch , .291 

Anonymous . • 36 

William Hamilton . 52 

Sir John Suckling . 24 

Samuel Woodworth . 115 
Cecil Frances Alexander 249 

Charles Wolfe . . 276 

Isa Craig Knox . 229 



Carmen Bellicosum, 



Guy H. McMaster 



220 



Chameleon, The 
Children, The . 
Christmas Htmn, A 
Churchyard, Lines written 

IN A . 

Civil War, 
Closing Year, The 
Cloud, The 
Connel and Flora, 
Contented Mind, A 
Countersign, The 
Cuckoo, To the 
Cumnor Hall, . 
Curfew Must not Eing To- 
night, 



CONTENTS. 




, James Merrick , , 


65 


Charles M. Dickinson 


. 274 


Alfred Domett , , 


180 


1 lEN 

. Herbert Knowles . 


. 130 


Charles D. Shanly ? . 
George D. Prentice 
John Wilson 


262 

. 135 

114 


, Alexander Wilson 


. 95 


Joshua Sylvester 
, Anonymous . , 
John Logan 
William J. Mickle 


15 
. 264 

87 
. 72 



Rosa Hartwick Thorpe 253 



Death-Bed, A . 
Death of King Bomba, The 
Death of Napoleon, The 
Death's Final Conquest, 
Doneraile, a Litany for . 
Doris, .... 
Driving Home the Cows . 



James Aldrich . ,179 

Anonymous . . 293 

Isaac McLellan . .151 

James Shirley . , 24 

Patrick a Kelly . . 106 

Arthur Munhy . . 221 
Kate Putnam Osgood , 267 



EXEQUY, . 

Exile to his Wife, The 



Henry King 
Joseph Brenan 



19 

223 



First Miracle, The 
Florence Vane, , 

Forging of the Anchor, The 



Richard Grashaw . 279 
Philip P. Cooke . , 190 
Samuel Ferguson . 146 



Gaffer Gtray, , , 
Geehale, . , 

Cluggity Glug, 
Golden Wedding, The 
Good Ale, . 



Thomas Holcroft . 
Henry R. Schoolcraft 
George Colman 
David Gray 
John Still 



Grave of Bonaparte, The H. S. Washburn P 



85 
127 
158 
294 

18 
152 



CONTENTS. 



Grongar Hill, • • 
Groves of Blarnet, The . 

Happy Land, The . 
Health, A . 

Helen of Kirkconnel, . 
Here She Goes — and There 

She Goes, . 
Hermit, The . . . 
Hospital, In the . . 
Hundred Years to Come, A 
Hylas, . . • * 



John Dyer ... 46 

Richard A. Millikin . 92 

Andrew Young . , 157 

Edward C. Pinkney , 138 

John Mayne ... 93 

James NdcJe , . 158 

Thomas Parnell . . 37 

Mrs. Robert S. Rowland 299 

William G. Brown . 203 

Anonymous ... 284 



Indian Gold Coin, To an John Leyden 



Irish Emigrant, Lament of 

THG • • • • 

Ivy Green, The 

I Would not Live Alwat, 



Lady Dufferin • < 
Charles Dickens • 

William A. Muhlenberg 



Life, Anna L. Barbauld 

Light, .... 
Lincoln, Abraham 
Little Goose, A 
Love me Little, Love me 
Long, . . • • 
Lucy's Flittin', . . 
Lye, The .... 

Man's Mortality, . 
Mariner's Dream, The 
Mary's Dream, 
Memory of the Dead, The 
Milton's Prayer of Pa- 
tience, • . . 



William Pitt Palmer 

Tom Taylor 

Eliza Sproat Tamer 

Anonymous 
William Laidlaw , 
Sir Walter Raleigh 

Simon Wastel 
William Dimond 
John Lowe . 
John Kelts Ingram 



100 

155 
181 
128 



Javanese Poem, A . . Eduard DoUwes Dekker 279 
Jolly Old Pedagogue, The George Arnold . ,226 



83 
177 
193 
270 

16 

105 

2 

6 

131 

89 

195 



Elizabeth Lloyd HoweU 252 



Xll 



CONTENTS. 



Mistress of the House, The 

MiTHERLESS BaIRN, ThE 

Modest Wit, A 
Mortality, 
My Ain Countree . 
My Dear and Only Love, 
My Maryland, 
My Mind to me a Kingdom 
IS. • • • • 



Leslie Walter . • 297 

William Thorn . .117 

JSelleck Oshorn . Ill 

William Knox . . 122 

Miss M. A. Lee . 301 

Marquis of Montrose . 27 

James R. Randall . 259 

William Byrd , . 1 



Nathan Hale, 

Nautilus and the Ammonite, 

The . 
Nearer, my GtOd, to Thee, 
Night, .... 
Nothing to Wear, . 



Francis M. Finch , 289 

G. F. Richardson . 218 

Sarah Flower Adains 199 

Joseph Blanco Wliite . 99 

William Allen Butler 207 



Old Canoe, The 
Old Grimes, . 
Old Sergeant, The . 
Old Sexton, The 
Only a Baby Small, . 
Only Waiting, 
Orphan Boy, The 
Over the River, 

Parting with his Books, 

On, .... 
Passage, The 
Pauper's Drive, The 
Petrified Fern, The . 
Philosopher's Scales, The 
Picket Guard, The . 
Place where Man should 



Emily R. Page . . 247 

Albert G. Greene . 133 

Forceythe Willson , 234 

Park Benjamin . 175 

Matthias Barr * . 226 

Anonymous . . 248 

Amelia Opie . . 97 
Nancy Priest Wakefield 232 



William Roscoe . . 284 
Ludwig Uhland , 282 
Thomas Noel . .189 
Mary L. Bolles Branch 302 
Jane Taylor , . 109 
Ethel Lynn Beers . , 263 



Die, The . 


. Michael J. Barry , 


202 


Polish Boy, The 


Ann jS. Stephens . 


. 182 


Popping Corn, . 


, Anonymous 


268 



Private of the Buffs, The 
Prospect of Planting Arts 
AND Learning in Amer- 
ica, On the 



CONTENTS. 

Sir Francis H. Doyle 



George Berkeley 



XIV 



176 



44 



Rain on the Roof, . , 
Revelry in India, . , 
Riddle, A . . . 
Rising of the Moon, The , 
Rock me to Sleep, . , 

Sailor's Wife, The , 
Saint Patrick, 
Sally in our Alley, . 
School-Mistress, The 
She Died in Beauty, . 
Sherman's March to the 

Sea, ... 

Sidney, Lament for Sir 

Philip 
Skeleton, Lines on a 
Soldier, The 
Soliloquy, A . 
Song, — Gro, forget me, 
Song, — If I had thought. 
Song, — Love Still has, 
Soul's Defiance, The 
Splendid Shilling, The 
Stanzas, 

Star-Spangled Banner, The 
Steam, The Song of 

Tacking Ship off Shore, . 
Take thy Old Cloak About 
thee, .... 
Tale of a Tub, The New 
Tears of Scotland, The 



Coates Kinney 


244 


Bartholomew Bowling 


256 


Catherine Fanshawe 


109 


John K. Casey . 


258 


Elizabeth Akers Allen . 


224 


Jean Adam 


76 


Henry Bennett 


113 


Henry Carey . 


44 


William Shenstone 


56 


Charles Doyne Sillery 


163 



Samuel H. M. Byers 



265 



Mathew Roydon 


5 


Anonymous . 


201 


William Smyth . 


93i 


Walter Harte 


51 


Charles Wolfe . 


278 


Charles Wolfe 


277 


Sir Charles Sedley . 


26 


Lavinia Stoddard 


116 


John Philips 


32 


Richard Henry Wilde . 


118 


Francis Scott Key 


103 


George W. Cutter 


204 


Walter Mitchell 


295 


Anonymous 


13 


F. W. N. Bayley . 


1C4 


Tobias Smollett . 


09 



xiv CONTENTS. 




The Dule 's i' this Bonnet 






o' Mine, 


Ediuin Waugh , 


191 


The Tears I Shed, . 


Helen Cransioun Stewart 


99 


Three Sons, The 


John Moultrie . . 


139 


Three Warnings, The . 


Hester Thrale 


80 


Time and Eternity, , 


Anonymous 


300 


Tired Mothers, 


May Riley Smith . . 


272 


Too Late, .... 


Mtz Hugh Ludlow . 


239 


Toper's Apology, The . 


Charles Morris 


78 


Twins, The 


Henry S. Leigh . 


269 


Two Worlds, The . 


Mortimer Collins . 


243 


Vanitas Vanitatum , 


Gerald Griffin . 


286 


Verses, .... 


Chediock Ticheborne 


9 


Vicar of Bray, The , 


Anonymous 


71 


Visit from St. Nicholas, A 


Clement C. Moore 


102 


Waly, Waly, but Love be 






Bonny, 


Anonymous , 


68 


We'll Gro to Sea no More, 


Miss Corhett . 


125 


We Parted in Silence, 


Mrs. Crawford . 


285 


What Constitutes a State, 


Sir William Jones 


86 


What is Time ? . . 


William Marsden 


90 


What the End shall be. 


Frances Browne, . 


240 


When Shall we Three Meet 






Again? 


Anonymous 


84 


Whistler, The 


Robert Story 


124 


Why thus Longing? . 


Harriet Winslow Sewall 


206 


Widow Malone, 


Charles Lever . , 


153 


Willie Winkie, . 


William Miller . 


246 


Willy Drowned in Yarrow, 


Anonymous . 


8 


Wonderland, 


Cradock Newton 


288 


Ye Gentlemen of England, 


Martyn Parker 


26 


Yukon Cradle-Song, A 


W. H. Ball 


280 


Notes, .... 


..... 


304 


Index of First Lines, . 




323 



FAMOUS 
SINGLE AND FUGITIVE 

POEMS. 



i^g Mirdi to me a Itmfltiom i0» 

Hr mind to me a kingdom is, 

Such perfect joy therein I find 
As far exceeds aU earthly bhss 

That God or nature hath assigned ; 
Though much I want that most would have, 
Yet still my mind forbids to crave. 

Content I live, this is my stay : 
I seek no more than may suffice : 

I press to bear no haughty sway : 

Look! what I lack, my mind supplies. 

Lo ! thus I triumph like a king, 

Content with what my mind doth bring. 

I see how plenty surfeits oft, 
And hasty climbers soonest fall ; 

I see that such as sit aloft 

Mishap doth threaten most of all : 

These get with toil and keep with fear; 

Such cares my mind could never bear. 



SINGLE FAMOUS POEMS. 

Some have too much, yet still they crave ; 

I little have, yet seek no more ; 
They are but poor, though much they have, 

And I am rich with little store. 
They poor, I rich ; they beg, I give ; 
They lack, I lend ; they pine, I hve. 

I laugh not at another's loss, 

I grudge not at another's gain : 
No worldly wave my mind can toss, 

I brook that is another's bane : 
I fear no foe, nor fawn on friend ; 
I loathe not life, nor dread mine end. 

I wish but what I have at will, 

I wander not to seek for more, 
I like the plain, I climb no hill. 

In greatest storms I sit on shore. 
And laugh at them that toil in vain, 
To get what must be lost again. 

My wealth is health and perfect ease. 
My conscience clear my chief defense ; 

T never seek by bribes to please, 
Nor by desert to give offense j 

Thus do I live, thus will I die. 

Would all did so as well as I. 

William Byrd. 

Cf)e Hge. 

GoE, soule, the bodie's guest, 
Upon a thanklesse arrant; 
Feare not to touche the best — 
The truth shall be thy warrant I 
Goe, since I needs must dye, 
And give the world the lye. 



THE LYE. 

Goe tell the court it glowes 

And shines like rotten wood ; 
Goe tell the church it showes 
What 's good, and doth no good; 
If church and court reply, 
Then give them both the lye. 

Tell potentates they live 

Acting by others' actions — 
Not loved unlesse they give, 

Not strong but by their factions j 
If potentates reply, 
Give potentates the lye. 

Tell men of high condition, 
That rule affairs of state, 
Their purpose is ambition. 
Their practice only hate ; 
And if they once reply, 
Then give them all the lye. 

Tell them that brave it most 

They beg for more by spending. 
Who ir. their greatest cost 

Seek nothing but commending ; 
And if they make reply, 
Spare not to give the lye. 

Tell zeale it lacks devotion j 

Tell love it is but lust ; 
Tell time it is but motion ; 
Tell flesh it is but dust ; 
And wish them not reply, 
For thou must give the lye. 

Tell age it daily wasteth ; 
Tell honour how it alters ; 



SINGLE FAMOUS POEMS. 

Tell beauty how she blasteth ; 
Tell favour how she falters : 
And as they then reply, 
Grive each of them the lye. 

Tell wit how much it wrangles 
In tickle points of nicenesse ; 
Tell wisdome she entangles 
HerseLfe in over-wisenesse ; 
And if they do reply, 
Straight give them both the lye. 

Tell physicke of her boldnesse j 

Tell skill it is pretension j 
Tell charity of coldnesse ; 
TeU law it is contention ; 
And as they yield reply, 
So give them still the lye. 

Tell fortune of her bhndnesse ; 

Tell nature of decay ; 
Tell friendship of unkindnesse ; 
Tell justice of delay ; 
And if they dare reply, 
Then give them all the lye. 

Tell arts they have no soundnesse, 

But vary by esteeming j 
Tell schooles they want profoundnesse, 
And stand too much on seeming j 
If arts and schooles reply, 
Give arts and schooles the lye. 

Tell faith it 's fled the citie; 

Tell how the country erreth j 
Tell, manhood shakes oflf pitie ; 

TeU, vertue least pref erreth j 



LAMENT FOR SIR PHILIP SIDNET, 

And if they do reply, 
Spare not to give the lye. 

So, when thou hast, as I 

Commanded thee, done blabbing — 
Although to give the lye 

Deserves no less than stabbing — 
Yet stab at thee who will, 
No stab the soule can kill 

Sir Walter Raleigh. 



Uament for Sir ^Jili'p Sitmeg. 

You knew — who knew not Astrophel ? 

That I should Uve to say I knew, 
And have not in possession still ! — 

Things known permit me to renew. 
Of him you know his merit such 
I cannot say — you hear — too much. 

Within these woods of Arcady 
He chief dehght and pleasure took; 

And on the mountain Partheny, 
Upon the crystal liquid brook, 

The muses met him every day, — 

Taught him to sing, and write, and say. 

When he descended down the mount 
His personage seemed most divine ; 

A thousand graces one might count 
Upon his lovely, cheerful eyne. 

To hear him speak, and see him smile, 

You were in Paradise the while. 

A sweet, attractive kind of grace ; 
A full assurance given by looks ; 



SINGLE FAMOUS POEMS, 

Continual comfort in a face ; 

The lineaments of gospel books : 
I trow that countenance cannot lie 
Whose thoughts are legible in the eye. 

Above all others this is he 

Who erst approved in his song 
That love and honor might agree, 

And that pure love will do no wrong. 
Sweet saints, it is no sin or blame 
To love a man of virtuous name. 

Did never love so sweetly breathe 

In any mortal breast before ; 
Did never muse inspire beneath 

A poet's brain with finer store. 
He wrote of love with high conceit. 
And beauty reared above her height. 

Mathew Roydon. 



iHan's ifHdrtaliti). 

Like as the damask rose you see, 

Or like the blossoms on the tree, 

Or like the dainty flower of May, 

Or like the morning of the day, 

Or like the sun, or like the shade. 

Or like the gourd which Jonas had ; 

Even such is man, whose thread is spun, 

Drawn out and cut, and so is done. 

The rose withers, the blossom blasteth, 

The flower fades, the morning hasteth, 

The sun sets, the shadow flies. 

The gourd consumes, and man — he dies ! 

Like to the grass that 's newly sprung. 
Or like a tale that 's new begun, 



MAN'S MORTALITY. 

Or like a bird that 's here to-day. 

Or Hke the pearled dew of May, 

Or like an hour, or like a span, 

Or like the singing of a swan ; 

Even such is man, who lives ly breath, 

Is here, now there, in life and death. 

The grass withers, the tale is ended, 

The bird is flown, the dew 's ascended. 

The hour is short, the span not long. 

The swan near death, — man's life is done ' 

Like to a bubble in the brook. 
Or in a glass much like a look, 
Or like a shuttle in a weaver's hand, 
Or like the writing on the sand. 
Or like a thought, or like a dream. 
Or like the gliding of a stream ; 
Even such is man, who lives by breath, 
Is here, now there, in hfe and death. 
The bubble 's out, the look 's forgot, 
The shuttle 's flung, the writing 's blot, 
The thought is past, the dream is gone, 
The water glides, — man's life is done I 

Like to a blaze of fond delight. 
Or hke a morning clear and bright. 
Or like a frost, or like a shower. 
Or like the pride of Babel's tower, 
Or like the hour that guides the time, 
Or like to Beauty in her prime ; 
Even such is man, whose glory lends 
That life a blaze or two, and ends. 
The morn 's o'ercast, joy turned to pain, 
The frost is thawed, dried up the rain. 
The tower falls, the hour is run. 
The beauty lost, — man's hfe is done ! 



SINGLE FAMOUS POEMS. 

Like to an arrow from the bow, 

Or like swift course of water-flow, 

Or like that time 'twixt flood and ebb. 

Or like the spider's tender web, 

Or like a race, or like a goal, 

Or like the dealing of a dole ; 

Even such is man, whose brittle state 

Is always subject unto Fate. 

The arrow 's shot, the flood soon spent. 

The time 's no time, the web soon rent. 

The race soon run, the goal soon won, 

The dole soon dealt, — man's life is done 1 

Like to the lightning from the sky, 
Or like a post that quick doth hie, 
Or like a quaver in a short song. 
Or like a journey three days long. 
Or like the snow when summer's come, 
Or hke the pear, or like the plum ; 
Even such is man, who heaps up sorrow, 
Lives but this day, and dies to-morrow. 
The lightning 's past, the post .must go. 
The song is short, the journey 's so, 
The pear doth rot, the plum doth fall, 
The snow dissolves, — and so must all I 

Simon Wastel. 

5153(1(5 Brotoneti in ¥arrci\jD* 

" Willy 's rare, and Willy 's fair. 
And Willy 's wondrous bonny j 
And Willy heght to marry me, 
Grin e'er he married ony. 

" Yestreen I made my bed fu' braid, 
This night I '11 make it narrow ; 
For a' the livelang winter night 
I ly twined of my marrow. 



VEBSES, 

" Oh came you by yon water-side ? 
Pou'd you the rose or lily ? 
Or came you by yon meadow green ? 
Or saw you my sweet Willy ? " 

She sought him east, she sought him west, 
She sought him braid and narrow; 

Syne in the cleaving of a craig, 
She found him drowned in Yarrow. 

Anonymous. 



WRITTEN IN THE TOWER, THE NIGHT BEFORE HIS EXECUTION. 

My prime of youth is but a frost of cares. 
My feast of joy is but a dish of pain, 

My crop of corn is but a field of tares, 

And all my goodes is but vain hope of gain. 

The day is fled, and yet I saw no sun ; 

And now I hve, and now my hfe is done I 

My spring is past, and yet it hath not sprung, 
The fruit is dead, and yet the leaves are green. 

My youth is past, and yet I am but young, 
I saw the world, and yet I was not seen. 

My thread is cut, and yet it is not spun ; 

And now I live, and now my life is done ! 

I sought for death and found it in the wonibe, 
I lookt for hfe, and yet it was a shade, 

I trade the ground, and knew it was my tombe, 
And now I die, and now I am but made. 

The glass is full, and yet my glass is run ; 

And now I hve, and now my life is done ! 

Chediock Ticheboenk. 

1* 



1 SINGLE FAMO US P OEMS, 

Cf)e 13aUati of Egmcourt 

Fair stood the wind for France, 
When we our sails advance, 
Nor now to prove our chance 

Longer will tarry ; 
But putting to the main, 
At Kaux, the mouth of Seine, 
With all his martial train, 

Landed King Harry. 

And taking many a fort, 
Furnished in warlike sort, 
Marched toward Agincourt 

In happy hour — 
Skirmishing day by day 
With those that stopped his way, 
Where the French general lay 

With all his power, 

Which in his height of pride, 
King Henry to deride. 
His ransom to provide 

To the king sending ; 
Which he neglects the while. 
As from a nation vile, 
Yet, with an angry smile, 
Their fall portending. 

And turning to his men, 
Quoth our brave Henry then : 
Though they be one to ten, 

Be not amazed ; 
Yet have we well begun — 
Battles so bravely won 
Have ever to the sun 

By fame been raised. 



THE BALLAD OF AGINCOJJRT. 11 

And for myself, quoth he, 
This my full rest shall be ; 
England ne'er mourn for me, 

Nor more esteem me. 
Victor I will remain, 
Or on this earth lie slain : 
Never shall she sustain 

Loss to redeem me. 

Poitiers and Cressy tell, 

When most their pride did swell, 

Under our swords they fell ; 

No less our skill is 
Than when our grandsire great, 
Claiming the regal seat, 
By many a warlike feat 

Lopped the French UUes. 

The Duke of York so dread 
The eager vaward led ; 
With the main Henry sped, 

Amongst his henchmen. 
Excester had the rear — 
A braver man not there : 
Lord ! how hot they were 

On the false Frenchmen 1 

They now to fight are gone ; 

Armor on armor shone ; 

Drum now to drum did groan — 

To hear was wonder ; 
That with the cries they make 
The very earth did shake; 
Trumpet to trumpet spake, 

Thunder to thunder. 

Well it thine age became, 
O noble Erpinghara I 



12 SINGLE FAMOUS POEMS. 

Which did the signal aim 

To our hid forces ; 
When, from a meadow by, 
Like a storm suddenly, 
The English archery 

Struck the French horses, 

With Spanish yew so strong, 
Arrows a cloth-yard long, 
That like to serpents stung, 

Piercing the we ther ; 
None from his fellow starts, 
But playing manly parts, 
And like true English hearts, 

Stuck close together. 

When down their bows they threw. 
And forth their bilbows drew. 
And on the French they flew. 

Not one was tardy : 
Arms were from shoulders sent ; 
Scalps to the teeth were rent ; 
Down the French peasants went ; 

Our men were hardy. 

This while our noble king, 
His broadsword braridisliing, 
Down the French host did ding. 

As to o'erwhelm it ; 
And many a deep wound lent, 
His arms with blood besprent, 
And many a cruel dent 

Bruised his helmet. 

Glo'ster, that duke so good, 
Next of the royal blood, 
For famous England stood, 
With his brave brother — 



TAKE THT OLD CLOAKE ABOUT THEE. 13 

Clarence, in steel so bright, 
Though but a maiden knight, 
Yet in that furious fight 
Scarce such another. 

Warwick in blood did wade ; 
Oxford the foe invade, 
And cruel slaughter made, 

Still as they ran up. 
Suffolk his axe did ply, 
Beaumont and Willoughby 
Bare them right doughtily, 

Ferrers and Fanhope. 

Upon St. Crispin's day 
Fought was this noble fray, 
Which fame did not delay 

To England to carry ; 
Oh, when shall Englishmen 
With such acts fill a pen. 
Or England breed again 

Such a King Harry ? 

Michael Drayton, 

Cafee ti)g (©ItJ orioalte about tf)ee» 

This winter weather, it waxeth cold. 

And frost doth f reese on every hill ; 
And Boreas blows his blastes so cold 

That all our cattell are hke to spilL 
Bell, my wife, who loves no strife, 

Shee sayd unto me quietlye, 
" Rise up, and save cowe Crumbocke's life — 

Man, put thy old cloake about thee." 

" Bell, why dost thou flyte and scorne ? 
Thou kenst my cloake is very thin; 
2 



14 SINGLE FAMOUS POEMS. 

It is so bare and overworne 

A cricke he thereon can not renn. 

Then He no longer borrowe or lend— 
For once He new apparelled be ; 

To-morrow He to town, and spend, 
For lie have a new cloake about me." 

" Cow Crumbocke is a very good cow — 

She has been alwayes true to the payle ; 
She has helped us to butter and cheese, I trow, 

And other things she will not f ayle ; 
I wold be loth to see her pine ; — 

Good husbande, counsel take of me — 
It is not for us to go so fine ; 

Man, take thy old cloake about thee." 

"My cloake, it w^as a very good cloake — 

It hath been alwayes true to the weare ; 
But now it is not worth a groat, 

I have had it four-and-forty year. 
Sometime it was of cloth in graine ; 

'T is now but a sigh clout as you may see ; 
It will neither hold nor winde nor raine — 

And He have a new cloake about me." 

" It is four-and-forty yeares ago 

Since the one of us the other did ken ; 
And we have had betwixt us towe 

Of children either nine or ten. 
We have brought them up to women and men- 

In the fere of God I trowe they be ; 
And why wilt thou thyself misken — 

Man, take thy old cloake about thee." 

" Bell, my wife, why dost thou floute ? 
Now is now, and then was then ; 



I 



A CONTENTED MIND. 15 

Seeke now all the world throughout, 

Thou kenst not clownes from gentlemen ; 

They are clad in blacke, greene, yellowe, or gray, 
So far above their own degree — 

Once in my Hfe He do as they, 
For He have a new cloake about me." 

" King Stephen was a worthy peere — • 

His breeches cost him but a crowne ; 
He held them sixpence all too deere. 

Therefore he called the tailor lowne. 
He was a wight of high renowne, 

And thou'se but of a low degree — 
It 's pride that puts this countrye downe ; 

Man, take thy old cloake about thee." 

Bell, my wife, she loves not strife, 

Yet she will lead me if she can ; 
And oft to live a quiet life 

I 'm forced to yield though I be good-man. 
It 's not for a man with a woman to threepe, 

Unless he first give o'er the plea; 
As we began sae will we leave, 

And He take my old cloake about me. 

Anonymous. 

I WEIGH not fortune's frown or smile ; 

I joy not much in earthly joys; 
I seek not state, I seek not style ; 

I am not fond of fancy's toys. 
I rest so pleased with what I have, 
I wish no more, no more I crave. 

I quake not at the thunder's crack; 
I tremble not at noise of war ; 



16 SINGLE FAMO US POEMS. 

I swound not at the news of wrack, 

I shrink not at a blazing star ; 
I fear not loss, I hope not gam ; 
I envy none, I none disdain. 

I see ambition never pleased ; 

I see some Tantals starved in store ; 
I see gold's dropsy seldom eased ; 

I see even Midas gape for more ; 
I neither want, nor yet abound — 
Enough 's a feast, content is crowned. 

I feign not friendship where I hate ; 

I fawn not on the great (in show) ; 
I prize, I praise a mean estate, 

Neither too lofty nor too low : 
This, this is all my choice, my cheer — 
A mind content, a conscience clear. 

Joshua Sylvester. 

Eobe me Eittle, Hobe me Eong, 

Love me little, love me long I 
Is the burden of my song : 
Love that is too hot and strong 

Burneth soon to waste. 
Still I would not have thee cold — 
Not too backward, nor too bold; 
Love that lasteth till 't is old 

Fadeth not in haste. 
Love me httle, love me longl 
Is the burden of my song. 

If thou lovest me too much, 
'T will not prove as true a touch ; 
Love me little more than such, — 
For I fear the end. 



lOVE ME LITTLE, LOVE ME LONG. 17 

I 'm with little well content, 
And a little from thee sent 
Is enough, with true intent 
To be steadfast, friend. 

Say thou lovest me, while thou live 
I to thee my love will give, 
Never dreaming to deceive 

While that hf e endures ; 
Nay, and after death, in sooth, 
I to thee will keep my truth, 
As now when in my May of youth : 

This my love assures. 

Constant love is moderate ever, 
And it will through life persever; 
Give me that with true endeavor, — 

I will it restore. 
A suit of durance let it be. 
For all weathers, — that for me, — 
For the land or for the sea : 

Lasting evermore. 

Winter's cold or summer's heat, 
Autumn's tempests on it beat; 
It can never know defeat. 

Never can rebel ; 
Such the love that I would gain, 
Such the love, I tell thee plain, 
Thou must gjive, or woo in vain: 

So to thee — farewell I 

Anonymous. 



18 SINGLE FAMOUS POEMS. 

I CAX not eat but little meat — 

My stomach is not good ; 
But sure, I think that I can drink 

With him that wears a hood. 
Though I go bare, take ye no care ; 

I am nothing a-cold — 
I stuff my skin so full within 

Of jolly good ale and old. 
Back and side go hare, go hare; 

Both foot and hand go cold / 
But, helly, God send thee good ale enough^ 
Whether it he new or old 1 

I love no roast but a nut-brown toast, 

And a crab laid in the fire ; 
A little bread shall do me stead — 

Much bread I not desire. 
No frost or snow, nor wind, I trow, 

Can hurt me if I wold — 
I am so wrapt, and thorowly lapt 

Of jolly good ale and old. 
Bach and side go hare, go hare ; 

Both foot and hand go cold ; 
But, helly ^ God send thee good ale enough^ 

Whether it he new or old ! 

And Tyb, my wife, that as her life 

Loveth well good ale to seek. 
Full oft drinks she, till you may see 

The tears run down her cheek ; i 

Then doth she trowl to me the bowl, ? 

Even as a malt-worm should ; 
And saith, " Sweetheart, I took my part 

Of this jolly good ale and old." 



I 



EXEQUr. 19 

Back and side go hare, go lare; 

Both foot and hand go cold ; 
But, hellij, God send thee good ale enough, 
Whether it he new or old ! 

NoAv let them drink till they nod and wink, 

Even as good fellows should do ; 
They shall not miss to have the bhss 

Good ale doth bring men to ; 
And all poor souls that have scoured bowls, 

Or have them lustily trowled, 
God save the lives of them and their wives, 

Whether they be young or old ! 
Bach and side go hare, go hare ; 
Both foot and hand go cold ; 
But, helly, God send thee good ale enough, 
Whether it he new or old! 

John Still. 



Accept, thou shrine of my dead saint, 

Instead of dirges, this complaint ; 

And for sweet flowers to crown thy hearse 

Receive a strew of weeping verse 

From thy grieved friend, whom thou might'st see 

Quite melted into tears for thee. 

Dear loss ! since thy untimely fate, 

My task hath been to meditate 

On thee, on thee ; thou art the book. 

The library whereon I look, 

Though almost blind; for thee Goved clay) 

I languish out, not live, the day. 

Using no other exercise 

But what I practice with mine eyes, 



20 SINGLE FAMOUS POEMS. \ 

By which wet glasses I find out 
How lazily Time creeps about 
To one that mourns ; this, only this, 
My exercise and business is : 
So I compute the weary hours 
"With sighs dissolved into showers. 

Nor wonder if my time go thus 
Backward and most preposterous ; 
Thou hast benighted me ; thy set 
This eve of blackness did beget, 
Who wast my day (though overcast 
• Before thou hadst thy noontide passed), 
And I remember must in tears 
Thou scarce hadst seen so many years 
As day tells hours : by thy clear sun 
My love and fortune first did run : 

But thou wilt never more appear 
Folded within my hemisphere. 
Since both thy light and motion 
Like a fled star is fallen and gone, 
And 'twixt me and my soul's dear Avish 
The earth now interposed is, 
Which such a strange eclipse doth make 
As ne'er was read in almanac. 

I could allow thee for a time 

To darken me and my sad clime : 

Were it a month, or year, or ten, 

I would thy exile live till then. 

And all that space my mirth adjourn. 

So thou wouldst promise to return, 

And, putting ofi" thy ashy shroud, » 

At length disperse this sable cloud I } 

But woe is me I the longest date i 

Too narrow is to calculate f 



I 



EXEQUr. 21 

These empty hopes : never shall I 
Be so much blessed as to descry 
A glimpse of thee, till that day come 
Which shall the earth to cinders doom, 
And a fierce fever must calcine 
The body of this world hke thine, 
(My Httle world !) that fit of fire 
Once off, our bodies shall aspire 
To our souls' bHss : then we shall rise, 
And view ourselves with clearer eyes 
In that calm region where no night 
Can hide us from each other's sight. 

Meantime thou hast her, Earth : much good 

May my harm do thee 1 Since it stood 

With Heaven's will I might not call 

Her longer mine, I give thee all 

My short-lived right and interest 

In her whom living I loved best; 

With a most free and bounteous grief 

I give thee what I could not keep. 

Be kind to her, and, prithee, look 

Thou write into thy doomsday book 

Each parcel of this Rarity 

Which in thy casket shrined doth lie. 

See that thou make thy reckoning straight, 

And yield her back again by weight : 

For thou must audit on thy trust 

Each grain and atom of this trust, 

As thou wilt answer Him that lent, 

Not gave thee, my dear monument. 

So, close the ground, and 'bout her shade 

Black curtains draw : my bride is laid. 

Sleep on, my love, in thy cold bed 
Never to be disquieted ! 
2* 



2 2 SINGLE FAMO US F OEMS. 

My last good-night ! Thou wilt not wake 

Till I thy fate shall overtake : 

Till age or grief or sickness must 

Marry my body to that dust 

It so much loves, and fill the room 

My heart keeps empty in thy tomb. 

Stay for me there : I will not fail 

To meet thee in that hollow vale. 

And think not much of my delay ; 

I am already on the way, 

And follow thee with all the speed 

Desire can make, or sorrows breed. 

Each minute is a short degree, 

And every hour a step toward thee. 

At night when I betake to rest, 

ySText morn I rise nearer my west 

Of life, almost by eight hours' sail, 

Than when Sleep breathed his drowsy gale. 

Thus from the sun my bottom steers. 

And my day's compass downward bears ; 

Nor labor I to stem the tide 

Through which to thee I swiftly glide. 

'T is true, with shame and grief I yield ; 

Thou, like the van, first took'st the field, 

And gotten hast the victory, 

In thus adventuring to die 

Before me, whose more years might crave 

A just precedence in the grave. 

But hark ! my pulse, like a soft drum, 

Beats my approach, tells thee I come j 

And slow how e'er my marches be, 

I shall at last sit down by thee. 

The thought of this bids me go on, 
And wait my dissolution 
With hope and comfort. Dear (forgive 
The crime) I am content to live, 



THE ANGLER'S WISH, 03 



Divided, with but half a heart, 
Till we shall meet and never part. 



Henry Kino. 



I IN these flowery meads would be, 

These crystal streams should solace me ; 

To whose harmonious bubbling noise 

T, with my angle, would rejoice. 
Sit here, and see the turtle-dove 
Court his chaste mate to acts of love ; 

Or, on that bank, feel the west wind 
Breathe health and plenty ; please my mind, 
To see sweet dew-drops kiss these flowers, 
And then washed off by April showers ; 
Here, hear my kenna sing a song : 
There, see a blackbird feed her young, 

Or a laverock build her nest ; 

Here, give my weary spirits rest, 

And raise my low-pitched thoughts above 

Earth, or what poor mortals love. 

Thus, free from lawsuits, and the noise 

Of princes' courts, I would rejoice ; 

Or, with my Bryan and a book. 

Loiter long days near Shawford brook ; 

There sit by him, and eat my meat ; 

There see the sun both rise and set ; 

There bid good-morning to next day ; 

There meditate my time away ; 
And angle on ; and beg to have 
A quiet passage to a welcome grave. 

IzAAK Walton. 



24 SINGLE FAMO US FOEMS, 

Beafft's dFmal Olonquejst. 

The glories of our birth and state 

Are shadows, not substantial things ; 
There is no armor against fate — 
Death lays his icy hands on kings ; 
Sceptre and crown 
Must tumble down 
And in the dust be equal made 
With the poor crooked scythe and spade. 

Some men with swords may reap the field, 
And plant fresh laurels where they kill ; 
But their strong nerves at last must yield — 
They tame but one another still j 
Early or late 
They stoop to fate, 
And must give up their murmuring breath, 
When they, pale captives, creep to death. 

The garlands wither on your brow — 

Then boast no more your mighty deeds ; 
Upon death's purple altar, now. 
See where the victor victim bleeds I 
All heads must come 
To the cold tomb — 
Only the actions of the just 
Smell sweet, and blossom in the dust. 

James Shirley. 



FROM A BALLAD UPON A WEDDING. * 

The maid, and thereby hangs a tale, 
For such a maid no Whitsun-ale 

Could ever yet produce : 4 



THE BRIDK 26 

No grape that 's kindly ripe could be 
So round, so plump, so soft as she, 
Nor half so full of juice. 

Her finger was so small, the ring 

Would not stay on which they did bring— 

It was too wide a peck ; 
And, to say truth — for out it must — 
It looked like the great collar— just — 

About our young colt's neck. 

Her feet beneath her petticoat, 
Like little mice, stole in and out, 

As if they feared the light ; 
But 0, she dances such a way 1 
No sun upon an Easter-day 

Is half so fine a sight. 

Her cheeks so rare a white was on, 
No daisy makes comparison ; 

Who sees them is undone ; 
For streaks of red were mingled there, 
Such as are on a Cath'rine pear, 

The side that 's next the sun. 

Her lips were red ; and one was thin, 
Com.pared to that was next her chin. 

Some bee had stung it newly ; 
But, Dick, her eyes so guard her face, 
I durst no more upon them gaze. 

Than on the sun in July. 

Her mouth so small, when she does speak. 
Thou 'dst swear her teeth her words did break, 

That they might passage get ; 
But she so handled still the matter. 
They came as good as ours, or better, 

And are not spent a whit. 

Sir John Suckling. 



20 SINGLE FAMO U8 P OEMS. 

ge (Gentlemen of (f^nglantr* 

Ye gentlemen of England 

That live at home at ease, 
Ah ! little do you think upon 

The dangers of the seas. 
Give ear unto the mariners, 

And they will plainly show 
All the cares and the fears 

When the stormy winds do blow. 

If enemies oppose us 

When England is at war 
With any foreign nation, 

We fear not wound or scar ; 
Our roaring guns shall teach 'em 

Our valor for to know, 
Whilst they reel on the keel. 

And the stormy winds do blow. 

Then courage, all brave mariners, 

And never be dismay'd ; 
While we have bold adventurers, 

We ne'er shall want a trade : 
Our merchants will employ us 

To fetch them wealth, we know ; 
Then be bold — work for gold. 

When the stormy winds do blow. 

Martyn Parker. 



Song. 

Love still has something of the sea, 
From whence his mother rose ; 

No time his slaves from doubt can free, 
Nor give their thoughts repose. 



MY DEAR AND ONLY LOVE. 2 

They are becalmed in clearest days, 

And in rough weather tossed ; 
They wither under cold delays, 

Or are in tempests lost. 

One while they seem to touch the port, 

Then straight into the main 
Some angry wind, in cruel sport, 

The vessel drives again. 

At first disdain and pride they fear, 

Which if they chance to 'scape. 
Rivals and falsehood soon appear, 

In a more cruel shape. 

By such degrees to joy they come, 

And are so long withstood ; 
So slowly they receive the sun. 

It hardly does them good. 

'T is cruel to prolong a pain ; 

And to defer a joy, 
Believe me, gentle Celemene, 

Offends the winged boy. 

An hundred thousand oaths your fears, 

Perhaps, would not remove ; 
And if I gazed a thousand years, 

I could not deeper love. 

Sir Charles Sedley, 

Mv^ Uear anti (©nig Eobe. 

PART FIRST. 

My dear and only love, I pray, 

This noble world of thee 
Be governed by no other sway 

But purest monarcliie. 



28 SINGLE FAMOUS POEMS. 

For if confusion have a part, 
Which virtuous souls abhore, 

And hold a synod in thy heart, 
I '11 never love thee more. 

Like Alexander I will reign, 

And I v^^ill reign alone, 
My thoughts shall evermore disdain 

A rival on my throne. 
He either fears his fate too much, 

Or his deserts are small, 
That puts it not unto the touch, 

To win or lose it all. 

But I must rule and govern still 

And always give the law. 
And have each subject at my will. 

And all to stand in awe. 
But 'gainst my battery if I find 

Thou shun'st the prize so sore 
As that thou set'st me up a bhnd, 

I '11 never love thee more. 

If in the empire of thy heart, 

Where I should solely be, 
Another do pretend a part. 

And dares to vie with me; 
Or if committees thou erect. 

And go on such a score, 
I '11 sing and laugh at thy neglect, 

And never love thee more. 

But if thou wilt be constant then. 
And faithful of thy word, 

I '11 make thee glorious by my pen, 
And famous by my sword. 

I '11 serve thee in such noble ways 
Was. never heard before ; 



MT DEAR AND ONLY LOVE. 29 

I '11 crown and deck thee all with bays, 
And love thee evermore. 

PART SECOND. 

My dear and only love, take heed, 

Lest thou thyself expose, 
And let all longing lovers feed 

Upon such looks as those. 
A marble wall then build about. 

Beset without a door ; 
But if thou let thy heart fly out, 

I '11 never love thee more. 

Let not their oaths, like volleys shot. 

Make any breach at all ; 
Nor smoothness of their language plot 

Which way to scale the wall ; 
Nor balls of wild-fire love consume 

The shrine which I adore ; 
For if such smoke about thee fume, 

I '11 never love thee more. 

I think thy virtues be too strong 

To suffer by surprise ; 
Those victualed by my love so long, 

The siege at length must rise, 
And leave thee ruled in that health 

And state thou wast before ; 
But if thou turn a commonwealth, 

I '11 never love thee more. 

Or if by fraud, or by consent. 

Thy heart to ruine come, 
I '11 sound no trumpet as I wont. 

Nor march by tuck of drum ; 
But hold my arms, like ensigns, up, 

Thy falsehood to deplore. 



30 SINGLE FAMOUS POEMS. 

And bitterly will sigh and weep, 
And never love thee more. 

I '11 do with thee as Nero did 

When Rome was set on fire, 
Not only all relief forbid. 

But to a hill retire, 
And scorn to shed a tear to see 

Thy spirit grown so poor ; 
But smiling sing, until I die, 

I '11 never love thee more. 

Yet, for the love I bare thee once. 

Lest that thy name should die, 
A monument of marble-stone 

The truth shall testifie ; 
That every pilgrim passing by 

May pity and deplore 
My case, and read the reason why 

I can love thee no more. 

The golden laws of love shall be 

Upon this pillar hung, — 
A simple heart, a single eye, 

A true and constant tongue ; 
Let no man for more love pretend 

Than he has hearts in store ; 
True love begun shall never end; 

Love one and love no more. 

Then shall thy heart be set by mine, 

But in far different case ; 
For mine was true, so was not thine, 

But lookt like Janus' face. 
For as the waves with every wind, 

So sail'st thou every shore. 
And leav'st my constant heart behind, - 

How can I love thee more ? 



MT DEAR AND ONLY LOVE. si 

My heart shall with the sun be fixed 

For constancy most strange, 
And thine shall with the moon be mixed, 

Delighting ay in change. 
Thy beauty shined at first more bright, 

And woe is me therefore, 
That ever I found thy love so light 

I could love thee no more ! 

The misty mountains, smoking lakes, 

The rocks' resounding echo, 
The whistling wind that murmur makes. 

Shall with me sing hey ho ! 
The tossing seas, the tumbling boats. 

Tears dropping from each shore, 
Shall tune with me their turtle notes — 

I '11 never love thee more. 

As doth the turtle, chaste and true, 

Her fellow's death regrete. 
And daily mourns for his adieu. 

And ne'er renews her mate ; 
So, though thy faith was never fast, 

Which grieves me wondrous sore, 
Yet I shall live in love so chaste, 

That I shall love no more. 

And when all gallants ride about 

These monuments to view, 
Whereon is written, in and out. 

Thou traitorous and untrue ; 
Then in a passion they shall pause. 

And thus say, sighing sore, 
"Alas ! he had too just a cause 

Never to love thee more." 

And when that tracing goddess Fame 
From east to west shall flee, 



32 SINGLE FAMOUS POEMS. 

She shall record it, to thy shame, 

How thou hast loved me ; 
And how in odds our love was such 

As few have been before ; 
Thou loved too many, and I too much, 

So I can love no more. 

James G-raham, Marquis of Montrose, 



•^ *• Sing, heavenly Musel 

Things unattempted yet, in prose or rhyme," 
A shilling, breeches, and chimeras dire. 

Happy the man, who, void of cares and strife, 
In silken or in leather purse retains 
A Splendid Shilling : he nor hears with pain 
New oysters cried, nor sighs for cheerful ale ; 
But with his friends, when nightly mists arise, 
To Juniper's Magpie, or Town-hall repairs : 
Where, mindful of the nymph, whose wanton eye 
Transfix'd his soul, and kindled amorous flames, 
Chloe, or Phillis, he each circling glass 
Wisheth her health, and joy, and equal love. 
Meanwhile, he smokes, and laughs at merry tale, 
Or pun ambiguous, or conundrum quaint. 
But I, whom griping penury surrounds, 
And Hunger, sure attendant upon Want, 
With scanty offals, and small acid tiff, 
(Wretched repast!) my meagre corpse sustain: 
Then solitary walk, or doze at home 
In garret vile, and with a warming puff 
Regale chill' d fingers : or from tube as black 
As winter-chimney, or well-polish'd jet, 
Exhale mundungus, ill-perfuming scent : 
Not blacker tube, nor of a shorter size, 
Smokes Cambro-Briton (vers'd in pedigree. 



TEE SPLENDID SHILLING. 3? 

Sprung from Cadwallador and Arthur, kings 

Full famous in romantic tale) when he, 

O'er many a craggy hill and barren cliff. 

Upon a cargo of fani'd Cestrian cheese, 

High over-shadowing rides, with a design 

To vend his wares, or at th' Avonian mart, 

Or Maridunum, or the ancient town 

Yclep'd Brechinia, or where Yaga's stream 

Encircles Ariconium, fruitful soil I 

Whence flow nectareous wines, that well may vie 

With Massic, Setin, or renown'd Falern. 

Thus while my joyless minutes tedious flow, 
With looks demure, and silent pace, a Dun, 
Horrible monster ! hated by gods and men. 
To my aerial citadel ascends, 
With vocal heel thrice thundering at my gate, 
With hideous accent thrice he calls ; I know 
The voice ill-boding, and the solemn sound. 
What should I do ? or whither turn ? Amaz'd, 
Confounded, to the dark recess I fly 

Of wood-hole ; straight my bristling hairs erect 

Through sudden fear ; a chilly sweat bedews 
My shuddering Hmbs, and (wonderful to tell 1) 

My tongue forgets her faculty of speech ; 

So horrible he seems I His faded brow, 

Intrench'd with many a frown, and conic beard, 

And spreading band, admir'd by modern saints. 

Disastrous acts f orbode ; in his right hand 

Long scrolls of paper solemnly he waves, 

With characters and figures dire inscrib'd, 

Grievous to mortal eyes ; (ye gods, avert 

Such plagues from righteous men !) Behind him stattcs 

Another monster, not unUke himself, 

Sullen of aspect, by the vulgar call'd 

A catchpole, whose polluted hands the gods, 

With force incredible, and magic charms, 

First have endued : if he his ample pahn 
3* 



34 SINGLE FAMOUS POEMS. 

Should haply on ill-fated shoulder lay 
Of debtor, straight his body, to the touch 
Obsequious (as whilom knights were wont,) 
To some enchanted castle is convey' d, 
Where gates impregnable, and coercive chains, 
In durance strict detain liim, till, in form 
Of money, Pallas sets the captive free. 

Beware, ye debtors ! when ye walk, beware, 
Be circumspect ; oft with insidious ken 
The caitiff eyes your steps aloof, and oft 
Lies perdu in a nook or gloomy cave, 
Prompt to enchant some inadvertent wretch 
With his unhallowed touch. So, (poets sing) 
Grimalkin, to domestic vermin sworn 
An everlasting foe, with watcliful eye 
Lies nightly brooding o'er a chinky gap. 
Portending her fell claws, to thoughtless mice 
Sure ruin. So her disembowell'd web 
Arachne, in a haU or kitchen, spreads 
Obvious to vagrant flies : she secret stands 
Within her woven cell : the humming prey, 
Regardless of their fate, rush on the toils 
Inextricable, nor will aught avail 
Their arts, or arms, or shapes of lovely hue ; 
The wasp insidious, and the buzzing drone, 
And butterfly, proud of expanded wings 
Distinct with gold, entangled in her snares, 
Useless resistance make ; with eager strides. 
She towering flies to her expected spoils ; 
Then, with envenomed jaws, the vital blood 
Drinks of reluctant foes, and to her cave 
Their bulky carcasses triumphant drags. 

So pass my days. But when nocturnal shades 
Tliis world envelop, and th' inclement air 
Persuades men to repel benumbing frosts 
With pleasant wines, and crackling blaze of wood j 
Me, lonely sitting, nor the glimmering light 



TEE SPLENDID SHILLING. ^5 

Of make-weight candle, nor the joyous talk 
Of loving friend, delights : distress' d, forlorn, 
Amidst the horrors of the tedious night, 
DarkHng I sigh, and feed with dismal thoughts 
My anxious mind : or sometimes mournful verse 
Indite, and sing of groves and myrtle shades, 
Or desperate lady near a purling stream. 
Or lover pendent on a willow tree. 
Meanwhile I labor with eternal drought. 
And restless wish, and rave ; my parched throat 
Finds no rehef, nor heavy eyes repose : 
But if a slumber haply does invade 
My weary limbs, my fancy 's still awake. 
Thoughtful of drink, and eager, in a dream, 
(Tipples imaginary pots of ale. 
In vain ; awake I find the settled thirst 
Still gnawing, and the pleasant phantom curse. 
Thus do I hve, from pleasure quite debarred, 
Nor taste the fruits that the sun's genial rays 
Mature, john-apple, nor the downy peach. 
Nor walrmt in rough-furrow' d coat secure, 
Nor medlar, fruit delicious in decay ; 
Afflictions great 1 yet greater still remain : 
My galligaskins, that have long withstood 
The winter's fury, and encroaching frosts. 
By time subdued (what will not time subdue I) 
An horrid chasm disclos'd with orifice 
Wide, discontinuous ; at which the winds 
Eurus and Auster, and the dreadful force 
Of Boreas, that congeals the Cronian waves, 
Tumultuous enter with dire chilling blasts, 
Portending agues. Thus a well-fraught ship. 
Long sail'd secure, or through th' ^gean deep, 
Or the Ionian, till cruising near 
The Lilybean shore, with hideous crush 
On Scylla, or Charybdis (dangerous rocks I) 
She strikes rebounding; whence the shatter'd oak, 



36 SINGLE FAMOUS POEMS. 

So fierce a shock unable to withstand, 

Admits the sea : in at the gaping side 

The crowding waves gush with impetuous rage 

Resistless, overwhelming; horrors seize 

The mariners ; Death in their eyes appears, 

They stare, they lave, they pump, they swear, they pray 

(Yain efforts !) still the battering waves rush in, 

Implacable, till, delug'd by the foam. 

The ship sinks foundering in the vast abyss. 

John Philips. 



Hie upon Hielands, 

And low upon Tay, 
Bonnie George Campbell _ 

Rade out on a day. ^ 

Saddled and bridled 

And gallant rade he ; 
Hame cam his gude horse, 

But never cam he 1 

Out cam his auld mither, 

Greeting f u' sair ; 
And out cam his bonnie bride, 

Rivin' her hair. 
Saddled and bridled 

And booted rade he ; 
Toom hame cam the saddle. 

But never cam he I 

" My meadow lies green, 
And my corn is unshorn ; 
My barn is to big, 

And my baby's unborn." 



TEE HERMIT. 37 

Saddled and bridled 

And booted rade he; 
Toom hame cam the saddle, 

But never cam he I 

Anonymous. 

CJe Jgermit. 

Far in a wild, unknown to pubUc view, 
From youth to age a reverend hermit grew; 
The moss his bed, the cave his humble cell, 
His food the fruits, his drink the crystal well : 
Remote from men, with God he pass'd the days, 
Prayer all his business, all his pleasure praise. 

A life so sacred, such serene repose, 
Seem'd Heaven itself, till one suggestion rose ; 
That Vice should triumph, Virtue, Vice obey. 
This sprung some doubt of Providence's sway : 
His hopes no more a certain prospect boast, 
And all the tenor of his soul is lost : 
So when a smooth expanse receives imprest 
Calm Nature's image on its watery breast, 
Down bend the banks, the trees depending grow, 
And skies beneath with answering colors glow; 
But if a stone the gentle sea divide. 
Swift ruffling circles curl on every side. 
And glimmering fragments of a broken Sun, 
Banks, trees, and skies, in thick disorder run. 

To clear this doubt, to know the world by ^ight, 
To find if books, or swains, report it right, 
(For yet by swains alone the world he knew, 
Whose feet came wandering o'er the nightly dew) 
He quits his cell ; the pilgrim-staff he bore, 
And fix'd the scallop in his hat before ; 
Then with the Sun a rising journey went, 
Sedate to think, and watching each event. 

The morn was wasted in the pathless grass, 

4 



38 SINGLE FAMOUS POEMS. 

And long and lonesome was the wild to pass; 
But when the southern Sun had warm'd the day, 
A youth came posting o'er a crossing way ; 
His raiment decent, his complexion fair, 
And soft in graceful ringlets wav'd his hair. 
Then near approaching, " Father, hail ! " he cried, 
"And hail, my son," the reverend sire replied; 
Words follow'd words, from question answer flow'd, 
And talk of various kind deceiv'd the road; 
Till each with other pleas' d, and loath to part. 
While in their age they differ, join in heart. 
Thus stands an aged elm in ivy bound. 
Thus youthful ivy clasps an elm around. 

Now sunk the Sun : the closing hour of day 
Came onward, mantled o'er with sober gray ; 
Nature in silence bid the world repose ; 
When near the road a stately palace rose : 
There by the Moon through ranks of trees they pass, 
Whose verdure crown'd their sloping sides of grass. 
It chanced the noble master of the dome 
(Still made his house the wandering stranger's home: 
Yet still the kindness, from a thirst of praise, 
Prov'd the vain flourish of expensive ease. 
The pair arrive : the liv'ried servants wait ; 
Their lord receives them at the pompous gate. 
The table groans with costly piles of food, 
And all is more than hospitably good. 
Then led to rest, the day's long toil they drown, 
Deep sunk in sleep, and silk, and heaps of down. 

At length 't is morn, and at the dawn of day. 
Along the wide canals the zephyrs play : 
Presh o'er the gay parterres the breezes creep. 
And shake the neighboring wood to banish sleep. 
Up rise the guests, obedient to the call : 
An early banquet deck'd the splendid hall; 
Rich luscious wine a golden goblet grac'd. 
Which the kind master forc'd the guests to taste. 



TEE HERMIT. 39 

Then, pleas'd and thankful, from the porch they go; 
And, but the landlord, none had cause of woe : 
His cup was vanish'd ; for in secret guise 
The younger guest purloin'd the glittering prize. 

As one who spies a serpent in his way, 
Glistening and basking in the summer ray, 
Disorder'd stops to shun the danger near, 
Then walks with faintness on, and looks with fear, 
So seem'd the sire ; when far upon the road, 
The shining spoil his wily partner show'd. 
He stop'd with silence, walk'd with trembling heart, 
And much he wish'd, but durst not ask to part: 
Murmuring he lifts his eyes, and thinks it hard, 
That generous actions meet a base reward. 

While thus they pass, the Sun his glory shrouds. 
The changing skies hang out their sable clouds ; 
A sound in air presag'd approaching rain, 
And beasts to covert scud across the plain. 
Warn'd by the signs, the wandering pair retreat, 
To seek for shelter at a neighboring seat. 
'T was built with turrets on a rising ground, 
And strong, and large, and unimprov'd around; 
Its owner's temper, timorous and severe. 
Unkind and griping, caus'd a desert there. 

As near the miser's heavy doors they drew, 
Fierce rising gusts with sudden fury blew ; 
The nimble lightning mix'd with showers began. 
And o'er their heads loud rolhng thunders ran. 
Here long they knock, but knock or call in vain. 
Driven by the wind, and batter'd by the rain. 
At length some pity warm'd the master's breast, 
('T was then his threshold first received a guest) ; 
Slow creaking turns the door with jealous care. 
And half he welcomes in the shivering pair; 
One frugal fagot lights the naked walls. 
And Nature's fervor through their limbs recalls ; 
Bread of the coarsest sort, with eager wine, 



40 SINGLE FAMOUS POEMS. 

(Each hardly granted) serv'd them both to dine ; 
And when the tempest first appeared to cease, 
A ready warning bid them part in peace. 

With still remark the pondering hermit view'd, 
In one so rich, a life so poor and rude ; 
"And why should such," within himself he cried, 
"Lock the lost wealth a thousand want beside? " 
But what new marks of wonder soon take place, 
In every settling feature of his face ; 
When from his vest the young companion bore 
That cup, the generous landlord own'd before. 
And paid profusely with the precious bowl 
The stinted kindness of this churlish soul. 

But now the clouds in airy tumult fly ! 
The Sun emerging opes an azure sky ; 
A fresher green the smelling leaves display. 
And, glittering as they tremble, cheer the day : 
The weather courts them from the poor retreat, 
And the glad master bolts the wary gate. 

While hence they walk, the pilgrim's bosom wrought 
With all the travail of uncertain thought ; 
His partner's acts without their cause appear, 
'T was there a vice, and seem'd a madness here; 
Detesting that, and pitying this, he goes, 
Lost and confounded with the various shows. 

Now Night's dim shades again involve the sky, 
Again the wanderers want a place to lie, 
Again they search, and find a lodging nigh. 
The soil improv'd around, the mansion neat, 
And neither poorly low, nor idly great : 
It seem'd to speak its master's turn of mind, 
Content, and not to praise, but virtue kind. 

Hither the walkers turn with weary feet. 
Then bless the mansion, and the master greet : 
Their greeting fair, bestow'd Avith modest guise, 
The courteous master hears, and thus replies : 

" Without a vain, without a grudging heart, 



THE HERMIT. 41 

To him who gives us all, I yield a part; 

From him you come, for him accept it here, 

A frank and sober, more than costly cheer." 

I[e spoke, and bid the welcome table spread, 

Then talk of virtue till the time of bed, 

When the grave household round his hall repair, 

Warn'd by a bell, and close the hours with prayer. 

At length the world, renew'd by calm repose, 
"Was strong for toil, the dappled Morn arose ; 
Before the pilgrims part, the younger crept 
Near the clos'd cradle where an infant slept, 
And writh'd his neck : the landlord's little pride, 
strange return ! grew black, and gasp'd, and die(i. 
Horror of horrors ! what ! his only son ! 
How look'd our hermit when the fact was done; 
Not Hell, though Hell's black jaws in sunder part, 
And breathe blue fire, could more assault his heart. 

Confus'd, and struck with silence at the deed. 
He flies, but trembling, fails to fly with speed. 
His steps the youth pursues ; the country lay 
Perplex'd with roads, a servant show'd the way ; 
A river cross'd the path; the passage o'er 
Was nice to find ; the servant trod before ; 
Long arms of oaks an open bridge supplied, 
And deep the waves beneath them beading ghde. 
The youth, who seem'd to watch a time to sin, 
Approach' d the careless guide, and thrust him in : 
Plunging he falls, and rising lifts his head, 
Then flashing turns, and sinks among the dead. 

Wild, sparkling rage inflames the father's eyes, 
He bursts the bands of fear, and madly cries, 
" Detested wretch ! " — But scarce his speech began. 
When the strange partner seem'd no longer man ; 
His youthful face grew more serenely sweet ; 
His robe turn'd white, and flow'd upon his feet ; 
Fair rounds of radiant points invest his hair ; 
Celestial odors breathe through purpled air ; 



42 SINGLE FAMOUS POEMS. 

And wings, whose colors glitter'd on the day, 
Wide at his back their gradual plumes display. 
The form ethereal burst upon his sight, 
And moved in all the majesty of light. 

Though loud at first the pilgrim's passion grew, 
Sudden he gaz'd, and wist not what to do; 
Surprise in secret chains his words suspends, 
And in a calm his settling temper ends. 
But silence here the beauteous angel broke 
(The voice of music ravish'd as he spoke). 

" Thy prayer, thy praise, thy life to vice unknown, 
In sweet memorial rise before the throne : 
These charms success in our bright region find 
And force an angel down, to calm thy mind; 
For this, commissioned, I forsook the sky. 
Nay, cease to kneel — thy fellow-servant I. 

" Then know the truth of government divine. 
And let these scruples be no longer thine. 

" The Maker justly claims that world he made. 
In this the right of Providence is laid ; 
Its sacred majesty through all depends 
On using second means to work his ends : 
'T is thus, withdrawn in state from human eye. 
The power exerts his attributes on high, 
Your actions uses, nor controls your will, 
And bids the doubting sons of men be still. 

" What strange events can strike with more surprisa 
Than those which lately struck thy wondering eyes ? 
Yet, taught by these, confess th' Almighty just. 
And where you can't unriddle, learn to trust ! 

" The great, vain man, who f ar'd on costly food. 
Whose life was too luxurious to be good ; 
Who made his ivory stands with goblets shine. 
And forc'd his guests to morning draughts of wine. 
Has, with the cup, the graceless custom lost. 
And still he welcomes, but with less of cost. 

" The mean, suspicious wretch, whose bolted door 



THE HERMIT. 4 

Ne'er mov'd in duty to the wandering poor ; 
With him I left tlie cup, to teach his mind 
That Heaven can bless, if mortals will be kind. 
Conscious of wanting worth, he views the bowl, 
And feels compassion touch his grateful souL 
Thus artists melt the sullen ore of lead, 
With heaping coals of fire upon his head ; 
In the kind warmth the metal learns to glow, 
And loose from dross the silver runs below. 

" Long had our pious friend in virtue trod. 
But now the child half -weaned his heart from God j 
(Child of his age) for him he liv'd in pain, 
And measured back his steps to Earth again. 
To what excesses had his dotage run ? 
But God, to save the father, took the son. 
To all but thee, in fits he seem'd to go, 
(And 't was my ministry to deal the blow,) 
The poor fond parent, humbled in the dust, 
Now owns in tears the punishment was just. 

" But now had all his fortune felt a wrack, 
Had that false servant sped in safety back ; 
This night his treasur'd heaps he meant to steal, 
And what a fund of charity would fail ! 
Thus Heaven instructs thy mind : this trial o'er, 
Depart in peace, resign, and sin no more." 

On sounding pinions here the youth withdrew. 
The sage stood wondering as the seraph flew. 
Thus look'd Elisha when, to mount on high, 
His master took the chariot of the sky ; 
The fiery pomp ascending left to view ; 
The prophet gazed, and wish'd to follow too. 

The bending hermit here a prayer begun, 
* Lord ! as in Heaven, on Earth thy will he done." 
Then gladly turning sought his ancient place, 
And passed a life of piety and peace. 

Thomas Parnell. 



44 SINGLE FAMO US POEMS. 

<©n tje ^Prospect of planting ^rts anb Ueatnmg 
m amen'ca. 

The Muse, disgusted at an age and clime 

Barren of every glorious theme, 
In distant lands now waits a better time, 

Producing subjects worthy fame ; 

In happy climes, where from the genial sun 
And virgin earth such scenes ensue, 

The force of art by nature seems outdone, 
And fancied beauties by the true ; 

In happy climes the seat of innocence. 
Where nature guides and virtue rules, 

Where men shall not impose, for truth and sense, 
The pedantry of courts and schools. 

There shall be sung another golden age, 

The rise of empire and of arts. 
The good and great uprising epic rage, 

The wisest heads and noblest hearts. 

Not such as Europe breeds in her decay ; 

Such as she bred when fresh and young. 
When heavenly flame did animate her clay. 

By future poets shall be sung. 

Westward the course of empire takes its way ; 

The first four acts already past. 
The fifth shall close the drama with the day ; 

Time's noblest ofi*spring is the last. 

GrEORGE BeRKELET, 



Sallg m our ^lleg* 

Of all the girls that are so smart, 
There 's none like Pretty Sally ; 



8ALLT IN UR ALLEY. 45 

She is the darling of my heart. 

And lives in our alley. 
There 's ne'er a lady in the land 

That 's half so sweet as Sally; 
She is the darhng of my hearty 

And lives in our alley. 

Her father he makes cabbage-nets, 

And tlirough the streets does cry them ; 
Her mother she sells laces long 

To such as please to buy them : 
But sure such folk can have no part 

In such a girl as Sally ; 
She is the darling of my heart, 

And lives in our alley. 

When she is by, I leave my work, 

I love her so sincerely ; 
My master comes, like any Turk, 

And bangs me most severely : 
But let him bang, long as he will, 

I '11 bear it all for Sally ; 
She is the darling of my heart. 

And hves in our alley. 

Of all the days are in the week, 

I dearly love but one day. 
And that 's the day that comes betwixt 

A Saturday and Monday ; 
For then I 'm dressed, all in my best. 

To walk abroad with Sally ; 
She is the darling of my heart, 

And hves in our alley. 

My master carries me to church, 

And often am I blamed. 
Because I leave him in the lurch, 

Soon as the text is named : 
4* 



46 SINGLE FAMO US F0EM8, 

I leave the church in sermon time, 

And slink away to Sally ; 
She is the darling of my heart, 

And lives in our alley. 

When Christmas comes about again, 

then I shall have money ; 

I '11 hoard it up and, box and all, 

1 '11 give it to my honey ; 

Oh would it were ten thousand pounds, 

I 'd give it all to Sally ; 
For she 's the darling of my heart, 

And lives in our alley. 

My master, and the neighbors all, 

Make game of me and Sally, 
And but for h^ I 'd better be 

A slave, afid row a galley : 
But when my seven long years are out, 

then I '11 marry Sally, 
And then how happily we '11 live — 

But not in our alley. 

Henry Carey. 

i^rongar J^ilL 

Silent nymph, with curious eye, 
"Who the purple evening lie 
On the mountain's lonely van. 
Beyond the noise of busy man ; 
Painting fair the form of things, 
While the yiellow linnet sings ; 
Or the tuneful nightingale 
Charms the forest with her tale ; — 
Come, witE'all thy various dues. 
Come and aid thy sister Muse ; 
Now, while Phoebus riding high, 
Gives lustre to the land and sky I 



GRONGAR niLL. 47 

Grongar Hill invites my song, 

Draw the landscape bright and strong ; 

Grongar, in whose mossy cells 

Sweetly musing Quiet dwells; 

Grongar, in whose silent shade, 

For the modest Muses made. 

So oft I have, the evening still, 

At the fountain of a rill. 

Sate upon a flowery bed, 

"With my hand beneath my head ; 

While stray'd my eyes o'er Towy's flood, 

Over mead and over wood, 

From house to house, from hill to hill, 

Till Contemplation had her fill. 

About his chequer'd sides I wind. 
And leave his brooks and meads behind, 
And groves and grottoes where I lay, 
And vistas shooting beams of day ; 
Wide and wider spreads the vale. 
As circles on a smooth canal ; 
The mountains round, unhappy fate! 
Sooner or later, of all height. 
Withdraw their summits from the skies, 
And lessen as the others rise : 
Still the prospect wider spreads. 
Adds a thousand woods and meads; 
Still it widens, widens still. 
And sinks the newly risen hill. 

Now, I gain the mountain's brow, 
What a landscape hes below ! 
No clouds, no vapors intervene; 
But the gay, the open scene 
Does the face of Nature show. 
In all the hues of Heaven's bow I 
And, swelling to embrace the light, 
Spreads around beneath the sight. 

Old castles on the clifis arise, 



4S SINGLE FAMO US POEMS. 

Proudly towering in the skies 1 
Eushing from the woods, the spires 
Seem from hence ascending fires I 
Half his beams Apollo sheds 
On the yellow mountain-heads I 
Gilds the fleeces of the flocks, 
And glitters on the broken rocks ! 

Below me trees unnumber'd rise, 
Beautiful in various dyes : 
The gloomy pine, the poplar blue, 
The yellow beach, the sable yew, 
The slender fir that taper grows. 
The sturdy oak with broad-spread bougha 
And beyond the purple grove. 
Haunt of Phyllis, queen of love I 
Gaady as the opening dawn, 
Lies a long and level lawn, 
On which a dark hill, steep and high, 
Holds and charms the wandering eye ! 
Deep are his feet in Towy's flood. 
His sides are cloth'd with waving wood, 
And ancient towers crown his brow, 
That cast an awful look below ; 
Whose ragged walls the ivy creeps. 
And with her arms from falling keeps ; 
So both a safety from the wind 
In mutual dependence find. 
'T is now the raven's bleak abode : 
'T is now the apartment of the toad ; 
And there the fox securely feeds ; 
And there the poisonous adder breeds, 
Conceal'd in ruins, moss, and weeds ; 
While, ever and anon, there falls 
Huge heaps of hoary moulder'd walls. 
Yet Time has seen, that lifts the low. 
And level lays the lofty brow. 
Has seen this broken pile complete, 



OBONGAR HILL, 49 

Big with the vanity of state ; 
But transient is the smile of Fate I 
A little rule, a little sway, 
A sunbeam in a winter's day, 
(is all the proud and mighty have 
'-Between the cradle and the grave. 

Aad see the rivers how they run. 
Through woods and meads, in shade and sun, 
Sometimes swift, sometimes slow, 
Wave succeeding wave, they go 
A various journey to the deep. 
Like human life, to endless sleep ! 
Thus is Nature's vesture wrought, 
To instruct our wandering thought; 
Thus she dresses green and gay, 
(To disperse our cares away. 
Ever charming, ever new. 
When will the landscape tire the view I 
The fountain's fall, the river's flow, 
The woody valleys, warm and low ; 
The windy summit, wild and liigh. 
Roughly rushing on the sky I 
The pleasant seat, the ruin'd tower. 
The naked rock, the shady bower ; 
The town and village, dome and farm. 
Each gives each a double charm. 
As pearls upon an Ethiop's arm. 

See on the mountain's southern side 
Where the prospect opens wide, 
Where the evening gilds the tide ; 
How close and small the hedges lie 1 
What streaks of meadows cross the eye 1 
A step methinks may pass the stream, 
So little distant dangers seem ; 
So we mistake the Future's face, 
Ey'd through Hope's deluding glass; 
As yon summit soft and fair. 



50 



SINGLE FAMOUS POEMS. 



Clad in colors of the air, 
Which to those who journey near, 
Barren, brown, and rough appear, 
Still we tread the same coarse way, 
The present 's still a cloudy day. 

may I with myself agree, 
And never covet what I see ; 
Content me with an humble shade, 
My passions tam'd, my wishes laidj 
For, while our wishes wildly roll, 
We banish quiet from the soul : 
'T is thus the busy beat the air, 
And misers gather wealth and care. 

Now, ev'n now, my joys run high, 
As on the mountain-turf I lie; 
While the wanton Zephyr sings, 
And in the vale perfumes his wings ; 
While the waters murmur deep ; 
While the shepherd charms his sheep j 
While the birds unbounded fly, 
And with music fiU the sky, 
Now, ev'n now, my joys run high. 

Be full, ye courts ; be great who will, 
Search for Peace with all your skill : 
Open wide the lofty door, . 

Seek her on the marble floor. 
In vain you search, she is not there ; 
In vain you search the domes of Care I 
Grass and flowers Quiet treads, 
On the meads, and mountain-heads. 
Along with Pleasure, close aUied, 
Ever by each other's side ; 
And often, by the murmuring rill. 
Hears the thrush, while all is still, 
Within the groves of Grrongar Hill. 

John Dteb. 



A SOLILOQUY, 51 

^ ScilllO(]tUg» 

OCCASIONED BY THE CHIRPING OF A GRASSHOPPER. 

Happy insect 1 ever blest 
With a more than mortal rest, 
Rosy dews the leaves among, 
Humble joys, and gentle song 1 
Wretched poet I ever curst 
With a life of lives the worst, 
Sad despondence, restless fears, 
Endless jealousies and tears. 

In the burning summer thou 
Warblest on the verdant bough, 
Meditating cheerful play, 
Mindless of the piercing ray ; 
Scorched in Cupid's fervors, I 
Ever weep and ever die. 

Proud to gratify thy wOl, 
Ready Nature waits thee still ; 
Balmy wines to thee she pours. 
Weeping through the dewy flowers 
Rich as those by Hebe given 
To the thirsty sons of heaven. 

Yet alas, we both agree. 
Miserable thou hke me ! 
Each, alike, in youth rehearses 
Gentle strains and tender verses * 
Ever wandering far from home, 
Mindless of the days to come 
(Such as aged Winter brings 
Trembhng on his icy wings), 
Both ahke at last we die ; 
Thou art starved, and so am I ! 

Walter Harte. 



52 SINGLE FAMO US POEMS. 

CJe ISxat^ of ¥arrob). 

" Busk ye, busk ye, my bonnie, bonnie bride I 
Busk ye, busk ye, my winsome marrow I 
Busk ye, busk ye, my bonnie, bonnie bride. 
And think nae mair of the braes of Yarrow." 

" Where got ye that bonnie, bonnie bride, 

Where got ye that winsome marrow ? " 
" I got her where I daurna weel be seen, 

Pu'ing the birks on the braes of Yarrow. 

" Weep not, weep not, my bonnfe, bonnie bride. 
Weep not, weep not, my winsome marrow I 
Nor let thy heart lament to leave 

Pu'ing the birks on the braes of Yarrow." 

* Why does she weep, thy bonnie, bonnie bride ? 
Why does she weep, thy winsome marrow ? 
And why daur ye nae mair weel be seen 
Pu'ing the birks on the braes of Yarrow ? " 

" Lang maun she weep, lang maun she, maun she weep — • 
Lang maun she weep wi' dule and sorrow j 
And lang maun I nae mair weel be seen 
Pu'ing the birks on the braes of Yarrow. 

" For she has tint her lover, lover dear — 
Her lover dear, the cause of sorrow j 
And I hae slain the comeliest swain 

That e'er pu'd birks on the braes of Yarrow. 

" Why runs thy stream, Yarrow, Yarrow, red ? 
Why on thy braes heard the voice of sorrow ? 
And why yon melancholious weeds 
Hung on the bonnie birks of Yarrow ? 



THE BRAES OF YARROW. 53 

" What 's yonder floats on the rueful, rueful flood ? 
What 's yonder floats? — Oh, dale and sorrow 1 
'T is he, the comely swain I slew 
Upon the dulefu' braes of Yarrow. 

"Wash, oh, wash his wounds, his wounds in tears, 
His wounds in tears o' dule and sorrow ; 
And wrap his limbs in mourning weeds, 
And lay him on the banks of Yarrow, 

" Then build, then build, ye sisters, sisters sad, 
Ye sisters sad, his tomb wi' sorrow ; 
And weep around, in waeful wise. 

His hapless fate on the braes of Yarrow I 

" Curse ye, curse ye, his useless, useless shield. 
The arm that wrought the deed of sorrow, 
The fatal spear that pierced his breast. 

His comely breast, on the braes of Yarrow I 

" Did I not warn thee not to, not to love, 

And warn from fight ? But, to my sorrow. 
Too rashly bold, a stronger arm thou met'st, 
Thou met'st, and fell on the braes of Yarrow. 

Sweet smells the birk ; green grows, green grows the grass ; 

Yellow on Yarrow's braes the gowan j 
Fair hangs the apple frae the rock ; 

Sweet the wave of Yarrow flowing I 

" Flows Yarrow sweet ? As sweet, as sweet flows Tweed ; 
As green its grass; its gowan as yellow; 
As sweet smells on its braes the birk; 
The apple from its rocks as mellow I 

** Fair was thy love ! fair, fair indeed thy love 1 
In flowery bands thou didst him fetter ; 



64 SINGLE FAMOUS POEMS. 

Though he was fair, and well-beloved again, 
Than I he never loved thee better. 

"Busk ye, then, busk, my bonnie, bonnie bride I 
Busk ye, busk ye, my winsome marrow ! 
Busk ye, and lo'e me on the banks of Tweed 
And think nae mair on the braes of Yarrow." 

" How can I busk a bonnie, bonnie bride ? 
How can I busk a winsome marrow ? 
How can I lo'e him on the banks of Tweed, 
That slew my love on the braes of Yarrow ? 

" Oh Yarrow fields, may never, never rain, 
Nor dew, thy tender blossoms cover I 
For there was basely slain my love, 
My love, as he had not been a lover. 

" The boy put on his robes, his robes of green, 
His purple vest — 't was my ain sewing ; 
Ah, wretched me ! I little, httle kenned 
He was, in these, to meet his ruin. 

" The boy took out his milk-white, milk-white steed, 
Unmindful of my dule and sorrow ; 
But ere the too fa' of the night, 

He lay a corpse on the banks of Yarrow 1 

*' Much I rejoiced that waef u', waefu' day ; 
I sang, my voice the woods returning ; 
But lang ere night the spear was flown 
That slew my love, and left me mourning. 

" "What can my barbarous, barbarous father do, 
But with his cruel rage pursue me ? 
My lover's blood is on thy spear — 

How canst thou, barbarous man, then woo me ? 



THE BRAES OF YARROW, 55 

" My happy sisters may be, may be proud ; 
With cruel and ungentle scoffing 
May bid me seek, on Yarrow braes, 
My lover nailed in his coffin. 

"My brother Douglas may upbraid, 

And strive, with threatening words, to move me ; 
My lover's blood is on thy spear — 

How canst thou ever bid me love thee ? 

" Yes, yes, prepare the bed, the bed of love 1 
With bridal-sheets my body cover I 
Unbar, ye bridal-maids, the door ! 
Let in the expected husband-lover I 

" But who the expected husband, husband is ? 
His hands, methinks, are bathed in slaughter I 
Ah me I what ghastly spectre 's yon 
Comes in his pale shroud, bleeding after ? 

" Pale as he is, here lay him, lay him down ; 
Oh lay his cold head on my pillow I 
Take oflf, take off these bridal weeds. 

And crown my careful head with willow, 

" Pale though thou art, yet best, yet best beloved, 
Oh could my warmth to life restore thee 1 
lYet lie all night within my arms — 
No youth lay ever there before thee I 

*' Pale, pale indeed, lovely, lovely youth 1 
Forgive, forgive so foul a slaughter, 
And lie all night within my arms. 
No youth shall ever lie there after I " 

" Return, return, mournful, mournful bride I 
Keturn, and dry thy useless sorrow I 



56 SINGLE FAMOUS POEMS. 

Thy lover heeds nought of thy sighs ; 
He lies a corpse on the braes of Yarrow." 

William Hamilton. 



Ah me ! full sorely is my heart forlorn, 
To think how modest Worth neglected lies, 
While partial Fame doth with her blast adorn 
Such deeds alone, as pride and pomp disguise ; 
Deeds of ill sort, and mischievous emprise : 
Lend me thy clarion, goddess ! let me try 
To sound the praise of Merit, ere it dies. 
Such as I oft have chaunced to espy, 
Lost in the dreary shades of dull Obscurity. 

In every village mark'd with little spire, 
Embower'd in trees, and hardly known to Fame, 
There dwells in lowly shed, and mean attire, 
A matron old, whom we School-mistress name, 
Who boasts unruly brats with birch to tame ; 
They grieven sore, in piteous durance pent, 
Aw'd by the power of this relentless dame 
And oft-times, on vagaries idly bent, 
For unkempt hair, or task unconn'd, are sorely shent. 

And all in sight doth rise a birchen tree 
Which Learning near her Httle dome did stowe 
Whilom a twig of small regard to see. 
Though now so wide its waving branches flow 
And work the simple vassals mickle woe ; 
For not a wind might curl the leaves that blew, 
But their limbs shudder'd, and their pulse beat low ; 
And as they look'd they found their horror grew, 
And shap'd it into rods, and tingled at the view. 

So have T seen (who has not, may conceive) 
A lifeless phantom near a garden plac'd ; 



THE SCHOOL-J^nSTRESS. 57 

So doth it wanton birds of peace bereave, 
Of sport, of song, of pleasure, of repast; 
They start, they stare, they wheel, they look aghast ; 
Sad servitude 1 such comfortless annoy 
May no bold Briton's riper age e'er taste I 
Ne superstition clog his dance of joy, 
No vision empty, vain, his native bliss destroy. 

Near to this dome is found a patch so green, 
On which the tribe their gambols do display, 
And at the door imprisoning-board is seen. 
Lest weakly wights of smaller size should stray ; 
Eager, perdie, to bask in sunny day ! 
The noises intermix' d, which thence resound, 
Do Learning's little tenement betray ; 
"Where sits the dame, disguis'd in look profound. 
And eyes her fairy throng, and turns her wheel around. 

Her cap, far whiter than the driven snow, 
Emblem right meet of decency does yield : 
Her apron dy'd in grain, as blue, I trow. 
As is the hare-bell that adorns the field : 
And in her hand, for sceptre, she does wield 
Tway birchen sprays ; with anxious fear entwin'd, 
With dark distrust, and sad repentance fill'd: 
And stedf ast hate, and sharp affliction join'd. 
And fury uncontroU'd, and chastisement unkind. 

Few but have kenn'd, in semblance meet portray'd, 
The childish faces of old Eol's train; 
Libs, Notus, Auster: these in frowns array' d, 
How then would fare or Earth, or Sky, or Main, 
Were the stern god to give his slaves the rein? 
And were not she rebellious breasts to quell, 
And were not she her statutes to maintain, 
The cot no more, I ween, were deem'd the cell, 
Where comely peace of mmd, and decent order dwell. 



5 8 SINGLE FAMO US P OEMS. 

A russet stole was o'er her shoulders thrown ; 
A russet kirtle fenc'd the nipping air ; 
'T was simple russet, but it was her own ; 
'T was her own country bred the flock so fair I 
'T was her own labor did the fleece prepare ; 
And, sooth to say, her pupils, rang'd around, 
Through pious awe, did term it passing rare j 
For they in gaping wonderment abound, 
dknd think, no doubt, she been the greatest wight on ground. 

Albeit ne flattery did corrupt her truth, 
Ne pompous title did debauch her ear ; 
Goody, good-woman, gossip, n'aunt, forsooth, 
Or dame, the sole additions she did hear ; 
Yet these she challeng'd, these she held right dear : 
Ne would esteem him act as mought behove. 
Who should not honor'd eld with these revere : 
For never title yet so mean could prove. 
But there was eke a mind which did that title love. 

One ancient hen she took delight to feed, 
The plodding pattern of the busy dame ; 
Which, ever and anon, impell'd by need. 
Into her school, begirt with chickens, came I 
Such favor did her past deportment claim : 
And, if Neglect had lavish'd on the ground 
Fragment of bread, she would collect the same, 
For well she knew, and quaintly could expound 
What sin it were to waste the smallest crumb she found. 

Herbs too she knew, and well of each could speak 
That in her garden sipp'd the silvery dew ; 
Where no vain flower disclos'd a gaudy streak ; 
But herbs for use, and physic, not a few. 
Of gray renown, within those borders grew : 
The tufted basil, pun-provoking thyme, 
Fresh baum, and marigold of cheerful hue ; 



THE SGHOOL-MISTRESS. gg 

The lowly gill, that never dares to climb ; 
And more I fain would sing, disdaining here to rhyme. 

Yet euphrasy may not be left unsung, 
That gives dim eyes to wander leagues around ; 
And pungent radish, biting infant's tongue ; 
And plantain ribb'd, that heals the reaper's wound, 
And marjoram sweet, in shepherd's posie found; 
And lavender, whose spikes of azure bloom 
Shall be, erewhile, in arid bundles bound. 
To lurk amidst the labors of her loom, 
And crown her kerchiefs clean, with mickle rare perfume. 

And here trim rosemarine, that whilom crown'd 
The daintiest garden of the proudest peer; 
Ere, driven fi'om its envied site, it found 
A sacred shelter for its branches here ; 
"Where edg'd with gold its glittering skirts appear. 
Oh wassal days ! Oh customs meet and well ! 
Ere this was banish'd from his lofty sphere : 
Simplicity then sought this humble cell, 
Nor ever would she more with thane and lordling dwell 

Here oft the dame, on Sabbath's decent eve, 
Hymned such psalms as Sternhold forth did mete. 
If winter 't were, she to her hearth did cleave, 
But in her garden found a summer-seat ; 
Sweet melody 1 to hear her then repete 
How Israel's sons, beneath a foreign king, 
While taunting foemen did a song entreat. 
All, for the nonce, untuning every string, 
Uphung their useless lyres — small heart had they to sing. 

For she was just, and friend to virtuous lore, 
And pass'd much time in truly virtuous deed; 
And in those elfins' ears would oft deplore 
The times when Truth by Popish rage did bleed, 



60 SINGLE FAMOUS POEMS. 

A.nd tortious death was true Devotion's meed; 
And simple Faith in iron chains did mourn, 
That nould on wooden image place her creed; 
And lawny saints in smouldering flames did burn : 
Ah 1 dearest Lord, f orefend, thilk days should e'er return. 

In elbow-chair, like that of Scottish stem 
By the sharp tooth of cankering eld defac'd, 
In which, when he receives his diadem. 
Our soverign prince and liefest liege is plac'd, 
The matron sate ; and some with rank she grac'd 
(The source of children's and of courtiers' pride ! ) 
Eedress'd affronts, for vile affronts there pass'd ; 
And warn'd them not the fretful to deride. 
But love each other dear, whatever them betide. 

Eight well she knew each temper to descry ; 
To thwart the proud, and the submiss to raise ; 
, Some with vile copper-prize exalt on high, 
And some entice with pittance small of praise, 
And other some with baleful sprig she 'frays : 
E'en absent, she the reins of power doth hold. 
While with quaint arts the giddy crowd she sways : 
Forewarn' d, if little bird their pranks behold, 
'T will whisper in her ear, and all the scene unfold. 

Lo now with state she utters the command I 
Ef tsoons the urchins to their tasks repair ; 
Their books of stature small they take in hand, 
"Which with pellucid horn secured are, 
To save from finger wet the letters fair : 
The work so gay that on their back is seen, 
St. G-eorge's high achievements does declare ; 
On which thilk wight that has y-gazing been, 
Kens the forthcoming rod, unpleasing sight, I ween I 

Ah luckless he, and born beneath the beam 
Of evil star ! it irks me whilst I write : 



THE SCHOOL-MISTRESS. 61 

As erst the bard * by MuUa's silver stream, 
Oft, as he told of deadly dolorous plight, 
Sigh'd as he sung, and did in tears indite. 
Por brandishing the rod, she doth begin 
To loose the brogues, the stripling's late delight 1 
And down they drop ; appears his dainty skin, 
Fair as the furry-coat of whitest ermilin. 

ruthf ul scene I when from a nook obscure, 
His little sister doth his peril see : 
All playful as she sate, she grows demure ; 
She finds full soon her wonted spirits flee : 
She meditates a prayer to set him free : 
Nor gentle pardon could this dame deny 
(If gentle pardon could with dames agree) 
To her sad grief that swells in either eye. 
And wrings her so that all for pity she could die. 

No longer can she now her shrieks command ; 
And hardly she forbears, through awful fear. 
To rushen forth, and, with presumptuous hand, 
To stay harsh Justice in its mid career. 
On thee she calls, on thee her parent dear ! 
(Ah 1 too remote to ward the shameful blow I) 
She sees no kind domestic visage near, 
And soon a flood of tears begins to flow ; 
And gives a loose at last to unavailing woe. 

But ah I what pen his piteous plight may trace ? 

Or what device his loud laments explain ? 

The form uncouth of his disguised face ? 

The pallid hue that dyes his looks amain ? 

The plenteous shower that does his cheek distain ? 

When he, in abject wise, implores the dame, 

Ne hopeth aught of sweet reprieve to gain ; 

— — __ . — . ^_i 

* Spenser. 
6 



62 SINGLE FAMOUS POEMS. 

Or when from tiigh she levels well her aim, 
And, through the thatch, his cries each falling stroke pro- 
claim. 

The other tribe, aghast, with sore dismay. 
Attend, and con their tasks with mickle care : 
By turns, astonied, every twig survey, 
And, from their fellow's hateful wounds, beware, 
Knowing, I wist, how each the same may share. 
Till fear has taught them a performance meet, 
And to the well-known chest the dame repair ; 
Whence oft with sugar' d cates she doth them greet, 
And ginger-bread y-rare ; now certes, doubly sweet. 

iSee to their seats they hie with merry glee, 
And in beseemly order sitten there ; 
All but the wight of bum y-galled, he 
Abhorreth bench, and stool, and form, and chair ; 
(This hand in mouth y-fix'd, that rends his hair;) 
And eke with snubs profound, and heaving breast. 
Convulsions intermitting 1 does declare 
His grievous wrong; his dame's unjust behest; 
And scorns her offer'd love, and shuns to be caress'd. 

His face besprent with liquid crystal shines. 
His blooming face that seems a purple flower. 
Which low to earth its drooping head declines, 
All smear' d and sullied by a vernal shower. 
O the hard bosoms of despotic power ! 
All, all, but she, the author of his shame. 
All, all, but she, regret this mournful hour ; 
Yet hence the youth and hence the flower shall claim, 
If so I deem aright, transcending worth and fame. 

Behind some door, in melancholy thought. 
Mindless of food, he, dreary caitifif ! pines, 
Ne for his fellows' joyaunce careth aught. 
But to the wind all merriment resigns; 



TEE SCHOOL-MISTRESS. 63 

And deems it shame, if he to peace incHnes : 
And many a sullen look askance is sent, 
Which for his dame's annoyance he designs ; 
And still the more to pleasure him she 's bent, 
The more doth he, perverse, her havior past resent. 

Ah me ! how much I fear lest pride it be I 
But if that pride it be, which thus inspires, 
Beware, ye dames, with nice discernment see 
Ye quench not too the sparks of nobler fires : 
Ah 1 better far than all the Muses' lyres. 
All coward arts, is Valor's generous heat; 
The firm fixt breast which fit and right requires, 
Like Yernon's patriot soul ! more justly great 
Than Craft that pimps for ill, or flowery false Deceit. 

' Yet nurs'd with skill, what dazzling fruits appear 1 
E'en now sagacious Foresight points to show 
A little bench of heedless bishops here, 
And there a chancellor in embryo. 
Or bard sublime, if bard may e'er be so. 
As Milton, Shakespeare, names that ne'er shall die I 
Though now he crawl along the ground so low, 
Nor weeting how the Muse should soar on high, 
Wisheth, poor starveling elf I liis paper kite may fly. 

(And this perhaps, who, censuring the design, 
Low lays the house which that of cards doth build, 
Shall Dennis be 1 if rigid Fate incline. 
And many an epic to his rage shall yield; 
And many a poet quit th' Aonian field ; 
And, sour'd by age, profound he shall appear, 
As he who now with 'sdainful fury thrilled 
Surveys mine work; and levels many a sneer. 
And furls his wrinkly front, and cries, "What stuff is 
here?" 



64 SINGLE FAMO US F OEMS. 

But now Dan Phoebus gains the middle skie, 
And Liberty unbars her prison-door; 
And hke a rushing torrent out they fly, " 
And now the grassy cirque had covered o'er, 
With boi iterous revel-rout and wild uproar ; 
A thousand ways in wanton rings they run, 
Heaven shield their short-hv'd pastime, I implore 1 
For well may Freedom erst so dearly won, 
Appear to British elf more gladsome than the Sun. 

l Enjoy, poor imps ! enjoy your sportive trade. 
And chase gay flies, and cull the fairest flowers ; 
For when my bones in grass-green sods are laid, 
never may ye taste more careless hours 
In knightly castles, or in ladies' bowers. 
vain to seek delight in earthly thing ! 
But most in courts where proud Ambition towers ; 
Deluded wight ! who weens fair Peace can spring- 
Beneath the pompous dome of kesar or of king. 

See in each sprite some various bent appear I 
These rudely carol most incondite lay ; 
Those sauntering on the green, with jocund leer 
Salute the stranger passing on his way ; 
Some builden fragile tenements of clay ; 
Some to the standing lake their courses bend, 
With pebbles smooth at duck and drake to play ; 
Thilk to the huxter's savory cottage tend. 
In pastry kings and queens th' allotted mite to spend. 

Here, as each season yields a different store, 
Each season's stores in order ranged been; 
Apples with cabbage-net y-covered o'er, 
GaUing full sore th' unmoney'd wight, are seen; 
And goose- b'rie clad in hvery red or green; 
And here of lovely dye, the Catharine pear, 
Fine pear I as lovely for thy juice, I ween : 



THE CHAMELEON. g5 

may no wight e'er penniless come there, 
Lest smit with ardent love he pine with hopeless care I 

See I cherries here, ere cherries yet abound. 
With thread so white in tempting posies tied, 
Scattering like blooming maid their glances round, 
With pamper'd look draw little eyes aside ; 
And must be bought, though penury betide. 
The plume all azure, and the nut all brown, 
And here each season do those cakes abide, 
Whose honored names* th' inventive city own, 
Rendering through Britain's isle Salopia's praises known j 

Admir'd Salopia! that with venial pride 
Eyes her bright form in Severn's ambient wave, 
Famed for her loyal cares in perils tried. 
Her daughters lovely, and her striplings brave : 
Ah 1 'midst the rest, may flowers adorn his grave 
Whose heart did first these dulcet cates display I 
A motive fair to Learning's imps he gave, 
Who cheerless o'er her darkling region stray ; 
Till Reason's morn arise, and Hght them on their way. 

William Shenstone. 



Oft has it been my lot to mark 
A proud, conceited, talking spark, 
With eyes, that hardly served at most 
To guard their master 'gainst a post. 
Yet round the world the blade has been 
To see whatever could be seen. 
Returning from his finished tour. 
Grown ten times perter than before ; 
Whatever word you chance to drop, 
The traveled fool your mouth will stop ; 

* Shrewsbury cakes. 



G6 SINGLE FAMO US POEMS, 

*' Sir, if my judgment you '11 allow, 
I 've seen — and sure I ought to know," 
So begs you 'd pay a due submission, 
And acquiesce in his decision. 

Two travelers of such a cast. 
As o'er Arabia's wilds they passed. 
And on their way in friendly chat. 
Now talked of this, and then of that, 
Discoursed awhile, 'mongst other matter, 
Of the chameleon's form and nature. 
"A stranger animal," cries one, 
" Sure never lived beneath the sun. 
A lizard's body, lean and long, 
A fish's head, a serpent's tongue. 
Its foot with triple claw disjoined ; 
And what a length of tail behind I 
How slow its pace ; and then its hue — 
Who ever saw so fine a blue ? " 

" Hold, there," the other quick replies, 
" 'T is green, I saw it with these eyes. 
As late with open mouth it lay, 
And warmed it in the sunny ray : 
Stretched at its ease, the beast I viewed 
And saw it eat the air for food." 
" I 've seen it, sir, as well as you. 
And must again afiirm it blue ; 
At leisure I the beast surveyed, 
Extended in the cooling shade." 
"'T is green, 't is green, sir, I assure yel " 
" Green I " cries the other in a fury — 
"Why, sir! — d' ye think I 've lost my eyes?" 
" 'T were no great loss," the friend replies, 
" For, if they always serve you thus, 
You '11 find them of but little use." 



TEE CHAMELEON. q*i 

So high at last the contest rose, 
From words they almost came to blows ; 
"When luckily came by a third — 
To him the question they referred, 
Ani begged he 'd teU 'em, if he knew, 
"Whether the thing was green or blue. 
"Sirs," cries the umpire, "cease your pother! 
The creature 's neither one or t' other. 
I caught the animal last night, 
And viewed it o'er by candlelight : 
I marked it well — 't was black as jet — 
You stare — but, sirs, I 've got it yet, 
And can produce it." "Pray, sir, do: 
I 'U lay my life the thing is blue." 
" And I '11 be sworn, that when you 've seen 
The reptile, you 'U pronounce him green." 

" Well, then, at once to ease the doubt," 
Kephes the man, " I '11 turn him out: 
And when before your eyes I've set him, 
If you don't find him black, I '11 eat him." 
He said : then full before their sight 
Produced the beast, and lo ! — 't was white. 

Both stared, the man looked wondrous wise — 
"My children," the chameleon cries, 

(Then first the creature found a tongue), 
" You all are right, and all are wrong : 

When next you talk of what you view, 

Think others see as well as you : 

Nor wonder, if you find that none 

Prefers your eyesight to his own." 

James Merrick. 



68 SINGLE FAMO US P OEMS. 

212aal|), ?l2aalp, tut Hobe tt l^onne* 

WALT, waly up the bank, 

And waly, waly down the brae, 
And waly, waly yon burn-side, 
Where I and my love wont to gae. 

1 lean'd my back unto an aik, 
And thought it was a trusty tree, 

But first it bow'd, and syne it brak', 
Sae my true love did lightly me. 

waly, waly but love be bonny, 

A little time while it is new, 
But when 't is auld it waxeth cauld 

And fades away Hke morning dew. 
Oh ! wherefore should I busk my head ? 

Or wherefore should I kame my hair ? 
For my true love has me forsook. 

And says he '11 never love me mair. 

Now Arthur-Seat shall be my bed. 
The sheets shall ne'er be fyled by me, 

Saint Anton's well shall be my drink. 
Since my true love 's forsaken me. 

Martinmas wind, when wilt thou blaw, 
* And shake the green leaves oflf the tree ? 

Oh, gentle death 1 when wilt thou come ? 
For of my life I am weary. 

'T is not the frost that freezes fell, 

Nor blowing snaw's inclemency : 
'T is not sic cauld that makes me cry. 

But my love's heart grown cauld to me. 
When we came in by Glasgow town, 

We were a comely sight to see ; 
My love was clad in the black velvety 

And I mysel' in cramasie. 



THE TEARS OF SCOTLAND, 69 

'^But had I wist before I kiss'd 

That love had been so ill to win, 
I 'd lock'd my heart in a case of gold, 

And pinn'd it with a silver pin. 
And oh! if my young babe were born, 

And set upon the nurse's knee, 
And I mysel' were dead and gane, 
Wi' the green grass growing over me I 

Anonymous. 

Cf)e Cearis of ScotlantJ, 

Mourn, hapless Caledonia, mourn 
Thy banish' d peace, thy laurels torn ! 
Thy sons, for valor long renown' d, 
Lie slaughter'd on their native ground; 
Thy hospitable roofs no more 
Invite the stranger to the door ; 
In smoky ruins sunk they lie, 
The monuments of cruelty. 

The wretched owner sees afar 
His all become the prey of war ; 
Bethinks him of his babes and wife. 
Then smites his breast, and curses life. 
Thy swains are famish'd on the rocks. 
Where once they fed their wanton flocks : 
Thy ravish'd virgins shriek in vain ; 
Thy infants perish on the plain. 

What boots it then, in every clime. 
Through the wide-spreading waste of time, 
Thy martial glory, crown' d with praise, 
Still shone with undiminish'd blaze ? 
Thy tow'ring spirit now is broke, 
Thy neck is bended to the yoke. 
What foreign arms could never quell, 
By civil rage and rancor fell. 
6* 



70 SINGLE FAMO US POEMS. 

The rural pipe and merry lay 
No more shall cheer the happy day : 
No social scenes of gay delight 
Beguile the dreary winter night: 
No strains but those of sorrow flow, 
And nought be heard but sounds of woe, 
While the pale phantoms of the slain 
Glide nightly o'er the silent plain. 

baneful cause, fatal morn, 
Accurs'd to ages yet unborn ! 
The sons against their fathers stood, 
The parent shed his children's blood. 
Yet, when the rage of battle ceas'd, 
The victor's soul was not appeas'd: 
The naked and forlorn must feel 
Devouring flames, and murd'ring steel 1 

The pious mother doom'd to death, 
Forsaken wanders o'er the heath, 
The bleak wind whistles round her head, 
Her helpless orphans cry for bread ; 
Bereft of shelter, food, and friend. 
She views the shades of night descend. 
And, stretch'd beneath th' inclement skies, 
Weeps o'er her tender babes, and dies. 

While the warm blood bedews my veins, 
And unimpair'd remembrance reigns, 
Resentment of my country's fate 
Within my filial breast shall beat; 
And, spite of her insulting foe, 
My sympathizing verse shall flow : 
" Mourn, hapless Caledonia mourn 
Thy banish'd peace, thy laurels torn ! " 

Tobias Smollett. 



TEE VICAB OF BRAT. 71 

Ci)e Fi'car of l^rag. 

In good King Charles's golden days, 

When loyalty no harm meant, 
A zealous liigh-churchman was I, 

And so I got preferment. 
To teach my flock I never missed : 

Kings were by God appointed, 
And lost are those that dare resist 
Or touch the Lord's anointed. 
And this is law that I'll maintain 

Until my dying day, sir, 
That whatsoever King shall reign, 
Still I'll be Vicar of Bray, sir. 

When royal James possessed the crown, 

And popery grew in fashion, 
The penal laws I hooted down, 

And read the declaration ; 
The church of Rome I found would fit 

Full well my constitution ; 
And I had been a Jesuit 

But for the revolution. 

When William was our king declared, 

To ease the nation's grievance ; 
With this new wind about I steered, 

And swore to him allegiance ; 
Old principles I did revoke. 

Set conscience at a distance ; 
Passive obedience was a joke, 

A jest was non-resistance. 

When royal Anne became our queen. 

The church of England's glory, 
Another face of things was seen, 

And I became a Tory ; 



^2 SINGLE FAMO US POEMS, 

Occasional conformists base, 

I blamed their moderation ; 
And thought the church in danger was, 

By such prevarication. 

When George in pudding-time came o er, 

And moderate men looked big, sir, 
My principles I changed once more, 

And so became a Whig, sir ; 
And thus preferment I procured 

From our new faith's defender ; 
And almost every day abjured 

The pope and the pretender. 

The illustrious house of Hanover, 

And Protestant succession, 
To these I do allegiance swear — 

While they can keep possession : 
For in my faith and loyalty 

I nevermore will falter. 
And George my lawful king shall be — 
Until the times do alter. 
And this is law that Fll maintain 

Until my dying day, sir, 
That whatsoever king shall reign, 
Still I'll he Vicar of Bray, sir. 

Anonymous. 

arumnor Jgall. 

The dews of summer night did f aU ; 

The moon, sweet regent of the sky, 
Silvered the walls of Cumnor Hall, 

And many an oak that grew thereby. 

Kow naught was heard beneath the skies, 
The sounds of busy life were still. 



CUMNOB HALL. 73 

Save an unhappy lady's sighs, 
That issued from that lonely pile. 

" Leicester," she cried, " is this thy love 
That thou so oft hast sworn to me, 
To leave me in this lonely grove. 
Immured in shameful privity ? 

" No more thou com'st with lover's speed, 
Thy once beloved bride to see ; 
But be she alive, or be she dead, 

I fear, stern Earl, 's the same to thee. 

" Kot so the usage I received 

When happy ir> my father's hall; 
No faithless husband then me grieved. 
No chilling fears did me appal. 

*f I rose up with the cheerful morn, 

No lark more blithe, no flower more gay ; 
And like the bird that haunts the thorn. 
So merrily sung the livelong day. 

" If that my beauty is but small, 

Among court ladies all despised. 
Why didst thou rend it from that hall, 
Where, scornful Earl, it well was prized ? 

" And when you first to me made suit. 
How fair I was, you oft would say I 
And proud of conquest, plucked the fruit, 
Then left the blossom to decay. 

"Yes! now neglected and despised, 

The rose is pale, the lily's dead ; 
But he that once their charms so prized, 

Is sure the cause those charms are fled. 
7 



V4 SINGLE FAMOUS POEMS. 

" For know, when sick'ning grief doth prey, 
And tender love 's repaid with scorn, 
The sweetest beauty will decay, — 
What floweret can endure the storm? 

" At court, I'm told, is beauty's throne. 
Where every lady 's passing rare, 
That Eastern flowers, that shame the sun, 
Are not so glowing, not so fair. 

" Then, Earl, why didst thou leave the beds 
Where roses and where lilies vie. 
To seek a primrose, whose pale shades 
Must sicken when those gauds are by? 

" 'Mong rural beauties I was one, 

Among the fields wild flowers are fair ; 
Some country swain might me have won, 
And thought my beauty passing rare. 

" But, Leicester, (or I much am wrong,) 
Or 't is not beauty lures thy vows ; 
Eather ambition's gilded crown 

Makes thee forget thy humble spouse. 

" Then, Leicester, why, again I plead, 
(The injured surely may repine,) — 
Why didst thou wed a country maid. 
When some fair princess might be thine? 

" Why didst thou praise my humble charms, 
And, oh I then leave them to decay ? 
Why didst thou win me to thy arms. 
Then leave to mourn the hvelong day ? 

" The village maidens of the plain 
Salute me lowly as they go; 



CUMNOR HALL, 7.5 

Envious they mark my silken train, 
Nor think a Countess can have woq. 

",The simple nymphs ! they little know 
How far more happy 's their estate ; 
To smile for joy than sigh for woe — 
To be content — than to be great. 

" How far less blest am I than them ? 
Daily to pine and waste with care ! 
Like the poor plant, that, from its stem 
Divided, feels the chilling air. 

" Nor, cruel Earl ! can I enjoy 

The humble charms of solitude ; 
Your minions proud my peace destroy, 
By suUen frowns or pratings rude. 

" Last night, as sad I chanced to stray. 
The village death-bell smote my ear; 
They winked aside, and seemed to say, 

* Countess, prepare, thy end is near.' 

" And now, while happy peasants sleep, 
Here I sit lonely and forlorn ; 
No one to soothe me as I weep, 
Save Philomel on yonder thorn. 

"My spirits flag — my hopes decay — 

Still that dread death-bell smites my ear, 
And many a boding seems to say, 

* Countess, prepare, thy end is near I ' " 

Thus sore and sad that lady grieved, 

In Cumnor Hall so lone and drear. 
And many a heartfelt sigh she heaved. 

And let fall many a bitter tear. 



^6 SINGLE FAMO US POEMS. 

And ere the dawn of day appeared, 
In Cumnor Hall, so lone and drear. 

Full many a piercing scream was heard. 
And many a cry of mortal fear. 

The death-bell thrice was heard to ring. 
An aerial vo^'ce was heard to call, 

And thrice the raven flapped its wing 
Around the towers of Cumnor HalL 

The mastiff howled at village door, 
The oaks were shattered on the green ; 

Woe was the hour, for nevermore 
That hapless Countess e'er was seen. 

And in that manor now no more 
Is cheerful feast and sprightly ball ; 

For ever since that dreary hour 
Have spirits haunted Cumnor Hall. 

The village maids, with fearful glance. 
Avoid the ancient moss-grown wall, 

Nor ever lead the merry dance, 
Among the groves of Cumnor Hall. 

Full many a traveler oft hath sighed, 
And pensive wept the Countess' fall, 

As wandering onward they 've espied 
The haunted towers of Cumnor Hall. 

William Julius Mickle. 



Cf)e Sailor's W^iU. 

And are ye sure the news is true ? 

And are ye sure he 's weel ? 
Is this a time to think o' wark ? 

Ye jades, lay by your wheel 



TEE SAILOR'S WIFE 'j'j 

Is this the time to spin a thread, 

When CoHn 's at the door ? 
Eeach down my cloak, I '11 to the quay, 

And see him come ashore. 
For there 's nae luck about the house, 

There 's nae luck at a ; 
There 's httle pleasure in the house 

When our gudeman 's awa'. 

And gie to me my bigonet. 

My bishop's satin gown ; 
For I maun tell the bailie's wife 

That Cohn 's in the town. 
My Turkey slippers maun gae on, 

My stockins pearly blue ; 
It 's a' to pleasure our gudeman, 

For he 's baith leal and true. 

Rise, lass, and mak a clean fireside. 

Put on the muckle pot; 
Gie httle Kate her button gown, 

And Jock his Sunday coat ; 
And mak their shoon as black as slaes, 

Their hose as white as snaw ; 
It 's a' to please my ain gudeman, 

For he 's been lang awa'. 

There 's twa fat hens upo' the coop, 

Been fed this month and mair; 
Mak haste and thraw their necks about, 

That Colin weel may fare ; 
And spread the table neat and clean. 

Gar ilka thing look braw, 
For wha can tell how Colin fared 

When he was far awa' ? 

Sae true his heart, sae smooth his speech, 
His breath hke caller air; 



7 8 SINGLE FAMO US P OEMS. 

His very foot has music in 't 

As he comes up the stair. 
And will I see his face again ? 

And will I hear him speak ? 
I'm downright dizzy wi' the thought— 

In troth I 'm hke to greet I 

If Colin 's weel, and weel content, 

I hae nae mair to crave ; 
And gin I live to keep him sae, 

I 'm blest aboon the lave. 
And will I see his face again ? 

And will I hear him speak ? 
I 'm downright dizzy wi' the thought — 

In troth I 'm like to greet. 
For there 's nae luck about the house, 

There 's nae luck at a' ; 
There's little pleasure in the house 

When our gudeman 's awa'. 



Jean Adam. 



I 'm often ask'd by plodding souls 

And men of crafty tongue, 
What joy I take in draining bowls, 

And tippling all night long. 
Now, though these cautious knaves I scorn, 

For once I '11 not disdain 
To tell them why I sit till morn 

And fill my glass again. 

'T is by the glow my bumper gives 

Life's picture 's mellow made ; 
The fading light then brightly Hves, 

And softly sinks the shade ; 



THE TOPER'S APOLOGY. 79 

Some happier tint still rises there 

With every drop I drain — 
And that I think 's a reasen fair 

To fill my glass again. 

My Muse, too, when her wings are dry, 

No frolic flight wiU take ; 
JBut round a bowl she '11 dip and fly, 

Like swallows round a lake. 
Then if the nymph will have her share 

Before she '11 bless her swain — 
Why that I think 's a reason fair 

To fill my glass again. 

In life I 've rung all changes too, — ■ 

Run every pleasure down, — 
Tried all extremes of fancy through, 

And lived with half the town ; 
For me there 's nothing new or rare 

Till wine deceives my brain — 
And that I think 's a reason fair 

To fiU my glass again. 

There 's many a lad I knew is dead, 

And many a lass grown old ; 
And as the lesson strikes my head. 

My weary heart grows cold. 
But wine awhile drives ofif despair, 

Nay, bids a hope remain — 
And that I think 's a reason fair 

To fill my glass again. 

Then, hipp'd and vex'd at England's state 

In these convulsive days, 
I can't endure the ruin'd fate 

My sober eye surveys ; 
But, 'midst the bottle's dazzling glare, 

I see the gloom less plain — 



80 SINGLE FAMO U8 POEMS, 

And that I think 's a reason fair 
To fill my glass again. 

I find too when I stint my glass, 

And sit with sober air, 
I 'm prosed by some dull reasoning ass, 

Who treads the path of care ; 
Or, harder tax'd, I 'm forced to bear 

Some coxcomb's fribbling strain — 
And that I think 's a reason fair 

To fiU my glass again. 

Nay, do n't we see Love's fetters, too, 

With different holds entwine ? 
While nought but death can some undo, 

There 's some give way to wine. 
With me the lighter head I wear 

The lighter hangs the chain — 
And that I think 's a reason fair 

To fill my glass again. 

And now I '11 tell, to end my song. 

At what I most repine ; 
This cursed war, or right or wrong. 

Is war against all wine ; 
Nay, Port, they say, will soon be rare 

As juice of France or Spain — 
And that I think 's a reason fair 

To fill my glass again. 

Charles Morris, 

The tree of deepest root is found 
Least willing still to quit the ground : 
'T was therefore said by ancient sages, 
That love of life increased with years 
So much, that in our later stages, 



THE THREE WABNINOS. 81 

When pains grow sharp, and sickness rages, 

The greatest love of life appears. 
This great afifection to believe, 
Which all confess, but few perceive,— 
If old assertions can't prevail, — 
Be pleased to hear a modern tale. 

When sports went round, and all were gay, 
On neighbor Dodson's wedding-day, 
Death called aside the jocund groom 
With him into another room. 
And looking grave— "You must," says he, 
" Quit your sweet bride, and come with me." 
" With you I and quit my Susan's side ! 

With you I " the hapless husband cried ; 
" Young as I am 't is monstrous hard 1 
Besides, in truth, I 'm not prepared: 
My thoughts on other matters go ; 
This is my wedding-day you know." 
What more he urged, I have not heard, 

His reasons could not well be stronger ; 
So Death the poor dehnquent spared. 
And left to hve a httle longer. 
Yet calhng up a serious look — 
His hour-glass trembled while he spoke — 
«' Keighbor," he said, " Farewell I No more 
Shall Death disturb your mirthful hour; 
And farther, to avoid all blame 
Of cruelty upon my name. 
To give you time for preparation. 
And fit you for your future station, 
Three several warnings you shall have. 
Before you 're summoned to the grave. 
Willing for once I 'U quit my prey, 

And grant a kind reprieve. 
In hopes you '11 have no more to say, 
But, when I call again this way, 
Well pleased the world will leave." 
7* 



82 SINGLE FAMO US POEMS. 

To these conditions both consented, 
And parted perfectly contented. 

What next the hero of our tale befell, 
How long he lived, how wise, how well, 
How roundly he pursued his course, 
And smoked his pipe, and stroked his horse, 

The wilHng muse shall tell. 
He chaffered then, he bought, he sold. 
Nor once perceived his growing old. 

Nor thought of death as near ; 
His friends not false, his wife no shrew. 
Many his gains, his children few. 

He passed his hours in peace. 
But while he viewed his wealth increase. 
While thus along life's dusty road 
The beaten track content he trod. 
Old Time, whose haste no mortal spares. 
Uncalled, unheeded, unawares, 

Brought on his eightieth year. 
And now, one night, in musing mood 

As all alone he sat, 
Th' unwelcome messenger of fate 

Once more before him stood. 
Half killed with anger and surprise, 
" So soon returned 1 " old Dodson cries. 

" So soon, d' ye call it? " Death rephes. 
"Surely, my friend, you 're but in jest I 

Since I was here before 
'T is six-and- thirty years at least, 

And you are now fourscore." 
" So much the worse," the clown rejoined ; 
" To spare the aged would be kind : 
However, see your search be legal j 
And your authority- — is 't regal ? 
Else you are come on a fool's errand, 
With but a secretary's warrant. 
Besides, you promised me Three Warnings, 



LIFE. 83 

Which I have looked for nights and mornings ; 
But for that loss of time and ease, 
I can recover damages." 

" I know," cries Death, that at the best 
I seldom am a welcome gaest ; 
But do n't be captious, friend, at least: 
I little thought you 'd still be able 
To stump about your farm and stable; 
Your years have run to a great length; 
I wish you joy, though, of your strength 1 " 

"Hold," says the farmer, "not so fasti 
I have been lame these four years past." 
"And no great wonder," Death replies; 
" However, you still keep your eyes ; 
And sure, to see one's loves and friends, 
For legs and arms would make amends." 
" Perhaps," says Dodson, " so it might, 
But latterly I 've lost my sight." 

" This is a shocking tale, 't is true. 
But still there 's comfort left for you : 
Each strives your sadness to amuse ; 
I warrant you hear all the news." 

" There 's none," cries he ; " and if there were, 
I 'm grown so deaf I could not hear." 
" Nay, then," the spectre stern rejoined, 
" These are unwarrantable yearnings ; 
If you are lame, and deaf, and blind. 

You 've had your three sufficient warnings. 
So, come along, no more we '11 part," 
He said, and touched him with his dart. 
And now old Dodson, turning pale, 
Yields to his fate — so ends my tale. 

Hester Thrale. 

ILife, 

Life, I know not what thou art, 
But know that thou and I must part ; 



84 SINGLE FAMOUS POEMS. 

And when, or how, or where we met, 
I own to me 's a secret yet. 

Life, we have been long together, 
Through pleasant and through cloudy weather; 
'T is hard to part when friends are dear, 
Perhaps 't wiU cost a sigh, a tear ; 
Then steal away, give little warning, 

Choose thine own time. 
Say not Good-Night, but in some brighter clime 

Bid me Good-Morning. 

Anna L^titia Barbauld. 

When shall we three meet again ? 
When shall we three meet again ? 
Oft shall glowing hope expire. 
Oft shall wearied love retire. 
Oft shall death and sorrow reign, 
Ere we three shall meet again. 

Though in distant lands we sigh. 
Parched beneath a burning sky ; 
Though the deep between us rolls, 
Friendship shall unite our souls ; 
Oft in Fancy's rich domain ; 
Oft shall we three meet again. 

When our burnished locks are gray, 
Thinned by many a toil-spent day ; 
When around this youtliful pine 
Moss shall creep and ivy twine, — 
Long may this loved bower remain — 
Here may we three meet again. 

When the dreams of life are fled ; 
When its wasted lamps are dead ; 



GAFFER GRAY. gg 

"When in cold oblivion's shade 
Beauty, wealth, and fame are laid, — 
Where immortal spirits reign, 
There may we three meet again. 

Anonymous. 



"He I why dost thou shiver and shake, 
Gaffer Gray, 
And why doth thy nose look so blue ? " 
" 'T is the weather that 's cold, 
'T is I 'm grown very old, 
And my doublet is not very new, 
Well-a-day ! " 



" Then line that warm doublet with ale, 
Gaffer Gray, 
And warm thy old heart with a glass." 
" Nay, but credit I 've none. 
And my money *s all gone ; 
Then say how may that come to pass ? 
Well-a-day 1 " 

" Hie away to the house on the brow, 
Gaffer Gray, 
And knock at the jolly priest's door." 
" The priest often preaches 
Against worldly riches. 
But ne'er gives a mite to the poor, 
WeU-a-dayl" 

" The lavryer lives under the hill, 
Gaffer Gray, 
Warmly fenced both in back and in front." 
" He will fasten his locks. 
And will threaten the stocks, 
8 



86 SINGLE FAMO US POEMS. 

Should he evermore find me in want, 
WeU-aday!" 

'The squire has fat beeves and brown ale, 

G-affer Gray, 
And the season will welcome you there." 
" His fat beeves and his beer, 
And his merry new year, 
Are aU for the flush and the fair, 
Well-a-day ! " 

" My keg is but low, I confess, 
Gafifer Gray, 
What then ? While it lasts, man, we '11 Uve." 
" The poor man alone. 
When he hears the poor moan. 
Of his morsel a morsel will give, 
Well-a-day." 

Thomas Holcroft. 

lMf}dit Constitutes a xtatc. 

What constitutes a state ? 
Not high-raised battlement or labored mound, 

Thick waU or moated gate ; 
Not cities proud with spires and turrets crowned ; 

Not bays and broad-armed ports. 
Where, laughing at the storm, rich navies ride ; 

Not starred and spangled courts. 
Where low-browed baseness wafts perfume to pride. 

"^o: — men, high-minded men. 
With powers as far above dull brutes endued 

In forest, brake, or den. 
As beasts excel cold rocks and brambles rude, — 

Men who their duties know, 
But know their rights, and, knowing, dare maintain, 

Prevent the long-aimed blow, 



TO THE CUCKOO. 87 

And crush the tyrant while they rend the chain; 

These constitute a state ; 
And sovereign law, that state's collected will, 

O'er thrones and globes elate 
Sits empress, crowning good, repressing ill. 

Smit by her sacred frown, 
The fiend. Dissension, like a vapor sinks ; 

And e'en the all-dazzhng crown 
Hides his faint rays, and at her bidding shrinks; 

Such was this heaven-loved isle, 
Than Lesbos fairer and the Cretan shore I 

No more shall freedom smile ? 
Shall Britons languish, and be men no more ? 

Since all must life resign. 
Those sweet rewards which decorate the brave 

'Tis folly to decline, 
And steal inglorious to the silent grave. 

Sir William Jones. 

Co tje OTucfeoo. 

Hail, beauteous stranger of the grove I 

Thou messenger of Spring I 
Now heaven repairs thy rural seat, 

And woods thy welcome sing. 

Soon as the daisy decks the green, 

Thy certain voice we hear. 
Hast thou a star to guide thy path. 

Or mark the rolling year ? 

Delightful visitant! with thee 

I hail the time of flowers, 
And hear the sound of music sweet 

From birds among the bowers. 

The school-boy, wandering through the wood 
To pull the primrose gay, 



88 SINGLE FAMOUS POEMS. 

Starts, thy most curious voice to hear, 
And imitates thy lay. 

What time the pea puts on the bloom, 
Thou fliest thy vocal vale. 

An annual guest in other lands, 
Another spring to hail. 

'' Sweet bird ! thy bower is ever green, 
Thy sky is ever clear ; 
Thou hast no sorrow in thy song. 
No winter in thy year ! 

Oh, could I fly, I 'd fly with thee I 
We 'd make, with joyful wing. 

Our annual visit o'er the globe, 
Attendants on the Spring. 



John Logan. 



When the sheep are in the fauld, and a' the kye at hame, 
And a' the weary warld to sleep are gane. 
The waes o' my heart fall in showers from my e'e. 
While my gudeman sleeps sound by me. 

Young Jamie lo'ed me weel, and sought me for his bride, 
But saving a crown he had naithing else beside : 
To mak' the crown a pound, my Jamie went to sea, 
And the crown and the pound were baith for me. 

He had nae been gane a year and a day. 

When my faith er brake his arm, and our cow was stole 

away ; 
My mither she fell sick, and Jamie at the sea, 
And auld Robin Gray cam' a courting to me. 



MART'S DREAM. 89 

My faither could na wark, my mither could na spin, 
I toil'd day and night, but their bread I could na win ; 
Auld Rob maintain'd 'em baith, and wi' tears in his e'e, 
Said, " Jennie, for their sakes, oh marry me." 

My heart it said nay, for I look'd for Jamie back, 
But the wind it blew hard, and the ship was a wrack — 
The ship was a wrack, why did na Jamie dee ? 
Or why was I spared to cry, Wae's me 1 

My faither urged me sair, my mither did na speak, 
But she look'd in my face till my heart was like to break : 
They gi'ed him my hand, though my heart was at sea, — 
So auld Robin Gray is gudeman to me 1 

I had na been a wife a week but only four. 
When, sitting sae mournfully out at my door, 
I saw my Jamie's wraith, for I could na think it he, 
Till he said, " I 'm come hame, love, to marry thee." 

Sair, sair did we greet, and mickle did we say, — 
"We took but ae kiss, and tare oursels away : 
I wish I were dead, but I am na lik' to dee, — 
Oh, why was I born to say, Wae's me I 

I gang like a ghaist, but I care not to spin ; 

I dare not think on Jamie, for that would be a sin ; 

So I will do my best a gude wife to be, 

Por auld Robin Gray is kind unto me. 

Lady Anne Barnard. 

The moon had climbed the highest hill 
Which rises o'er the source of Dee, 

And from the eastern summit shed 
Her silver light on tower and tree, 



90 SINGLE FAMOUS POEMS. 

When Mary laid her down to sleep, 
Her thoughts on Sandy far at sea, 

"When, soft and slow, a voice was heard, 
Saying, " Mary, weep no more for me I " 

She from her pillow gently raised 

Her head, to ask who there might be, 
And saw young Sandy shivering stand, 

With visage pale, and hollow e'e. 
" Mary dear, cold is my clay ; 

It lies beneath a stormy sea. 
Far, far from thee I sleep in death ; 

So, Mary, weep no more for me I 

" Three stormy nights and stormy days 

We tossed upon the raging main ; 
And long we strove our bark to save, 

But all our striving was in vain. 
Even then, when horror chilled my blood, 

My heart was filled with love for thee ; 
The storm is past, and I at rest ; 

So, Mary, weep no more for me I 

" maiden dear, thyself prepare ; 

We soon shall meet upon that shore, 
Where love is free from doubt and care. 
And thou and I shall part no more! " 
Loud crowed the cock, the shadow fled, 

No more of Sandy could she see ; 
But soft the passing spirit said, 
*' Sweet Mary, weep no more for me ! '' 

John Lowe. 

I ASKED an aged man, with hoary hairs, 
Wrinkled and curved with worldly cares : 



WHAT IS TIME? 91 

* Time is the warp of life," said he ; " 0, tell 
The young, the fair, the gay, to weave it well ! " 
I asked the ancient, venerable dead. 
Sages who wrote, and warriors who bled : 
From the cold grave a hollow murmur flowed, 
" Time sowed the seed we reap in this abode ! " 
I asked a dying sinner, ere the tide 
Of Hfe had left his veins : " Time ! " be replied ; 
" I 've lost it I ah, the treasure 1 " — and he died. 

I asked the golden sun and silver spheres, 
( Those bright chronometers of days and years : 
They answered, " Time is but a meteor glare," 
And bade me for eternity prepare. 
I asked the Seasons, in their annual round, 
Which beautify or desolate the ground ; 
And they replied (no oracle more wise), 
" 'T is Folly's blank, and Wisdom's highest prize ! " 
I asked a spirit lost, — but the shriek 
That pierced my soul ! I shudder while I speak. 
It cried, " A particle ! a speck ! a mite 
Of endless years, duration infinite ! " 
Of things inanimate, my dial I 
Consulted, and it made me this reply,— 
" Time is the season fair of living well, 
The path of glory or the path of hell." 
I asked my Bible, and methinks it said, 
" Time is the present hour, the past has fled ; 
Live ! live to-day I to-morrow never yet 
On any human being rose or set." 
I asked old Father Time himself at last ; 
But in a moment he flew swiftly past. 
His chariot was a cloud, the viewless wind 
His noiseless steeds, which left no trace behind. 
I asked the mighty angel who shall stand 
One foot on sea and one on solid land : 
"Mortal!" he cried, "the mystery now is o'er; 
Time was, Time is, but Time shall be no more ! " 

William Marsden, 



92 SINGLE FAMO US F OEMS. 

Cf)e enrobes of ISlarneg^ 

The groves of Blarney, they look so charming, 

Down by the purlings of sweet silent brooks, 
All decked with posies, that spontaneous grow there, 

Planted in order in the rocky nooks. 
'T is there the daisy, and the sweet carnation, 

The blooming pink, and the rose so fair ; 
Likewise the lOy, and the daflfodilly — 

AH flowers that scent the sweet, open air, 

'T is Lady Jaflfers owns this plantation. 

Like Alexander, or like Helen fair; 
There 's no commander in all the nation 

For regulation can with her compare. 
Such walls surround her, that no nine-pounder 

Could ever plunder her place of strength; 
But Oliver Cromwell, he did her pommel, 

And made a breach in her battlement. 

There 's gravel walks there for speculation, 

And conversation in sweet solitude ; 
, 'T is there the lover may hear the dove, or 

The gentle plover, in the afternoon. 
And if a young lady should be so engaging 

As to walk alone in those shady bowers, 
'T is there her courtier, he may transport her 

In some dark port, or under ground. 

Por 't is there 's the cave where no daylight enters, 

But bats and badgers are forever bred ; 
Being mossed by natur' which makes it sweeter 

Than a coach and six, or a feather bed. 
'T is there 's the lake that is stored with perches, 

And comely eels in the verdant mud ; 
Besides the leeches, and the groves of beeches, 

AH standing in order for to guard the flood. 



HELEN OF KIRKGONNEL. 93 

'T is there 's the kitchen hangs many a flitch in, 

With the maids a-stitching upon the stair ; 
The bread and biske', the beer and whiskey, 

Would make you frisky if you were there. 
'T is there you 'd see Peg Murphy's daughter 

A washing praties forenent the door, 
With Roger Cleary, and Father Healy, 

All blood relations to my Lord Donoughmore. 

There 's statues gracing this noble place in, 

All heathen goddesses so fair — 
Bold Neptune, Plutarch, and Nicodemus, 

All standing naked in the open air. 
So now to finish this brave narration, 

Which my poor geni' could not entwine ; 
But were I Homer, or Nebuchadnezzar, 

'T is in every feature I would make it shine. 

Richard Alfred Millikin. 

?^elen of itirfeconnel. 

I WISH I were where Helen Ues, 
For night and day on me she cries. 
And, Hke an angel, to the skies 

Still seems to beckon me ! 
For me she lived, for me she sigh'd. 
For me she wish'd to be a bride, 
For me in life's sweet morn she died 

On fair Kirkconnel-Lee 1 

Where Kirtle waters gently wind, 
As Helen on my arm reclined, 
A rival with a ruthless mind 

Took deadly aim at me. 
My love, to disappoint the foe, 
Rush'd in between me and the blow ; 
And now her corse is lying Ioav, 

On fair Kirkconnel-Lee 1 
8* 



94 SINGLE FAMOUS POEMS. 

Though Heaven forbids my wrath to swell, 
I curse the hand by which she fell, 
The fiend who made my heaven a hell, 

And tore my love from me I 
For if, when all the graces shine, 
0, if on earth there 's aught divine, 
My Helen, all these charms were thine, 

They centred all in thee ! 

Ah ! what avails it that, amain, 

I clove the assassin's head in twain ? 

No peace of mind, my Helen slain, 

No resting-place for me. 
I see her spirit in the air — 
I hear the shriek of wild despair. 
When murder laid her bosom bare, 

On fair Kirkconnel-Lee I 

0, when I 'm sleeping in my grave. 
And o'er my head the rank weeds wave, 
May He who life and spirit gave 

Unite my love and me ! 
Then from this world of doubts and sighs. 
My soul on wings of peace shall rise. 
And, joining Helen in the skies, 

Forget Kirkconnel-Lee. 

John Mayne. 

(tonntl aitti jFlora. 

Dark lowers the night o'er the wide stormy main. 
Till mild rosy morning rise cheerful again j 
Alas ! morn returns to revisit the shore ; 
But Connel returns to his Flora no more. 

For see, on yon mountain the dark cloud of death 
O'er Connel's lone cottage, lies low on the heath; 
While bloody and pale on a far distant shore 
He lies, to return to his Flora no more. 



THE SOLDIER. 95 

Ye light fleeting spirits that glide o'er the steep, 
0, would you but waft me across the wild deep, 
There fearless I 'd mix in the battle's loud roar, 
I 'd die with my Connel, and leave him no more. 

Alexander Wilson, 

What dreaming drone was ever blest, 

By thinking of the morrow ? 
To-day be mine — I leave the rest 

To aU the fools of sorrow ; 
Give me the mind that mocks at care, 

The heart its own defender ; 
The spirits that are light as air. 

And never beat surrender. 

On comes the foe — to arms — to arms — 

We meet — 't is death or glory ; 
'T is victory in all her charms, 

Or fame in Britain's story ; 
Dear native land ! thy fortunes frown, 

And ruffians would enslave thee ; 
Thou land of honor and renown, 

Who would not die to save thee ? 

'T is you, 't is I, that meets the ball ; 

And me it better pleases 
In battle with the brave to fall, 

Than die of cold diseases ; 
Than drivel on in elbow-chair 

With saws and tales unheeded, 
A tottering thing of aches and care, 

Nor longer loved nor needed. 

But thou — dark is thy flowing hair, 

Thy eye with fire is streaming, 
And o'er thy cheek, thy looks, thine air, 

Health sits in triumph beaming ; 



96 SINGLE FAMOUS POEMS. 

Then, brother soldier, fill the wine, 

Eill high the wine to beauty ; 
Love, friendship, honor, all are thine, 

Thy country and thy duty. 

William Smyth. 



Pitt the sorrows of a poor old man, 

Whose trembling Hmbs have borne him to your door, 
Whose days are dwindled to the shortest span, 

0, give rehef, and Heaven will bless your store. 

These tattered clothes my poverty bespeak, 

These hoary locks proclaim my lengthened years ; 

And many a furrow in my grief -worn cheek 
Has been the channel of a stream of tears. 

Yon house, erected on the rising ground, 

With tempting aspect drew me from my road, 

For plenty there a residence has found. 
And grandeur a magnificent abode. 

Hard is the fate of the infirm and poor ! 

Here craving for a morsel of their bread, 
A pampered menial forced me from the door, 

To seek a shelter in a humbler shed. 

0, take me to your hospitable dome. 

Keen blows the wind, and piercing is the cold j 

Short is my passage to the friendly tomb. 
For I am poor and miserably old. 

Should I reveal the source of every grief. 
If soft humanity e'er touched your breast, 

Your hands would not withhold the kind relief, 
And tears of pity could not be repressed. 



TEE ORPHAN BOY, 97 

Heaven sends misfortunes — why should we repine ? 

'T is heaven has brought me to the state you see : 
And your condition may be soon hke mine, 

The child of sorrow and of misery. 

A httle farm was my paternal lot, 

Then hke the lark I sprightly hailed the morn ; 
But ah 1 oppression forced me from my cot ; 

My cattle died, and blighted was my corn. 

My daughter, once the comfort of my age, 
Lured by a villain from her native home. 

Is cast, abandoned, on the world's wild stage, 
And doomed in scanty poverty to roam. 

My tender wife, sweet soother of my care. 
Struck with sad anguish at the stern decree, 

Fell, hngering fell, a victim of despair, 

And left the world to wretchedness and me. 

Then pity the sorrows of a poor old man, 

Whose trembling hmbs have borne him to your door, 
Whose days are dwindled to the shortest span, 

0, give reUef, and Heaven will bless your store. 

Thomas Mos3. 



Ci)e Orphan ISog. 

Stay, lady, stay, for mercy's sake. 

And hear a helpless orphan's tale ; 
Ah, sure my looks must pity wake, — • 

'T is want that makes my cheek so pale ; 
Yet I was once a mother's pride. 

And my brave father's hope and joy; 
But in the Nile's proud fight he died, 

And I am now an orphan boy. 



. 98 SINGLE FAMO US F OEMS. 

Poor, foolish child ! how pleased was I, 

When news of Nelson's victory came, 
Along the crowded streets to fly, 

To see the lighted windows flame ! 
To force me home my mother sought, — 

She could not bear to hear my joy ; 
For with my father's life 't was bought,— 

And made me a poor orphan boy. 

The people's shouts were long and loud ; 
My mother, shuddering, closed her ears ; 
"Eejoice! rejoice! " still cried the crowd, — 

My mother answered with her tears I 
" 0, why do tears steal down your cheek," 
Cried I, " while others shout for joy ? " 
She kissed me, and in accents weak. 
She called me her poor orphan boy. 

" What is an orphan boy ? " I said ; 

When suddenly she gasped for breath, 
And her eyes closed ! I shrieked for aid, 

But ah ! her eyes were closed in death. 
My hardships since I will not tell ; 

But now, no more a parent's joy. 
Ah ! lady, I have learned too well 

What 't is to be an orphan boy. 

0, were I by your bounty fed — 

Nay, gentle lady, do not chide ; 
Trust me, I mean to earn my bread, — 

The sailor's orphan boy has pride. 
Lady, you weep ; what is 't you say? 

You '11 give me clothing, food, employ ? 
Look down, dear parents, look and see 

Your happy, happy orphan boy ! 

Amelia Opie. 



THE TEAB8 I SHED. 99 

Mysterious Night, -when our first parent knew 
Thee, from report divine, and heard thy nurae, 
Did he not tremble for this lovely frame, 

This glorious canopy of light and blue ? 

Yet 'neath a curtain of translucent dew 

Bathed in the rays of the great setting flame, 
Hesperus with the host of heaven came, 

And lo ! Creation widened on Man's view. 

Who could have thought such darkness lay concealed 
Within thy beams, Sun ! or who could find, 

While flower, and leaf, and insect stood revealed, 
That to such countless orbs thou mad'st us blind I 

Why do we then shun death with anxious strife ? 

If Hght can thus deceive, wherefore not life ? 

Joseph Blanco White. 

The tears I shed must ever fall : 

I mourn not for an absent swain ; 
For thoughts may past dehghts recall, 

And parted lovers meet again. 
I weep not for the silent dead ; 

Their toils are past, their sorrows o'er ; 
And those they loved their steps shall tread. 

And death shall join to part no more. 

Though boundless oceans roll between, 

If certain that his heart is near, 
A conscious transport glads each scene. 

Soft is the sigh, and sweet the tear. 
E'en when by death's cold hand removed, 

We mourn the tenant of the tomb, 
To think that e'en in death he loved, 

Can gild the horrors of the gloom. 



100 SINGLE FAMOUS POEMS. 

But bitter, bitter are the tears 

Of her who slighted love bewails; 
No hope her dreary prospect cheers, 

No pleasing melancholy hails. 
Hers are the pangs of wounded pride, 

Of blasted hope, of wither'd joy ; 
The flatt'ring veil is rent aside. 

The flame of love burns to destroy. 

In vain does memory renew 

The hours once tinged in transport's dye ; 
The sad reverse soon starts to view, 

And turns the past to agony. 
E'en time itself despairs to cure 

Those pangs to ev'ry feehng due : 
Ungenerous youth ! thy boast how poor, 

To win a heart — and break it too ! 

[No cold approach, no alter' d mien. 

Just what would make suspicion start ; 
No pause the dire extremes between. 

He made me blest — and broke my heart.] 
From hope, the wretched's anchor, torn ; 

Neglected and neglecting all ; 
Friendless, forsaken, and forlorn ; 

The tears I shed must ever fall. 

Helen Cranstoun Stewart. 

Co an Intiian (l^olti (Koi'n. 

Slave of the dark and dirty mine. 

What vanity has brought thee here ? 
How can I love to see thee shine 

So bright, whom I have bought so dear ? 

The tent-ropes flapping lone I hear 
For twilight converse, arm in arm ; 

The jackal's shriek bursts on mine ear 
When mirth and music wont to charm. 



TO AN INDIAN GOLD COIN. 101 

By Cherical's dark wandering streams, 

Where cane-tufts shadow all the wild. 
Sweet visions haunt my waking dreams 

Of Teviot loved while still a child, 

Of castled rocks stupendous piled 
By Esk or Eden's classic wave. 

Where loves of youth and friendship smiled, 
Uncursed by thee, vile yellow slave 1 

Fade, day-dreams sweet, from memory fade ! 

The perished bhss of youth's first prime, 
That once so bright on fancy played, 

Eevives no more in after-time. 

Far from my sacred natal clime, 
I haste to an untimely grave ; 

The daring thoughts that soared subHme 
Are sunk in ocean's southern wave. 

Slave of the mine, thy yellow light 
Gleams baleful as the tomb-fire drear. 

A gentle vision comes by night 

My lonely widowed heart to cheer : 
Her eyes are dim with many a tear, 

That once were guiding stars to mine : 
Her fond heart throbs with many a fear 1 

I cannot bear to see thee shine. 

For thee, for thee, vile yellow slave, 

I left a heart that loved me true I 
I crossed the tedious ocean-wave. 

To roam in chmes unkind and new. 

The cold wind of the stranger blew 
Chill on my withered heart ; the grave 

Dark and untimely met my view, — • 
And all for thee, vile yellow slave 1 

Ha 1 com'st thou now so late to mock 
A wanderer's banished heart forlorn, 



102 SINGLE FAMOUS POEMS. 

"Now that his frame the lightning shock 
Of sun-rays tipped with death has borne ? 
From love, from friendship, country, torn, 

To memory's fond regrets the prey, 
Vile slave, thy yellow dross I scorn I 

Go mix thee with thy kindred clay I 

John Leyden. 

E Vinit from St. Ki'cSolas. 

'T WAS the night before Christmas, when all through the 

house 
Not a creature was stirring, not even a mouse ; 
The stockings were hung by the chimney with care, 
In hopes that St. Nicholas soon would be there ; 
The children were nestled all snug in their beds, 
While visions of sugar-plums danced in their heads ; 
And Mamma in her kerchief, and I in my cap, 
Had just settled our brains for a long winter nap, — 
"When out on the lawn there arose such a clatter, 
I sprang from my bed to see what was the matter. 
Away to the window I flew like a flash. 
Tore open the shutters and threw up the. sash. 
The moon, on the breast of the new-fallen snow, 
Gave a lustre of midday to objects below ; 
When, what to my wondering eyes should appear, 
But a miniature sleigh and eight tiny reindeer, 
With a little old driver, so Hvely and quick, 
I knew in a moment it must be St. Nick. 
More rapid than eagles his coursers they came, 
And he whistled, and shouted, and called them by name : 
' Now, Dasher ! now, Dancer ! now, Prancer and Vixen I 
On ! Comet, on ! Cupid, on ! Dunder and Blixen — 
To the top of the porch, to the top of the wall ! 
Now, dash away, dash away, dash away all 1 " 
As dry leaves that before the wild hurricane fly, 
When they meet with an obstacle, mount to the sky, 



THE SI AR.8F ANGLED BANNER. 103 

So, up to the house-top the coursers they flew, 
With the sleigh full of toys — and St. Nicholas too. 
And then in a twinkling I heard on the roof 
The prancing and pawing of each httle hoof. 
As I drew in my head, and was turning around, 
Down the chimney St. Nicholas came with a bound. 
He was dressed all in fur from his head to his foot, 
And his clothes were all tarnished with ashes and soot; 
A bundle of toys he had flung on his back, 
And he looked like a peddler just opening his pack. 
His eyes how they twinkle ! his dimples how merry I 
His cheeks were like roses, his nose like a cherry ; 
His droll little mouth was drawn up like a bow, 
And the beard on his chin was as white as the snow. 
The stump of a pipe he held tight in his teeth. 
And the smoke, it encircled his head like a wreath. 
He had a broad face and a little round belly 
That shook, when he laughed, like a bowl full of jelly. 
He was chubby and plump — a right jolly old elf; 
And I laughed when I saw him, in spite of myself. 
A wink of his eye, and a twist of his head. 
Soon gave me to know I had nothing to dread. 
He spoke not a word, but went straight to his work, 
And filled all the stockings; then turned with a jerk, 
And laying his finger aside of his nose, 
And giving a nod, up the chimney he rose. 
He sprang to his sleigh, to his team gave a whistle, 
And away they all flew like the down of a thistle ; 
But I heard him exclaim, ere he drove out of sight, 
" Happy Christmas to all, and to all a good-night ! " 

Clement C. Moore. 

CJe Star^Spartfileti 13anner» 

0, say, can you see, by the dawn's early light, 

What so proudly we hailed at the twihght's last gleam- 
ing? 



104 SINGLE FAMO US P OEMS. 

Whose broad stripes and bright stars through the perilous 
fight, 
O'er the ramparts we watched were so gallantly stream- 
ing; 
And the rocket's red glare, the bombs bursting in air, 
Gave proof through the night that our flag was still there. 
0, say, does that star-spangled banner yet wave 
O'er the land of the free and the home of the brave ? 

On the shore, dimly seen through the mists of the deep, 
Where the foe's haughty host in dread silence reposes, 

What is that which the breeze, o'er the towering steep, 
As it fitfully blows, half conceals, half discloses? 

Now it catches the gleam of the morning's first beam, 

In full glory reflected now shines on the stream. 

'T is the star-spangled banner I O, long may it wave 
O'er the land of the free and the home of the brave I 

And where is that band who so vauntingly swore 
That the havoc of war and the battle's confusion 

A home and a country should leave us no more ? 

Their blood has washed out their foul footsteps' pollution. 

No refuge could save the hireling and slave. 

From the terror of death and the gloom of the grave. 
And the star-spangled banner in triumph shall wave 
O'er the land of the free and the home of the brave I 

0, thus be it ever, when freemen shall stand 

Between their loved homes and the war's desolation ; 

Blest with victory and peace, may the heaven-rescued land 
Praise the power that has made and preserved us a na- 
tion. 

Then conquer we must, for our cause it is just. 

And this be our motto, " In God is our trust." 

And the star-spangled banner in triumph shall wave 
O'er the land of the free and the home of the brave I 

Francis Scott Key. 



LUCY'S FLITTIN\ 105 

'T WAS when the wan leaf frae the birk tree was fa'in', 

And Martinmas dowie had wound up the year, 
That Lucy row'd up her wee kist wi' her a' in 't 

And left her auld maister and neebours sae dear. 
For Lucy had served in " The Glen " a' the simmer ; 

She cam' there afore the flower bloom'd on the pea ; 
An orphan was she, and they had been gude till her, 

Sure that was the thing brocht the tear to her ee. 

She gaed by the stable where Jamie was stannin', 

Eicht sair was his kind heart the flittin' to see : 
Fare-ye-weel, Lucy I quo Jamie, and ran in ; 

The gatherin' tears trickled fast frae his ee. 
As down the burn-side she gaed slow wi' the flittin', 

Fare-ye-weel, Lucy ! was ilka bird's sang ; 
She heard the craw say in' 't, high on the tree sittin', 

And robin was chirpin' 't the brown leaves amang. 

Oh, what is 't that pits my puir heart in a flutter ? 

And what gars the tears come sae fast to my ee ? 
If I wasna ettled to be ony better, 

Then what gars me wish ony better to be ? 
I 'm just like a lammie that loses its mither; 

Nae mither or friend the puir lammie can see ; 
I fear 1 ha'e tint my puir heart a'thegither, 

ISTae wonder the tear fa's sae fast frae my ee. 

Wi' the rest o' my claes I hae row'd up the ribbon, 

The bonnie blue ribbon that Jamie ga'e me ; 
Yestreen, when he ga'e me 't, and saw I was sabbin', 

I '11 never forget the wae blink o' his ee. 
Though now he said naething but Fare-ye-weel, Lucy 1 

It made me I neither could speak, hear, nor see ; 
He cudna say mair but just, Fare-ye-weel, Lucy 1 

Yet that I will mind till the day that I dee. 
9* 



1 06 SINGLE FAMO US P OEMS. 

[The lamb likes the gowan wi' dew when its droukit ; 

The hare likes the brake, and the braird on the lea ; 
But Lucy likes Jamie ; — she turned and she lookit, 

She thocht the dear place she wad never mair see. 
Ah, weel may young Jamie gang dowie and cheerless, 

And weel may he greet on the bank o' the burn ; 
For bonnie sweet Lucy, sae gentle and peerless, 

Lies cauld in her grave, and will never return.] 

William Laidlaw. 

^ Uitang for Bmtxailt. 

Alas 1 how dismal is my tale ! — 
I lost my watch in Doneraile ; 
My Dublin watch, my chain and seal, 
Pilfered at once in Doneraile. 

May fire and brimstone never fail 
To fall in showers on Doneraile ; 
May all the leading fiends assail 
The thieving town of Doneraile. 

As lightnings flash across the vale, 
So down to hell with Doneraile ; 
The fate of Pompey at Pharsale, 
Be that the curse of Doneraile. 

May beef or mutton, lamb or veal, 
Be never found in Doneraile ; 
But garlic soup, and scurvy kail, 
Be still the food for Doneraile. 

And forward as the creeping snail 
Th' industry be of Doneraile ; 
May Heaven a chosen curse entail 
On rigid, rotten Doneraile. 

May sun and moon forever fail 
To beam their lights in Doneraile ; 



A LITANY FOR DONERAILE. 107 

May every pestilential gale 

Blast that cursed spot called Doneraile. 

May no sweet cuckoo, thrush, or quail, 
Be ever heard in Doneraile ; 
May patriots, kings, and commonweal, 
Despise and harass Doneraile. 

May every Post, Gazette, and Mail 
Sad tidings bring of Doneraile ; 
May loudest thunders ring a peal. 
To blind and deafen Doneraile. 

May vengence fall at head and tail, 
From north to south, at Doneraile ; 
May profit light, and tardy sale. 
Still damp the trade of Doneraile. 

May Fame resound a dismal tale, 
Whene'er she lights on Doneraile ; 
May Egypt's plagues at once prevail, 
To thin the knaves of Doneraile. 

May frost and snow, and sleet and hail, - 
Benumb each joint in Doneraile ; 
May wolves and bloodhounds trace and trail 
The cursed crew of Doneraile. 

May Oscar, with his fiery flail. 
To atoms thresh all Doneraile ; 
May every mischief, fresh and stale, 
Abide, henceforth, in Doneraile. 

May all, from Belfast to Kinsale, 
Scoff, curse, and damn you, Doneraile ; 
May neither flour nor oatenmeal 
Be found or known in Doneraile. 



1 08 SINGLE FAMO US POEMS. 

May want and wo each joy curtail 
That e'er was known in Doneraile ; 
May no one coffin want a nail, 
That wraps a rogue in Doneraile. 

May all the thieves that rob and steal, 
The gallows meet in Doneraile ; 
May all the sons of G-ranaweal 
Blush at the thieves of Doneraile. 

May mischief big as Norway whale 
O'erwhelm the knaves of Doneraile ; 
May curses, wholesale and retail, 
Pour with full force on Doneraile. 

May every transport wont to sail, 
A convict bring from Doneraile ; 
May every churn and milking-pail 
Fall dry to staves in Doneraile, 

May cold and hunger stiU congeal 
The stagnant blood of Doneraile ; 
May every hour new woes reveal, 
That hell reserves for Doneraile. 

May every chosen ill prevail 
O'er all the imps of Doneraile ; 
May no one wish or prayer avail 
To soothe the woes of Doneraile. 

May th' Inquisition straight impale 
The rapparees of Doneraile ; 
May Charon's boat triumphant sail. 
Completely manned from Doneraile. 

Oh I may my couplets never fail 
To find a curse for Doneraile ; 
And may grim Pluto's inner jail 
For ever groan with Doneraile. 

Patrick O'Kellt. 



THE PHILOSOPHERS SCALES. 109 

'T WAS in heaven pronounced, and 't was muttered in hell, 

And echo caught faintly the sound as it fell ; 

On the confines of earth 't was permitted to rest, 

And the depths of the ocean its presence confessed. 

'T will be found in the sphere when 't is riven asunder, 

Be seen in the lightning and heard in the thunder. 

'T was allotted to man with his earliest breath, 

Attends him at birth, and awaits him in death, 

Presides o'er his happiness, honor, and health, 

Is the prop of his house, and the end of his wealth. 

In the heaps of the miser 't is hoarded with care, 

But is sure to be lost on his prodigal heir. 

It begins every hope, every wish it must bound, 

With the husbandman toils, and with monarchs is crowned. 

Without it the soldier, the seaman, may roam ; 

But woe to the wretch who expels it from home ! 

In the whispers of conscience its voice will be found. 

Nor e'en in the whirlwind of passion be drowned. 

'T will not soften the heart ; but, though deaf be the ear, 

It will make it acutely and instantly hear. 

Yet in shade let it rest, like a delicate flower, 

Ah ! breathe on it softly — it dies in an hour. 

Catherine Fanshawe. 

Cf)e ?PSiloi3opi)er'j5 Scales, 

A MONK, when his rites sacerdotal were o'er, 

In the depths of his cell with its stone-covered floor, 

Resigning to thought his' chimerical brain. 

Once formed the contrivance we now shall explain ; 

But whether by magic's or alchemy's powers 

We know not; indeed, 't is no business of ours. 

Perhaps it was only by patience and care. 
At last, that he brought his invention to bear. 
10 



1 1 SINGLE FAMO US POEMS. 

In youth 't was projected, but years stole away, 
And ere 't was complete he was wrinkled and gray ; 
But success is secure, unless energy fails ; 
And at length he produced the Philosopher's Scales. 

" What were they ? " you ask. You shall presently see ; 
These scales were not made to weigh sugar and tea. 
no ; for such properties wondrous had they, 
That qualities, feehngs, and thoughts they could weigh, 
Together with articles small or immense, 
From mountains or planets to atoms of sense. 

Naught was there so bulky but there it would lay, 
And naught so ethereal but there it would stay. 
And naught so reluctant but in it must go : 
All which some examples more clearly will show. 

The first thing he weighed was the head of Voltaire, 
Which retained all the wit that had ever been there. 
As a weight, he threw in a torn scrap of a leaf, 
Containing the prayer of the penitent thief ; 
When the skull rose aloft with so sudden a spell 
That it bounced hke a ball on the roof of the cell. 

One time he put in Alexander the Grreat, 
With a garment that Dorcas had made for a weight; 
And though clad in armor from sandals to crown, 
The hero rose up, and the garment went down. 

A long row of alms-houses, amply endowed 

By a well-esteemed Pharisee, busy and proud, 

Next loaded one scale ; while the other was pressed 

By those mites the poor widow dropped into the chest; 

Up flew the endowment, not weighing an ounce, 

And down, down the farthing-worth came with a bounce. 

By further experiments (no matter how) 

He found that ten chariots weighed less than one plough; 



A MODEST wn: m 

A sword with gilt trapping rose up in the scale, 
Though balanced by only a ten-penny nail; 
A shield and a helmet, a buckler and spear, 
Weighed less than a widow's uncrystallized tear. 

A lord and a lady went up at full sail, 

"When a bee chanced to hght on the opposite scale; 

Ten doctors, ten lawyers, two courtiers, one earl, 

Ten counselors' wigs, full of powder and curl. 

All heaped in one balance and swinging from thence 

Weighed less than a few grains of candor and sense ; 

A first-water diamond, with brilliants begirt, 

Than one good potato just washed from the dirt; 

Yet not mountains of silver and gold could suffice 

One pearl to outweigh,— 't was the Pearl of Great Price. 

Last of all, the whole world was bowled in at the grate, 
With the soul of a beggar to serve for a weight. 
When the former sprang up with so strong a rebuff 
That it made a vast rent and escaped at the roof I 
When balanced in air, it ascended on high. 
And sailed up aloft, a balloon in the sky ; 
While the scale with the soul in 't so mightily fell 
That it jerked the philosopher out of his cell. 

Jane Taylor. 



A SUPERCILIOUS nabob of the East — 

Haughty, being great— purse-proud, being rich- 
A governor, or general, at the least, 

I have forgotten which — 
Had in his family a humble youth, 

Who went from England in his patron's suite, 
An unassuming boy, in truth 

A lad of decent parts, and good repute. 



112 SINGLE FAMO US P OEMS. 

This youth had sense and spirit ; 

But yet with all his sense, 

Excessive diffidence 
Obscured his merit. 

One day, at table, flushed with pride and wine, 
His honor, proudly free, severely merry^ 

Conceived it would be vastly fine 
To crack a joke upon his secretary. 

" Young man," he said, " by what art, craft, or trade, 

Did your good father gain a livehhood ? " — 
"He was a saddler, sir," Modestus said, 
" And in his time was reckon'd good." 

"A saddler, eh! and taught you G-reek, 
Instead of teaching you to sew ! 
Pray, why did not your father make 
A saddler, sir, of you ? " 

Each parasite, then, as in. duty bound. 

The joke applauded, and the laugh went round. 

At length Modestus, bowing low, 
Said (craving pardon, if too free he made), 
" Sir, by your leave, I fain would know 
Your father's trade I " 

" My father's trade ! by heaven, that 's too bad I 
My father's trade ? Why, blockhead, are you mad ? 
My father, sir, did never stoop so low — 
He was a gentleman, I 'd have you know." 

" Excuse the liberty I take," 

Modestus said, with archness on his brow, 
" Pray, why did not your father make 

A gentleman of you ? " 

Selleck Osborn. 



SAINT PA TRICK i ] 3 

St. Patrick was a gentleman, 

Who came of decent people ; 
He built a church in DubUn town, 

And on it put a steeple. 
His father was a G-allagher ; 

His mother was a Brady ; 
His aunt was an O'Shaughnessy, 

His uncle an O'Grady. 
So, success attend St. Patrick's fist, 

For he 's a saint so clever ; 
01) ! he gave the snakes and toads a twist, 

And bothered them forever I 

The Wicklow hills are very high, 

And so 's the hill of Howth, sir ; 
But there 's a hill, much bigger still, 

Much higher nor jjiem both, sir : 
*T was on the top of this high hill 

St. Patrick preached his sarmint 
That drove the frogs into the bogs, 

And banished all the varmint. 

There 's not a mile in Ireland's isle 

Where dirty varmin musters, 
But where he put his dear fore-foot, 

And murdered them in clusters. 
The toads went pop, the frogs went hop. 

Slap-dash into the water; 
And the snakes committed suicide 

To save themselves from slaughter. 

Nine hundred thousand reptiles blue 

He charmed with sweet discourses, 
And dined on them at Killaloe 

In soups and second courses. 



] 1 4 SINGLE FAMO US POEMS. 

Where blind-worms crawling in the grass 

Disgusted all the nation, 
He gave them a rise, which opened their eyes 

To a sense of their situation. 

No wonder that those Irish lads 

Should be so gay and frisky, 
For sure St. Pat he taught them that, 

As well as making whiskey ; 
No wonder that the saint himself 

Should understand distilling, 
Since his mother kept a shebeen-shop 

In the town of Enniskillen. 

0, was I but so fortunate 

As to be back in Munster, 
'T is I 'd be bound that from that ground 

I never more would once stir. % 

For there St. Patrick planted turf. 

And plenty of the praties. 
With pigs galore, ma gra, ma 'store, 

And cabbages — and ladies. 
So, success attend St. Patrick's fist. 

For he 's a saint so clever ; 
0, he gave the snakes and toads a twist 

And bothered them forever ! 

Henry Bennett. 



A CLOUD lay cradled near the setting sun, 
A gleam of crimson tinged its braided snow ; 

Long had I watched the glory moving on. 
O'er the still radiance of the lake below : 

Ti anquil its spirit seemed, and floated slow, 
E'en in its very motion there was rest, 

While every breath of eve that chanced to blow, 



THE BUCKET. 115 

Wafted the traveler to the beauteous west. 
Emblenij methought, of the departed soul, 

To whose white robe the gleam of bliss is given, 
And by the breath of mercy made to roll 

Right onward to the golden gates of heaven, 
While to the eye of faith it peaceful lies, 
And tells to man his glorious destinies. 

John Wilson. 

How dear to this heart are the scenes of my childhood. 
When fond recollection presents them to view ! — 
The orchard, the meadow, the deep-tangled wildwood, 
And every loved spot which my infancy knew I 
The wide-spreading pond, and the mill that stood by it; 
The bridge, and the rock where the cataract fell ; 
The cot of my father, the dairy-house nigh it ; 
And e'en the rude bucket that hung in the well — 
The old oaken bucket, the iron-bound bucket. 
The moss-covered bucket which hung in the welL 

That moss-covered vessel I hailed as a treasure ; 
For often at noon, when returned from the field, 
I found it the source of an exquisite pleasure — 
The purest and sweetest that nature can yield. 
How ardent I seized it, with hands that were glowing. 
And quick to the white-pebbled bottom it fell ! 
Then soon, with the emblem of truth overflowing, 
And dripping with coolness, it rose from the well — 
The old oaken bucket, the iron-bound bucket, 
The moss-covered bucket arose from the well. 

How sweet from the green, mossy brim to receive it, 
As, poised on the curb, it inclined to my lips ! 
Not a full, blushing goblet could tempt me to leave it, 
The brightest that beauty or revelry sips. 



116 SINGLE FAMOUS POEMS. 

And now, far removed from the loved habitation, 
The tear of regret will intrusively swell, 
As fancy reverts to my father's plantation, 
And sighs for the bucket that hangs in the well — 
The old oaken bucket, the iron-bound bucket. 
The moss-covered bucket that hangs in the weU I 

Samuel Woodworth. 



CJe Sours Befiance, 

I SAID to sorrow's awful storm, 

That beat against my breast, 
Rage on I — thou may'st destroy this form, 

And lay it low at rest ; 
But stiU the spirit that now brooks 

Thy tempest, raging high. 
Undaunted on its fury looks, 

With steadfast eye. 

I said to penury's meagre train. 

Come on ! your threats I brave ; 
My last poor life-drop you may drain. 

And crush me to the grave ; 
Yet still the spirit that endures 

Shall mock your force the while, 
And meet each cold, cold grasp of yours 

With bitter smile. 

I said to cold neglect and scorn. 

Pass on ! I heed you not ; 
Ye may pursue me tiU my form 

And being are forgot ; 
Yet still the spirit which you see 

Undaunted by your M'iles, 
Draws from its own nobihty 

Its high-born smiles. 



TEE MITHERLESS BAIRK 1 1 ' 

I said to friendship's menaced blow, 

Strike deep ! my heart shall bear ; 
Thou canst but add one bitter woe 

To those already there; 
Yet still the spirit that sustains 

This last severe distress, 
Shall smile upon its keenest pains, 

And scorn redress. 

I said to death's uplifted dart, 

Aim sure I oh, why delay ? 
Thou wilt not find a fearful heart — 

A weak, reluctant prey ; 
For still the spirit, firm and free, 

UnruflSed by this last dismay, 
Wrapt in its own eternity, 

Shall pass away. 

Lavinia Stoddard. 

When a' ither bairnies are hushed to their hame 
By aunty, or cousin, or frecky grand-dame, 
Wha stands last and lanely, an' naebody carin' ? 
'T is the puir doited loonie, — the mitherless bairn. 

The mitherless bairn gangs to his lane bed ; 
Nane covers his cauld back, or haps his bare head ; 
His wee hackit heeHes are hard as the airn. 
And htheless the lair o' the mitherless bairn. 

Aneath his cauld brow siccan dreams hover there, 
0' hands that wont kindly to kame his dark hair ; 
But mornin' brings clutches, a' reckless an' stern. 
That lo'e nae the locks o' the mitherless bairn. 

Yon sister that seng o'er his saftly rocked bed 
Now rests in the mools where her mammie is laid , 
10* 



1 1 8 SINGLE FAMO US POEMS. 

The father toils sair theu* wee bannock to earn, 
An' kens na the wrangs o' his mitherless bairn. 

Her spirit, that passed in yon hour o' his birth, 
Still watches his wearisome wanderings on earth ; 
Recording in heaven the blessings they earn 
Wha couthilie deal wi' the mitherless bairn. 

0, speak him na harshly, — he trembles the while, 
He bends to your bidding, and blesses your smile ; 
In their dark hour o' anguish the heartless shall learn, 
That God deals the blow for the mitherless bairn. 

William Thom, 

Stanzas. 

My life is like the summer rose 

That opens to the morning sky, 
But, ere the shades of evening close. 

Is scattered on the ground — to die I 
Yet on the rose's humble bed 
The sweetest dews of night are shed, 
As if she wept the waste to see, — 
But none shall weep a tear for me I 

My life is Hke the autumn leaf 

That trembles in the moon's pale ray j 
Its hold is frail — its date is brief. 

Restless — and soon to pass away 1 
Yet, ere that leaf shall fall and fade. 
The parent tree will mourn its shade, 
The winds bewail the leafless tree, — 
But none shall breathe a sigh for me I 

My life is Hke the prints which feet 
Have left on Tampa's desert strand ; 

Soon as the rising tide shall beat, 
All trace will vanish from the sand ; 



AFAR IN THE DESERT, 1 19 

Yet, as if grieving to efface 

All vestige of the human race, 

On that lone shore loud moans the sea,— 

But none, alas ! shall mourn for me ! 

Richard Henry Wilde. 

^far in tf)e HJesert. 

Afar in the desert I love to ride. 

With the silent Bush-boy alone by my side, 

When the sorrows of life the soul o'ercast, 

And, sick of the present, I cling to the past ; 

When the eye is suffused with regretful tears, 

From the fond recollections of former years ; 

And shadows of things that have long since fled 

Flit over the brain, like the ghosts of the dead : 

Bright visions of glory that vanished too soon ; 

Day-dreams, that departed ere manhood's noon ; 

Attachments by fate or falsehood reft ; 

Companions of early days lost or left — 

And my native land — whose magical name 

Thrills to the heart like electric flame ; 

The home of my childhood ; the haunts of my prime ; 

All the passions and scenes of that rapturous time 

When the feelings were young, and the world was new, 

Like the fresh bowers of Eden unfolding to view ; 

All — all now forsaken — forgotten — foregone ! 

And I — a lone exile remembered of none — 

My high aims abandoned, — my good acts undone — 

Aweary of all that is under the sun — 

With that sadness of heart which no stranger may scan, 

I fly to the desert afar from man. 

Afar in the desert I love to ride, 

With the silent Bush-boy alone by my side. 

When the wild turmoil of this wearisome life, 

With its scenes of oppression, corruption, and strife — 



120 SINGLE FAMOUS FOEMS, 

The proud man's frown, and the base man's fear, 
The scorner's laugh, and the sufferer's tear. 
And maUce, and meanness, and falsehood, and folly, 
Dispose me to musing and dark melancholy ; 
When my bosom is full, and my thoughts are high, 
And my soul is sick with the bondman's sigh, — 
0, then there is freedom, and joy, and pride, 
Afar in the desert alone to ride ! 
There is rapture to vault on the champing steed, 
And to bound away with the eagle's speed. 
With the death-fraught firelock in my hand, — 
The only law of the Desert Land ! 

Afar in the desert I love to ride. 

With the silent Bush-boy alone by my side, 

Away, away from the dwellings of men. 

By the wild deer's haunt, by the buffalo's glen ; 

By valleys remote where the oribi plays. 

Where the gnu, tlie gazelle, and the hartebeest graze, 

And the kudu and eland unhunted recline 

By the skirts of gray forest o'erhung with wild vine ; 

Where the elephant browses at peace in his wood. 

And the river-horse gambols unscared in the flood, 

And the mighty rhinoceros wallows at will 

In the fen where the wild ass is drinking his filL 

Afar in the desert I love to ride. 
With the silent Bush-boy alone by my side. 
O'er the brown karroo, where the bleating cry 
Of the springbok's fawn sounds plaintively ; 
And the timorous quagga's shrill whistling neigh 
Is heard by the fountain at twilight gray ; 
Where the zebra wantonly tosses his mane, 
With wild hoof scouring the desolate plain ; 
And the fleet-footed ostrich over the waste 
Speeds like a horseman who travels in haste, 
Hieing away to. the home of her rest. 
Where she and her mate have scooped their nest, 



AFAR IN TEE DESEB T. 121 

Far hid from the pitiless plunderer's view 
In the pathless depths of the parched karroo. 

Afar in the desert I love to ride, 
With the silent Bush-boy alone by my side, 
Aw^ay, away, in the wilderness vast 
Where the white man's foot hath never passed, 
And the quivered Coranna or Bechuan 
Hath rarely crossed with his roving clan, — 
A region of emptiness, howling and drear. 
Which man hath abandoned from famine and fear ; 
Which the snake and the lizard inhabit alone. 
With the twilight bat from the yawning stone j 
Where grass, nor herb, nor shrub takes root, 
Save poisonous thorns that pierce the foot ; 
And the bitter-melon, for food and drink, 
Is the pilgrim's fare by the salt lake's brink; 
A region of drought, where no river glides, 
Nor rippling brook with osiered sides ; 
Where sedgy pool, nor bubbhng fount. 
Nor tree, nor cloud, nor misty mount, 
Appears, to refresh the aching eye ; 
But the barren earth and the burning sky. 
And the blank horizon, .round and round, 
Spread, — void of living sight or sound. 
And here, while the night-winds round me sigh, 
And the stars burn bright in the midnight sky. 
As I sit apart by the desert stone, 
Like Elijah at Horeb's cave, alone, 
"A still small voice " comes throudi the wild 
(Like a father consoling his fretful child). 
Which banishes bitterness, wrath, and fear, 
Saying, — Man is distant, but Grod is near I 

Thomas Pringle. 
11 



122 SINGLE FAMO US P OEMS. 

The scene was more beautiful far to the eye, 

Than if day in its pride had arrayed it: 
The land-breeze blew mild, and the azure-arched sky 

Looked pure as the spirit that made it : 
The murmur rose soft, as I silently gazed 

On the shadowy waves' playful motion, 
From the dim distant hill, till the light-house fire blazed 

Like a star in the midst of the ocean. 

Ko longer the joy of the sailor-boy's breast 

Was heard in his wildly-breathed numbers ; 
The sea-bird had flown to her wave-girdled nest, 

The fisherman sunk to his slumbers : 
One moment I looked from the hill's gentle slope, 

All hushed was the billows' commotion. 
And o'er them the light-house looked lovely as hope, — 

That star of life's tremulous ocean. 

The tim'e is long past, and the scene is afar, 

Yet when my head rests on its pillow, 
Will memory sometimes rekindle the star 

That blazed on the breast of the billow : 
In life's closing hour, when the trembling soul flies, 

And death stills the heart's last emotion; 
0, then may the seraph of mercy arise. 

Like a star on eternity's ocean ! 

Paul Moon James. 



IHortalitB* 

WHY should the spirit of mortal be proud ? 
Like a fast-flitting meteor, a fast-flying cloud, 
A flash of the lightning, a break of the wave, 
He passes from life to his rest in the grave. 



123 



MORTALITY. 

The leaves of the oak and the willow shall fade, 
Be scattered around and together be laid ; 
And the young and the old, and the low and the high, 
Shall moulder to dust and together shall he. 

The child that a mother attended and loved, 
The mother that infant's affection that proved, 
The husband that mother and infant that blessed, 
Each, all, are away to their dwelling of rest. 

The maid on whose cheek, on whose brow, in whose eye, 

Shone beauty and pleasure, — her triumphs are by ; 
And the memory of those that beloved her and praised 
Are alike from the minds of the living erased. 

The hand of the king that the sceptre hath borne. 
The brow of the priest that the mitre hath worn, 
The eye of the sage, and the heart of the brave, 
Are hidden and lost in the depths of the grave. 

The peasant whose lot was to sow and to reap. 
The herdsman who climbed with his goats to the steep. 
The beggar that wandered in search of his bread. 
Have faded away like the grass that we tread. 

The saint that enjoyed the communion of heaven. 
The sinner that dared to remain unforgiven, 
The wise and the foolish, the guilty and just, 
Have quietly mingled their bones in the dust. 

So the multitude goes, like the flower and the weed 
That wither away to let others succeed ; 
So the multitude comes, even those we behold. 
To repeat every tale that hath often been told. 

For we are the same that our fathers have been ; 
We see the same sights that our fathers have seen, — 
We drink the same stream, and we feel the same sun. 
And we run the same course that our fathers have run. 



124 SINGLE FAMOUS POEMS, 

The thoughts we are thinking, our fathers would think ; 
From the death we are shrinking from, they too would 

shrink ; 
To the life we are clinging to, they too would chng ; 
But it speeds from the earth like a bird on the wing. 

They loved, but their story we cannot unfold ; 
They scorned, but the heart of the haughty is cold ; 
They grieved, but no wail from their slumbers may come ; 
They joyed, but the voice of their gladness is dumb. 

They died, ay ! they died ! and we things that are now, 
Who walk on the turf that lies over their brow. 
Who make in their dwellings a transient abode, 
Meet the changes they met on their pilgrimage road. 

Yea ! hope and despondence, and pleasure and pain, 
Are mingled together like sunshine and rain ; 
And the smile and the tear, and the song and the dirge, 
Still follow each other, like surge upon surge. 

!T is the wink of an eye, 't is the draught of a breath, 
From the blossom of health to the paleness of death, 
From the gilded saloon to the bier and the shroud, — 
why should the spirit of mortal be proud ? 

William Knox. 



"You have heard," said a youth to his sweetheart, who 
stood 

While he sat on a corn-sheaf, a't daylight's decline, — 
" You have heard of the Danish boy's whistle of wood : 

I wish that the Danish boy's whistle were mine." 

* And what would you do with it? Tell me," she said. 
While an arch smile played over her beautiful face. 



WE'LL GO TO SEA NO MORE 125 

" I would blow it," he answered, " and then my fair maid 
Would fly to my side and would there take her place." 

" Is that all you wish for ? Why, that may be yours 
Without any magic! " the fair maiden cried: 

" A favor so slight one's good-nature secures ; " 
And she playfully seated herself by his side. 

" I would blow it again," said the youth ; " and the charm 
Would work so that not even modesty's check 
Would be able to keep from my neck your white arm." 
She smiled and she laid her white arm round his neck. 

" Yet once more I would blow ; and the music divine 
Would bring me a third time an exquisite bliss, — 
You would lay your fair cheek to this brown one of mine ; 
And your lips steahng past it would give me a kiss." 

The maiden laughed out in her innocent glee, — 
" What a fool of yourself with the Avhistle you 'd make 1 
For only consider how silly 't would be 

To sit there and whistle for what you might take." 

Robert Story. 



12ae U( (§0 to Sea no Mou. 

O, BLITHELY shines the bonny sun 

Upon the Isle of May, 
And bUthely comes the morning tide 

Into St. Andrew's Bay. 
Then up, gudeman, the breeze is fair, 

And up, mj braw bairns three ; 
There 's goud in yonder bonny boat 

That sails sae weel the sea I 

When haddocks leave the Firth o' Forth, 
An' mussels leave the shore, 



126 SINGLE FAMOUS POEMS, 

"When oysters climb up Berwick Law, 
We '11 go to sea no more, — 

No more, 
We '11 go to sea no more. 

I 've seen the waves as blue as air, 

I 've seen them green as grass ; 
But I never feared their heaving yet, 

From Grrangemouth to the Bass. 
I 've seen the sea as black as pitch, 

I 've seen it white as snow ; 
But I never feared its foaming yet, 
Though the winds blew high or low. 
When squalls capsize our wooden walls, 

When the French ride at the Nore, 
When Leith meets Aberdour half way, 
We 'U go to sea no more, — 

No more. 
We '11 go to sea no more. 

I never liked the landsman's life, 

The earth is aye the same ; 
Gie me the ocean for my dower, 

My vessel for my hame. 
Gie me the fields that no man plows. 

The farm that pays no fee ; 
Gie me the bonny fish that glance 
So gladly through the sea. 

When sails hang flapping on the masts 
While through the waves we snore, 
When in a calm we 're tempest-tossed, 
We '11 go to sea no more, — 

No more, 
We '11 go to sea no more. 

The sun is up, and round Inchkeith 
The breezes softly blaw ; 



OEEHALK 127 

The gudeman has the Unes on board, — 

Aw a, my bairns, aw a ! 
An' ye be back by gloamin' gray, 

An' bright the fire will low, 
An' in your tales and sangs we '11 tell 
How weel the boat ye row. 

When life's last sun gaes feebly down, 

An' death comes to our door, 
"When a' the world 's a dream to us, 
We '11 go to sea no more, — 

No more. 
We '11 go to sea no more. 

Miss CORBETT. 



The blackbird is singing on Michigan's shore, 

As sweetly and gayly as ever before ; 

For he knows to his mate he at pleasure can hie, 

And the dear little brood she is teaching to fly. 

The sun looks as ruddy, and rises as bright. 

And reflects o'er the mountains as beamy a light 

As it ever reflected, or ever expressed, 

When my skies were the bluest, my dreams were the best. 

The fox and the panther, both beasts of the night. 

Retire to their dens on the gleaming of Hght, 

And they spring with a free and a sorrowless track, 

For they know that their mates are expecting them back. 

Each bird and each beast, it is blessed in degree ; 

All nature is cheerful, all happy, but me. 

I will go to my tent, and lie down in despair ; 

I will paint me with black, and will sever my hair ; 

I will sit on the shore where the hurricane blows, 

And reveal to the god of the tempest my woes ; 

I will weep for a season, on bitterness fed. 

For my kii] dred are gone to the hills of the dead ; 



128 SINGLE FAMO US POEMS. 

But they died not by hunger, or hngering decay — 
The steel of the white man hath swept them away. 

This snake-skin, that once I so sacredly wore, 

I will toss with disdain to the storm-beaten shore j 

Its charms I no longer obey or invoke, 

Its spirit hath left me, its spell is now broke. 

I will raise up my voice to the source of the light ; 

I will dream on the wings of the blue-bird at night ; 

I will speak to the spirits that whisper in leaves. 

And that minister balm to the bosom that grieves; 

And will take a new Manito, such as shall seem 

To be kind and propitious in every dream. 

0, then I shall banish these cankering sighs, 

And tears shall no longer gush salt from my eyes ; 

I shall wash from my face every cloud-colored stain ; 

Red, red shall alone on my visage remain ! 

I will dig up my hatchet, and bend my oak bow ; 

By night and by day I will follow the foe ; 

Nor lakes shall impede me, nor mountains, nor snows ; 

His blood can alone give my spirit repose. 

They came to my cabin when heaven was black ; 
I heard not their coming, I knew not their track; 
But I saw, by the light of their blazing fusees, 
They were people engendered beyond the big seas. 
My wife and my children — 0, spare me the tale I 
For who is there left that is kin to Geehale ? 

Henry Rowe ScnooLCRAFT. 



I TOloultJ not Hibe ^Itoaj)* 

I WOULD not live alway : I ask not to stay 
Where storm after storm rises dark o'er the way ; 
Where, seeking for rest, I but hover around 
Like the patriarch's bird, and no resting is found ; 



I WOULD NOT LIVE ALWAT. 129 

Where Hope, when she paints her gay bow in the air, 
Leaves her brilliance to fade in the night of despair, 
And Joy's fleeting angel ne'er sheds a glad ray, 
Save the gleam of the plumage that bears him away. 

I would not live alway, thus fettered by sin, 
Temptation without, and corruption within; 
In a moment of strength if I sever the chain, 
Scarce the victory 's mine ere I 'm captive again. 
E'en the rapture of pardon is mingled with fears, 
And the cup of thanksgiving with penitent tears. 
The festival trump calls for jubilant songs. 
But my spirit her own miserere prolongs. 

I would not live alway: no, welcome the tomb; 

Immortality's lamp burns there bright 'mid the gloom. 

There too is the pillow where Christ bowed his head — 

0, soft be my slumbers on that holy bed ! 

And then the glad morn soon to follow that night. 

When the sunrise of glory shall burst on my sight. 

And the full matin-song, as the sleepers arise 

To shout in the morning, shall peal through the skies. 

Who, who would hve alway, away from his God, 
Away from yon heaven, that bUssful abode, 
Where rivers of pleasure flow o'er the bright plains, 
And the noontide of glory eternally reigns; 
Where the saints of all ages in harmony meet. 
Their Saviour and brethren transported to greet, 
While the anthems of rapture unceasingly roll, 
And the smile of the Lord is the feast of the soul? 

That neavenly music 1 what is it I hear ? 
The notes of the harpers ring sweet on my ear. 
And see soft unfolding those portals of gold, 
The King all arrayed in his beauty behold 1 
11* 



1 30 SINGLE FAMOUS POEMS. 

give me, give me the wings of a dove ! 

Let me hasten my flight to those mansions above. 

Ay, 't is now that my soul on swift pinions would soar, 

And in ecstasy bid earth adieu evermore. 

William Augustus Muhlenberg. 



"It is good for us to be here. If thou wilt, let us make here three 
tahernacles ; one for thee, one for Moses, and one for Elias." 

METmNKS it is good to be here ; 
If thou wilt, let us build — but for whom ? 

Nor Elias nor Moses appear ; 
But the shadows of eve that encompass with gloom 
The abode of the dead and the place of the tomb. 

Shall we build to Ambition ? Ah no I 
Aflfiighted he shrinketh away; 

For see, they would pen him below 
In a small narrow cave and begirt with cold clay, 
To the meanest of reptiles a peer and a prey. 

To Beauty ? Ah no ! she forgets 
The charms which she wielded before ; 

Nor knows the foul worm that he frets ' 
The skin which but yesterday fools could adore, 
For the smoothness it held, or the tint which it wore. 

Shall we build to the purple of pride ? 
To the trappings which dizen the proud ? 

Alas ! they are all laid aside. 
And here 's neither dress nor adornment allowed, 
But the long winding-sheet, and the fringe of the shroud 

To Riches ? Alas, 't is in vain I 
Who hid, in their turns have been hid : 
The treasures are squandered again ; 



THE MARINER'S DREAM. \ 3 1 

And here in the grave are all metals forbid, 
But the tinsel that sliines on the dark coffin-lid. 

To the pleasures which Mirth can afford, 
The revel, the laugh, and the jeer ? 

Ah ! here is a plentiful board I 
But the guests are all mute as their pitiful cheer. 
And none but the v^^orm is a reveler here. 

Shall we build to Affection and Love ? 
Ah no ! they have withered and died, 

Or fled with the spirit above. 
Friends, brothers, and sisters are laid side by side, 
Yet none have saluted, and none have replied. 

Unto Sorrow ? — the dead cannot grieve ; 
Not a sob, not a sigh meets mine ear. 

Which compassion itself could relieve. 
Ah, sweetly they slumber, nor love, hope, or fear ; 
Peace, peace is the watchword, the only one here. 

Unto Death, to whom monarchs must bow ? 
Ah no 1 for his empire is known, 

And here there are trophies enow I 
Beneath, the cold dead, and around, the dark stone, 
Are the signs of a sceptre that none may disown. 

The first tabernacle to Hope we will build, 
And look for the sleepers around us to rise ; 

The second to Faith, that insures it fulfilled ; 
And the third to the Lamb of the great sacrifice, 
Who bequeathed us them both when he rose to the skies. 

Herbert Knowles. 

C^e iHan'nec'0 Bream. 

In slumbers of midnight the sailor-boy lay ; 
His shammock swung loose at the sport of the wind ; 



1 32 SINGLE FAMO US POEMS. 

But watcli-worn and weary, his cares flew away, 
And visions of happiness danced o'er his mind. 

He dreamt of his home, of his dear native bowers, 
And pleasures that waited on hfe's merry morn ; 

While memory stood sideways half covered with flowers, .V; 
And restored every rose, but secreted its thorn. 

Then Fancy her magical pinions spread wide, 

. And bade the young dreamer in ecstavsy rise ; 
NoaV far, far behind him the green waters glide, 
And the cot of his forefathers blesses his eyes. 

The jessamine clambers in flower o'er the thatch, 
And the swallow chirps sweet from her nest in the wall ; 

All trembhng with transport he raises the latch, 
And the voices of loved ones reply to his call. 

A father bends o'er him with looks of delight ; 

His cheek is impearled with a mother's warm tear; 
And the lips of the boy in a love-kiss unite 

With the lips of the maid whom his bosom holds dear. 

The heart of the sleeper beats high in his breast ; 

Joy quickens his pulses, — his hardships seem o'er ; 
And a murmur of happiness steals through his rest, — 
" God I thou hast blest me, — I ask for no more." 

Ah 1 whence is that flame which now bursts on his eye ? 

Ah I what is that sound which now 'larms on his ear ? 
'T is the lightning's red gleam, painting hell. on the sky I ? 

'T is the crashing of thunders, the groan of the sphere ' 

He springs from his hammock, he flies to the deck ; 

Amazement confronts him with images dire ; 
Wild winds and mad waves drive the vessel a-wreck; 

The masts fly in splinters ; the shrouds are on fire. 

a A ilOA^ W^^ OMrtW. ff^ 



OLD GRIMES. 13S 

Like mountains the billows tremendously swell ; 

In vain the lost wretch calls on mercy to save j 
Unseen hands of spirits are ringing his knell, 

And the death-angel flaps his broad wings o'er the wave 1 

sailor-boy, woe to thy dream of delight! 

In darkness dissolves the gay frost-work of bliss. 
Where now is the picture that fancy touched bright, — 

Thy parents' fond pressure, and love's honeyed kiss ? 

sailor-boy I sailor-boy 1 never again 

Shall home, love, or kindred thy wishes repay ; 

Unblessed and unhonored, down deep in the main, 
Full many a fathom, thy frame shall decay. 

No tomb shall e'er plead to remembrance for thee, 
Or redeem form or fame from the merciless surge. 

But the white foam of waves shall thy winding-sheet be, 
And winds in the midnight of winter thy dirge I 

On a bed of green sea-flowers thy hmbs shall be laid, — 
Around thy white bones the red coral shall grow ; 

Of thy fair yellow locks threads of amber be made, 
And every part suit to thy mansion below. 

Days, months, years, and ages shall circle away. 
And still the vast waters above thee shall roll ; 

Earth loses thy pattern forever and aye, — 
sailor-boy I sailor-boy 1 peace to thy soul 1 

William Dimond. 

Old Grimes is dead ; that good old man 

We never shall see more ; 
He used to wear a long, black coat^ 

All buttoned down before. 

12 



1 34 SINGLE FAMO US POEMS. 

His heart was open as the day, 
His feelings all were true ; 

His hair was some inclined to gray, 
He wore it in a queue. 

Whene'er he heard the voice of pain, 
His breast with pity burned ; 

The large, round head upon his cane 
From ivory was turned. 

Kind words he ever had for all. 
He knew no base design ; 

His eyes were dark and rather small, 
His nose was aquiline. 

He hved at peace with all mankind, 
In friendship he was true; 

His coat had pocket-holes behind, 
His pantaloons were blue. 

Unharmed, the sin which earth pollutes 

He passed securely o'er. 
And never wore a pair of boots 

For thirty years or more. 

But good old Grimes is now at rest, 
Nor fears misfortune's frown ; 

He wore a double-breasted vest — 
The stripes ran up and down. 

He modest merit sought to find, 

And pay it its desert ; 
He had no malice in his mind, 

No rufiSes on his shirt. 

His neighbors he did not abuse, 

Was sociable and gay ; 
He wore large buckles on his shoes. 

And changed them every day. 



THE CLOSING TEAR. I35 

His knowledge, hid from public gaze, 

He did not bring to view, 
Nor make a noise town-meeting days, 

As many people do. 

His worldly goods lie never threw 

Ir. trust to fortune's chances, 
But lived (as all his brothers do) 

In easy circumstances. 

Thus undisturbed by anxious cares 

His peaceful moments ran ; 
And everybody said he was 

A fine old gentleman. 

Albert Gordon Greene. 

CJe allowing Year. 

*T IS midnight's holy hour, — and silence now 

Is brooding like a gentle spirit o'er 

The still and pulseless world. Hark I on the winds 

The bell's deep tones are swelling, — 't is the knell 

Of the departed year. No funeral train 

Is sweeping past ; yet, on the stream and wood, 

With melancholy light, the moon-beams rest 

Like a pale, spotless shroud ; the air is stirred 

As by a mourner's sigh ; and on yon cloud 

That floats so still and placidly through heaven. 

The spirits of the seasons seem to stand, — 

Young Spring, bright Summer, Autumn's solemn form, 

And Winter with its aged locks, — and breathe. 

In mournful cadences that come abroad 

Like the far wind-harp's wild and touching wail, 

A melancholy dirge o'er the dead year, 

Gone from the Earth forever, 

'T is a time 
For memory and for tears. Within the deep, 



136 SINGLE FAMO US P OEMS. 

Still chambers of the heart, a spectre dim, 

Whose tones are hke the wizard voice of Time 

Heard from the tomb of ages, points its cold 

And solemn finger to the beautiful 

And holy visions that have passed away, 

And left no shadow of their loveliness 

On the dead waste of life. That spectre lifts 

The cofi5n-lid of Hope, and Joy, and Love, 

And, bending mournfully above the pale. 

Sweet forms, that slumber there, scatters dead flowers 

O'er what has passed to nothingness. 

The year 
Has gone, and, with it, many a glorious throng 
Of happy dreams. Its mark is on each brow, 
Its shadow in each heart. In its swift course, 
It waved its sceptre o'er the beautiful, — 
And they are not. It laid its pallid hand 
Upon the strong man, — and the haughty form 
Is fallen, and the flashing eye is dim. 
It trod the hall of revelry, where thronged 
The bright and joyous, — and the tearful wail 
Of stricken ones is heard where erst the song 
And reckless shout resounded. 

It passed o'er 
The battle-plain, where sword, and spear, and shield, 
Flashed in the hght of midday, — and the strength 
Of serried hosts is shivered, and the grass. 
Green from the soil of carnage, waves above 
The crushed and mouldering skeleton. It came, 
And faded like a wreath of mist at evej 
Yet, ere it melted in the viewless air, 
It heralded its millions to their home 
In the dim land of dreams. 

Remorseless Time I 
Fierce spirit of the glass and scythe 1 — what power 



THE CLOSING TEAR. 137 

Can stay him in his silent course, or melt 
His iron heart to pity ? On, still on, 
He presses, and forever. The proud bird, 
The condor of the Andes, that can soar 
Through heaven's unfathomable depths, or brave 
The fury of the northern hurricane, 
And bathe his plumage in the thunder's home, 
Furls his broad wings at nightfall, and sinks down 
To rest upon his mountain crag, — but Time 
Knows not the weight of sleep or weariness, 
And night's deep darkness has no chain to bind 
His rushing pinions. 

Revolutions sweep 
O'er earth, like troubled visions o'er the breast 
Of dreaming sorrow, — cities rise and sink 
Like bubbles on the water, — fiery isles 
Spring blazing from the ocean, and go back 
To their mysterious caverns, — mountains rear 
To heaven their bald and blackened cliffs, and bow 
Their tall heads to the plain, — new empires rise, 
Gathering the strength of hoary centuries. 
And rush down like the Alpine avalanche, 
Startling the nations, — and the very stars, 
Yon bright and burning blazonry of God, 
Glitter a while in their eternal depths, 
And, hke the Pleiad, loveliest of their train, 
Shoot from their glorious spheres, and pass away 
To darkle in the trackless void. Yet, Time, 
Time, the tomb-builder, holds his fierce career, 
Dark, stern, all-pitiless, and pauses not 
Amid the mighty wrecks that strew his path, 
To sit and muse, like other conquerors, 
Upon the fearful ruin he has wrought. 

George Denison Prentice 



138 SINGLE FAMO US FOEMS. 

I FILL this cup to one made up 

Of loveliness alone, 
A woman, of her gentle sex 

The seeming paragon ; 
To whom the better elements 

And kindly stars have given 
A form so fair, that, like the air, 

'T is less of earth than heaven. 

Her every tone is music's own, 

Like those of morning birds, 
And something more than melody 

Dwells ever in her words ; 
The coinage of her heart are they, 

And from her lips each flows 
As one may see the burdened bee 

Forth issue from the rose. 

Affections are as thoughts to her, 

The measures of her hours ; 
Her feelings have the fragrancy, 

The freshness of young flowers; 
And lovely passions, changing oft, 

So fill her, she appears 
The image of themselves by turns, — 

The idol of past years I 

Of her bright face one glance will trace 

A picture on the brain. 
And of her voice in echoing hearts 

A sound must long remain ; 
But memory, such as mine of her, 

So very much endears, 
When death is nigh my latest sisfh 

Will not be life's, but hers. 



THE THREE SONS. lag 

I fill this cup to one made up 

Of loveliness alone, 
A woman, of her gentle sex 

The seeming paragon, — 
Her health I and would on earth there stood 

Some more of such a frame, 
That life might be all poetry, 

And weariness a name. 

Edward Coate Pinkney. 



C|e Ciiree Sons. 

I HAVE a son, a little son, a boy just five years old. 

With eyes of thoughtful earnestness, and mind of gentle 

mould. 
They tell me that unusual grace in all his ways appears. 
That my child is grave and wise of heart beyond his child- 
ish years. 
I cannot say how this may be ; I know his face is fair — 
And yet his chiefest comeliness is his sweet and serious 

air: 
I know his heart is fond and kind ; I know he loveth me : 
But loveth yet his mother more with grateful fervency. 
But that which others most admire, is the thought which 

fills his mind, 
The food for grave inquiring speech he everywhere doth 

find. 
Strange questions doth he ask of me, when we together 

walk ; 
He scarcely thinks as children think, or talks as children 

talk. 
Nor cares he much for childish sports, dotes not on bat or 

ball. 
But looks on manhood's ways and works, and aptly mimics 

all. 
His little heart is busy still, and oftentimes perplexed 



1 40 SINGLE FAMO US POEMS. 

With thoughts about this world of ours, and thoughts about 

the next. 
He kneels at his dear mother's knee; she teacheth him to 

pray; 
And strange, and sweet, and solemn then are the words 

which he will say. 
0, should my gentle child be spared to manhood's years 

like me, 
A holier and a wiser man I trust that he wiU be ; 
And when I look into his eyes, and stroke his thoughtful 

brow, 
I dare not think what I should feel, were I to lose him now. 

I have a son, a second son, a simple child of three ; 

I'll not declare how bright and fair his little features be, 

How silver sweet those tones of his when he prattles on 
my knee ; 

I do not think his light-blue eye is, hke his brother's, keen, 

Nor his brow so full of childish thought as his hath ever 
been ; 

But his little heart 's a fountain pure of kind and tender feel- 
ing; 

And his every look 's a gleam of light, rich depths of love 

reveahng. 
When he walks with me, the country folk, who pass us in 

the street, 
Will shout for joy and bless my boy, he looks so mild and 

sweet. 
A playfellow is he to all ; and yet, with cheerful tone, 
WiU sing his Httle song of love, when left to sport alone. 
His presence is hke sunshine sent to gladden home and 

hearth. 
To comfort us in all our griefs, and sweeten all our mirth. 
Should he grow up to riper years, God grant his heart may 

prove 
As sweet a home for heavenly grace as now for earthly 

love; 



TEE TEREE SONS. 11] 

And if, beside his grave, the tears our aching eyes must 

dim, 
God comfort us for all the love which we shall lose in him I 

I have a son, a third sweet son ; his age I cannot tell, 

For they reckon not by years and months where he is gone 

to dwell. 
To us, for fourteen anxious months, his infant smiles were 

given ; 
And then he bade farewell to earth, and went to live in 

heaven. 
I cannot tell what form is his, what looks he weareth now, 
Nor guess how bright a glory crowns his shining seraph 

brow. 
The thoughts that fill his sinless soul, the Hiss which he 

doth feel, 
Are numbered with the secret things which God will not 

reveal. 
But I know (for God hath told me this) that he is now at 

rest. 
Where other blessed infants be, on their Saviour's loving 

breast. 
I know his spirit feels no more this weary load of flesh. 
But his sleep is blessed with endless dreams of joy forever 

fresh. 
I know the angels fold him close beneath their glittering 

wings. 
And soothe him with a song that breathes of heaven's di- 

vinest things. 
I know that we shall meet our babe (his mother dear and I) 
"Where God for aye shall wipe away all tears from every 

eye. 
"Whate'er befalls his brethren twain, his bliss can never 

cease; 
Their lot may here be grief and fear, but his is certain 

peace. 
It may be that the tempter's wiles their souls from bliss 

may sever; 



i42 SINGLE FAMOUS POEMS. 

But, if our own poor faith fail not, he must be ours forever. 
When we think of what our darhng is, and what we still 

must be — 
When we muse on that world's perfect bliss, and this 

world's misery — 
When we groan beneath this load of sin, and feel this griei 

and pain — 
01 we 'd rather lose our other two, than have him here 

again. 

John Moultrie. 

I GAED to spend a week in Fife — 

An unco week it proved to be — 
For there I met a waesome wife 

Lamentin' her viduity. 
Her grief brak out sae fierce and fell, 
I thought her heart wad burst the shell ; 
And, — I was sae left to mysel, — 

I sell't her an annuity. 

The bargain lookit fair eneugh — 
She just was turned o' saxty-three — 

I couldna guessed she'd prove sae teugh, 
By human ingenuity. 

But years have come, and years have gane, 

And there she 's yet as stieve as stane— 

The limmer 's growin' young again, 
Since she got her annuity. 

She 's crined' awa' to bane and skin, 
But that, it seems, is nought to me ; 

She 's like to live — although she 's in 
The last stage o' tenuity. 

She munches wi' her wizen' d gums. 

An' stumps about on legs o' thrums ; 



TEE ANNUITY. 143 

But comes, as sure as Christmas comes, 
To ca' for her annuity. 

I read the tables drawn wi' care 

For an insurance company ; 
.Her chance o' Hfe was stated there, 

Wi' perfect perspicuity. 
But tables here or tables there, 
She 's lived ten years beyond her share, 
An' 's like to live a dozen mair, 

To ca' for her annuity. 

Last Yule she had a fearfu' host, 

I thought a kink might set me free — 

I led her out, 'mang snaw and frost, 
Wi' constant assiduity. 

But deil ma' care — the blast gaed by, 

And miss'd the auld anatomy — 

It just cost me a tooth, for bye 
Discharging her annuity. 

If there 's a sough o' cholera, 

Or typhus, — wha sae gleg as she ? 
She buys up baths, an' drugs, an' a', 

In siccan superfluity ! 
She doesna need — she 's fever proof — 
The pest walked o'er her very roof — 
She tauld me sae — an' then her loof 

Held out for her annuity. 

Ae day she fell, her arm she brak — 

A compound fracture as could be — 
Nae leech the cure wad undertake, 

Whate'er was the gratuity. 
It 's cured ! She handles 't Uke a flail — 
It does as weel in bits as hale — 
But I 'm a broken man mysel' 

Wi' her and her annuity. 



1 4.4 SINGLE FAMO US F OEMS. 

Her broozled flesh and broken banes 

Are weel as flesh and banes can be; 
She beats the toads that Hve in stanes, 

An' fatten in vacuity ! 
They die when they 're exposed to air,- 
They canna thole the atmosphere — 
But her ! expose her ony where, 
She hves for her annuity. 

If mortal means could nick her thread, 

Sma' crime it wad appear to me — 
Ca't murder — or ca't homicide — 

I 'd justify 't — an' do it tae. 
But how to fell a withered wife 
That 's carved out o' the tree of life — 
The timmer limmer dares the knife 
To settle her annuity. 

I 'd try a shot — but whar's the mark ? 

Her vital parts are hid frae me ; 
Her backbone wanders through her sark 

In an unkenn'd corkscrewity. 
She 's palsified, an' shakes her head 
Sae fast about, ye scarce can see 't. 
It 's past the power o' steel or lead 

To settle her annuity. 

She might be drowned ; but go she '11 not 

Within a mile o' loch or sea ; 
Or hanged — if cord could grip a throat 

0' siccan exiguity. 
It 's fitter far to hang the rope- 
It draws out like a telescope ; 
'T wad tak' a dreadfu' length o' drop 
To settle her annuity. 

Will poison do it ? It has been tried, 
But be 't in hash or fricassee, 



THE ANNUITY. 145 

That 's just the dish she can't abide, 

Whatever kind o' gout it hae. 
It 's needless to assail her doubts, 
She gangs by instinct, like the brutes, 
An' only eats an' drinks what suits 

Hersel' and her annuity. 

The Bible says the age o' man 

Threescore and ten, perchance, may be; 

She 's ninety-four. Let them who can, 
Explain the incongruity. 

She should hae lived afore the flood — 

She 's come o' patriarchal blood, 

She 's some auld Pagan mummified 
Alive for her annuity. 

She 's been embalmed inside and oot — ■ 

She 's sauted to the last degree — 
There 's pickle in her very snoot 

Sae caper-like an' cruety. 
Lot's wife was fresh compared to her — 
They 've kyanized the useless knir, 
She canna decompose — nae mair 

Than her accursed annuity. 

The water-drop wears out the rock, 

As this eternal jaud wears me ; 
I could withstand the single shock, 

But not the continuity. 
It 's pay me here, an' pay me there, 
An' pay me, pay me, evermair — 
I '11 gang demented wi' despair — 

I 'm charged for her annuity. 

George Outram. 
13 



1 46 SINGLE FAMO US P OEMS, 

Cfje dForgins of tje ^ncjor. 

Come, see the Dolphin's anchor forged ; 't is at a white heat 

now: 
The bellows ceased, the flames decreased; though on the 

forge's brow 
The little flames still fitfully play through the sable mound ; 
And fitfully you stiU may see the grim smiths ranking 

round, 
AU clad in leathern panoply, their broad hands only bare ; 
Some rest upon their sledges here, some work the windlass 

there. 

The windlass strains the tackle-chains, the black mound 
heaves below. 

And red and deep a hundred veins burst out at every throe ; 

It rises, roars, rends all outright, — Vulcan, what a glow 1 

'T is blinding white, 't is blasting bright, the high sun shines 
not so I 

The high sun sees not, on the earth, such fiery fearful 
show, — 

The roof -ribs swarth, the candent hearth, the ruddy, lurid 
row 

Of smiths that stand, an ardent band, like men before the 
foe ; 

As, quivering through his fleece of flame, the sailing mon- 
ster slow 

Sinks on the anvil, — all about the faces fiery grow, — 

"Hurrah!" they shout, "leap out, leap out:" bang, bang, 
the sledges go ; 

Hurrah ! the jetted lightnings are hissing high and low ; 

A hailing fount of fire is struck at every squashing blow ; 

The leathern mail rebounds the hailj the rattling cinders 
strew 

The ground around ; at every bound the sweltering fount- 
ains flow ; 

And thick and loud the swinking crowd, at every stroke, 
pant "Hoi" 



THE FORGING OF THE ANCHOR. 147 

Leap out, leap out, mj masters ; leaip out and lay on load I 
Let 's forge a goodly anchor, a bower, thick and broad ; 
Por a heart of oak is hanging on every blow, I bode. 
And I see the good ship riding, all in a perilous road ; 
The low reef roaring on her lee, the roll of ocean poured 
From stem to stern, sea after sea, the mainmast by the 

board ; 
The bulwarks down, the rudder gone, the boats stove at the 

chains, 
But courage still, brave mariners, the bower still remains, 
And not an inch to flinch he deigns save when ye pitch sky- 
high. 
Then moves his head, as though he said, " Fear nothing, 

here am I ! " 
Swing in your strokes in order, let foot and hand keep time, 
Your blows make music sweeter far than any steeple's 

chime ! 
3ut while you sling your sledges, sing; and let the burden 

be. 
The Anchor is the Anvil King, and royal craftsmen we ; 
Strike in, strike in, the sparks begin to dull their rusthng 

red I 
Our hammers ring with sharper din, our work will soon be 

sped; 
Our anchor soon must change his bed of fiery rich array 
For a hammock at the roaring bows, or an oozy couch of 

clay; 
Our anchor soon must change the lay of merry craftsmen 

here. 
For the Yeo-heave-o, and the Heave-away, and the sighing 

seaman's cheer ; 
When, weighing slow, at eve they go far, far from love and 

home. 
And sobbing sweethearts, in a row, wail o'er the ocean foam. 

In hvid and obdurate gloom, he darkens down at last. 
A shapely one he is, and strong as e'er from cat was cast. 



148 SINGLE FAMOUS POEMS, 

trusted and trustworthy guard, if tliou hadst life like me, 
What pleasures would thy toils reward beneath the deep 

green seal 
deep sea-diver, who might then behold such sights as 

thou? 
The hoary monsters' palaces ! methinks what joy 't were 

now 
To go plumb plunging down amid the assembly of the 

whales, 
And feel the churned sea round me boil beneath their 

scourging tails 1 
Then deep in tangle-woods to fight the fierce sea unicorn. 
And send him foiled and bellowing back, for all his ivory 

horn ; 
To leave the subtle sworder-fish of bony blade forlorn ; 
And for the ghastly-grinning shark, to laugh his jaws to 

scorn ; 
To leap down on the kraken's back, where 'mid Norwegian 

isles 
He lies, a lubber anchorage for sudden shallowed miles, 
Till snorting, like an under-sea volcano, oflf he rolls ; 
Meanwhile to swing, a-bufFeting the far astonished shoals 
Of his black-browsing ocean-calves, or haply in a cove 
Shell-strown, and consecrate of old to some Undine's love, 
To find the long-haired mermaidens ; or, hard by icy lands. 
To wrestle with the sea-serpent, upon cerulean sands. 



broad-armed fisher of the deep, whose sports can equal 

thine ? 
The Dolphin weighs a thousand tons, that tugs thy cable 

hue ; 
And night by night 't is thy delight, thy glory day by day, 
Through sable sea and breaker white, the giant game to play. 
But, shamer of our Httle sports, forgive the name I gave I 
A fisher's joy is to destroy — thine office is to save. 
lodger in the sea-kings' halls, couldst thou but understand 



THE BELLS OF BRANDON. 149 

Whose be the white bones by thy side, or who that drip- 
ping band, 

Slow swaying in the heaving wave, that round abc ut thee 
bend, 

"With sounds hke breakers in a dream, blessing their ancient 
friend — 

Oh, couldst thou know what heroes glide with larger steps 
round thee. 

Thine iron side would swell with pride; thou 'dst leap with- 
in the sea ! 

Give honor to their memories who left the pleasant strand. 

To shed their blood so freely for the love of Fatherland; 

Who left their chance of quiet age and grassy church-yard 
grave, 

So freely, for a restless bed amid the tossing wave. 

Oh, though our anchor may not be all I have fondly sung, 

Honor him for their memory whose bones he goes among I 

Samuel Ferguson, 



Cie l^ells of SSantion, 

With deep affection 
And recollection 
I often think of 

Those Shandon bells. 
Whose sounds so wild would, 
In the days of childhood, 
Fling round my cradle 

Their magic spells. 

On this I ponder 
Where'er I wander, 
And thus grow fonder. 

Sweet Cork, of thee, — 
With thy bells of Shandon, 
That sound so grand on 



150 SINGLE FAMOUS FOEMS. 

The plesant waters 
Of the river Lee. 

I 've heard bells chiming 
Full many a clime in, 
Tolling sublime in 

Cathedral shrine, 
While at a glibe rate 
Brass tongues would vibrate ; 
But all their music 

Spoke naught like thine. 

For memory, dwelling 
On each proud swelling 
Of thy belfry, knelling 

Its bold notes free, 
Made the bells of Shandon 
Sound far more grand on 
The pleasant waters 
Of the river Lee. 

I 've heard bells tolling 
Old Adrian's Mole in. 
Their thunder rolling 

From the Vatican, — 
And cymbals glorious 
Swinging uproarious 
In the gorgeous turrets 

Of Notre Dame ; 

But thy sounds were sweeter 
Than the dome of Peter 
Flings o'er the Tiber, 

Pealing solemnly. 
Oh ! the bells of Shandon 
Sound far more grand oa 
The pleasant waters 

Of the river Lee. 



THE DEA TH OF NAPOLEON. 151 

,There 's a bell in Moscow ; 
While on tower and kiosk 
In St. Sophia 

The Turkman gets, 
And loud in air 
Calls men to prayer, 
Trom the tapering summit 

Of taU minarets. 

Such empty phantom 
I freely grant them ; 
But there 's an anthem 

More dear to me, — 
'T is the bells of Shandon, 
That sound so grand on 
The pleasant waters 

Of the river Lee. 

Francis Mahony, 



CJe IBeatJ of Napoleon. 

Wild was the night, yet a wilder night 

Hung round the soldier's pillow ; 
In his bosom there waged a fiercer fight 

Than the fight on the wrathful billow. 

A few fond mourners were kneeling by, 
The few that his stern heart cherished ; 

They knew, by his glazed and unearthly eye, 
That life had nearly perished. 

They knew by his awful and kingly look. 

By the order hastily spoken, 
That he dreamed of days when the nations shook, 

And the nations' hosts were broken. 



152 SINGLE FAMO US POEMS. 

He dreamed that the Frenchman's sword still slew, 
And triumphed the Frenchman's eagle, 

And the struggling Austrian fled anew. 
Like the hare before the beagle. 

The bearded Russian he scourged again. 

The Prussian's camp was routed, 
And again on the hills of haughty Spain 

His mighty armies shouted. 

Over Egypt's sands, over Alpine snows, 

At the pyramids, at the mountain, 
Where the wave of the lordly Danube flows, 

And by the Italian fountain. 

On the snowy cliflfs where mountain streams 

Dash by the Switzer's dweUing, 
He led again, in his dying dreams, 

His hosts, the broad earth quelling. 

Again Marengo's field was won. 

And Jena's bloody battle ; 
Again the world was overrun. 

Made pale at his cannon's rattle. 

He died at the close of that darksome day, 

A day that shall live in story ; 
In the rocky land they placed his clay, 
"And left him alone with his glory." 

Isaac McLellan. 



CJe ^rabe of 13onaparte» 

On a lone barren isle, where the wild roaring billows 

Assail the stern rock, and the loud tempests rave. 
The hero lies still, while the dew-drooping willows, 
. Like fond weeping mourners, lean over the grave. 



WIDOW MALONE. 153 

The lightnings may flash, and the loud thunders rattle : 
He heeds not, he hears not, he 's free from all pain ;-^ 

He sleeps his last sleep — he has fought his last battle I 
No sound can awake him to glory again I 

shade of the mighty, where now are the legions 

That rush'd but to conquer when thou led'st them on ? 
Alas! they have perish'd in far hilly regions, 

And all save the fame of their triumph is gone ! 
The trumpet may sound, and the loud cannon rattle I 

They heed not, they hear not, they 're free from all pain: 
They sleep their last sleep, they have fought their last battle I 

No sound can awake them to glory again ! 

Yet, spirit immortal, the tomb cannot bind thee, 

For, like thine own eagle that soar'd to the sun, 
Thou springest from bondage and leavest behind thee 

A name which before thee no mortal had won. 
Though nations may combat, and war's thunders rattle, 

No more on the steed wilt thou sweep o'er the plain : 
Thou sleep'st thy last sleep, thou hast fought thy last battle I 

No sound can awake thee to glory again 1 

H. S. Washburn (?) 

Did you hear of the Widow Malone, 

Ohone I 
Who Hved in the town of Athlone, 
Alone I 
0, she melted the hearts 
Of the swains in them parts, — 
So lovely the Widow Malone, 

Ohone 1 
So lovely the Widow Malone. 

Of lovers she had a full score, 
Or more, 
13* 



154 SINGLE FAMO US FOEMS. 

And fortunes they all had galore, 
In store ; 
From the minister down 
To the clerk of the Crown, 
All were courting the Widow Malone, 

Ohone I 
All were courting the Widow Malone. 

But so modest was Mistress Malone, 

'T was known 
That no one could see her alone, 
Ohone I 
Let them ogle and sigh, 
They could ne'er catch her eye. 
So bashful the Widow Malone, 

Ohone I 
So bashful the Widow Malone. 

Till one Misther O'Brien, from Clare, 
(How quare 1 
! It 's little for blushing they care 

Down there) 
Put his arm round her waist, — 
Gave ten kisses at laste, — 
"0," says he, "you 're my Molly Malone, 
^ My own I " 

" 0," says he, " you 're my Molly Malone." 

And the widow they all thought so shy, 

My eye I 
Ne'er thought of a simper or sigh, — 
For why ? 
But, " Lucius," says she, 
*' Since you've now made so free, 
You may marry your Mary Malone, 

Ohone I 
You may marry your Mary Malone." 



LAMENT OF THE IRISH EMIGRANT. 155 

There 's a moral contained in my song, 

Not wrong ; 
And one comfort, it 's not very long, 
But strong : 
If for widows you die, 
Learn to kiss, not to sigh ; 
For they 're all like sweet Mistress Malone, 

Ohone I 
0, they *re all like sweet Mistress Malone. 

Charles Lever. 



Eament of tje Imf) ©migrant, 

I 'm sittin' on the stile, Mary, 

Where we sat side by side, 
On a bright May mornin' long ago. 

When first you were my bride ; 
The corn was springin' fresh and green. 

And the lark sang loud and high ; 
And the red was on your Hp, Mary, 

And the love-Hght in your eye. 

The place is little changed, Mary ; 

The day is bright as then ; 
The lark's loud song is in my ear, 

And the corn is green again ; 
But I miss the soft clasp of your hand, 

And your breath, warm on my cheek ; 
And I still keep list'nin' for the words 

You never more will speak. 

'T is but a step down yonder lane, 
And the little church stands near, 

The church where we were wed, Mary ; 
I see the spire from here. 

But the grave-yard Ues between, Mary, 
And my step might break your rest. 



156 SINGLE FAMOUS POEMS. 

For I 've laid you, darling, down to sleep, 
With your baby on your breast. 

I 'm very lonely now, Mary — 

For the poor make no new friends ; 
But, 0, they love the better still 

The few our Father sends ! 
And you were all I had, Mary, 

My blessin' and my pride : 
There 's nothing left to care for now, 

Since my poor Mary died. 

Yours was the good, brave heart, Mary, 

That still kept hoping on. 
When the trust in God had left my soul. 

And my arm's young strength was gonej 
There was comfort ever on your lip, 

And the kind look on your brow, 
I bless you, Mary, for that same. 

Though you cannot hear me now. 

I thank you for the patient smile 

When your heart was fit to break. 
When the hunger-pain was gnawin' there. 

And you hid it for my sake ; 
I bless you for the pleasant word. 

When your heart was sad and sore, 
Oh ! I 'm thankful you are gone, Mary, 

Where grief can't reach you more I 

I 'm biddin' you a long farewell. 

My Mary, kind and true I 
But I '11 not forget you, darling, 

In the land I 'm goin' to ; 
They say there 's bread and work for all, 

And the sun shines always t? ere. 
But I '11 not forget old Ireland, 

Were it fifty times as fair 1 



THE HAPP T LAND. 15^ 

And often in those grand old woods 

I '11 sit, and shut mj eyes, 
And my heart will travel back again 

To the place where Mary lies ; 
And I '11 think I see the little stile 

Where we sat side by side, 
And the springin' corn, and the bright May morn, 

When first you were my bride. 

Lady Dufferin. 

There is a happy land, 

Far, far away, 
Where saints in glory stand, 

Bright, bright as day. 
Oh, how they sweetly sing. 
Worthy is our Saviour King; 
Loud let his praises ring — 

Praise, praise for aye. 

Come to this happy land — 
Come, come away; 

Why will ye doubting stand- 
Why still delay ? 

Oh, we shall happy be, 

When, from sin and sorrow free. 

Lord, we shall live with thee — 
Blest, blest for aye. 

Bright in that happy land 

Beams every eye : 
Kept by a Father's hand, 

Love cannot die. 
On then to glory run ; 
Be a crown and kingdom won ; 
And bright above the sun, 

Eeign, reign for aye. 

Andrew Young. 



158 SINGLE FAMO US P OEMS. 

A JOLLY fat friar loved liquor good store, 

And he had drunk stoutly at supper ; 
He mounted his horse in the night at the door, 
And sat with his face to the crupper. 
" Some rogue," quoth the friar, " quite dead to remorse, 
Some thief, whom a halter will throttle, 
Some scoundrel has cut oflf the head of my horse, 
While I was engaged at the bottle. 

Which went gluggity, giuggity — glug — glug — glug." 

The tail of the steed pointed south on the dale, 

'T was the friar's road home, straight and level ; 
But, when spurred, a horse follows his nose, not his tail, 
So he scampered due north like a devil. 
" This new mode of docking," the friar then said, 

" I perceive does n't make a horse trot ill ; 
" And 't is cheap, for he never can eat off his head 
While I am engaged at the bottle. 

Which goes gluggity, gluggity— glug— glug— glug." 

The steed made a stop — in a pond he had got, 

He was rather for drinking than grazing ; 
Quoth the friar, " 'T is strange headless horses should trot, 

But to drink with their tails is amazing ! " 
Turning round to see whence this phenomenon rose, 

In the pond fell this son of a pottle ; 
Quoth he, " The head 's found, for I 'm under his nose,— 

I wish I were over a bottle. 

Which goes gluggity, gluggity— glug— glug— glug." 

George Colman. 

Two Yankee wags, one summer day, 
Stopped at a tavern on their way ; 



HERE SHE GOES— AND THERE SHE GOES. 159 

Supped, frolicked, late retired to rest, 
And woke to breakfast on the best. 

The brealdast over, Tom and Will 
Sent for the landlord and the bill ; 
Will looked it over; " Very right — • 
But hold ! what wonder meets my sight ? 
Tom ! the surprise is quite a shock ! " 
" What wonder ? where ? " " The clock ! the clock ! ' ' 

Tom and the landlord in amaze 
Stared at the clock with stupid gaze, 
And for a moment neither spoke; 
At last the landlord silence broke : 

" You mean the clock that 's ticking there ? 
I see no wonder, I declare ; 
Though may be, if the truth were told, 
'T is rather ugly — somewhat old ; 
Yet time it keeps to half a minute. 
But, if you please, what wonder 's in it ? " 

"Tom, do n't you recollect," said Will, 

" The clock in Jersey near the mill. 
The very image of this present. 
With which I won the wager pleasant ? " 
Will ended with a knowing wink — 
Tom scratched his head, and tried to think. 

" Sir, begging pardon for inquiring," 
The landlord said, with grin admiring, 

" What wager was it ? " 

" You remember, 
It happened, Tom, in last December. 
In sport I bet a Jersey Blue 
That it was more than he could do, 
To make his finger go and come 



160 SINGLE FAMO US P OEMS 

In keeping with the pendulum, 
Repeating, till one hour should close, 
Still ' Here she goes — and there she goes ' — 
He lost the bet in half a minute." 

" Well, if I would, the deuce is in it ! " 
Exclaimed the landlord ; " try me yet, 
And fifty dollars be the bet." 

" Agreed, but we will play some trick 
To make you of the bargain sick 1 " 

"I'mup to that!" 

" Do n't make us wait; 
Begin, the clock is striking eight." 
He seats himself, and left and right 
His finger wags with all his might. 
And hoarse his voice, and hoarser grows, 
With " Here she goes — and there she goes 1 " 

" Hold," said the Yankee, " plank the ready 1 " 
The landlord wagged his fingers steady 
While his left hand, as well as able, 
Conveyed a purse upon the table. 

" Tom, with the money let 's be oflfl " 
This made the landlord only scofi*. 

He heard them running down the stair, 
But was not tempted from his chair. 
Thought he, " The fools ! I '11 bite them yet I 
So poor a trick sha' n't win the bet." 
And loud and loud the chorus rose 
Of " Here she goes — and there she goes 1 " 
While right and left his finger swung, 
In keeping to his clock and tongue. 

His mother happened in, to see 
Her daughter. " Where is Mrs. B — 
When will she come, as you suppose ? 
Son I" 



EERE SHE GOES— AND THERE SHE GOES. 161 

" Here she goes — and there she goes I " 
" Here I where ? " — the lady in surprise 

His finger followed with her eyes ; 
" Son, why that steady gaze and sad ? 
Those words — that motion — are you mad ? 
But here 's your wife — ^perhaps she knows, 
And—" 

" Here she goes — and there she goes 1 " 

His wife surveyed him with alarm, 

And rushed to him and seized his arm j 

He shook her oiEF, and to and fi"0 

His finger persevered to go, 

While curled his very nose with ire, 

That she against him should conspire. 

And with more furious tone arose 

The " Here she goes — and there she goes ! " 

"Lawks I " screamed the wife, "I 'm in a whirl I 
Run down and bring the little girl j 
She is his darling, and who knows 
But—" 

" Here she goes — and there she goes ! " 

" Lawks I he is mad I What made him thus ? 
Good Lord 1 what will become of us ? 
Run for a doctor — run — run — run — 
For Doctor Brown, and Doctor Dun, 
And Doctor Black, and Doctor White, 
And Doctor Grey, with all your might." 

The doctors came, and looked and wondered. 
And shook their heads, and paused and pondered, 
Till one proposed he should be bled, 
"No — leeched, you mean," the other said — 
" Clap on a blister," roared another, 
" No — cup him " — " No — trepan him, brother ! " 



162 SmOLE FAMOUS POEMS, 

A sixth would recommend a purge, 
The next would an emetic urge, 
The eighth, just come from a dissection, 
His verdict gave for an injection ; 
The last produced a box of pills, 
A certain cure for earthly iUs ; 
" I had a patient yesternight," 
Quoth he, " and wretched was her plight. 
And as the only means to save her. 
Three dozen patent pills I gave her, 
And by to-morrow, I suppose 
That—" 

" Here she goes — and there she goes! " 

"You all are fools," the lady said, 
" The way is, just to shave his head, 

Run, bid the barber come anon — " 
" Thanks, mother," thought her clever son, 
" You help the knaves that would have bit me, 

But all creation sha' n't outwit me I " 

Thus to himself, while to and fro 

His finger perseveres to go. 

And from his lips no accent flows 

But " Here she goes — and there she goes! " 

The barber came — " Lord help him ! what 

A queer customer I 've got; 

But we must do our best to save him — 

So hold him, gemmen, while I shave him ! " 

But here the doctors interpose — 
"A woman never — " 

" There she goes ! " 

" A woman is no judge of physic, 

Not even when her baby is sick. 

He must be bled " — " No — no — a blister " — 
"A purge you mean" — "I say a clyster" — 
" No — cup him " — " leech him " — " pills ! pills ! pills I 

And all the house the uproar fills. 



SHE LIED JN BE A UTY. j c 3 

"What means that smile ? What means that shiver ? 
The landlord's Umbs with rapture quiver, 
And triumph brightens up his face — 
His finger yet shall win the race I 
The clock is on the stroke of nine — 
And up he starts — " 'T is mine I 't is mine I " 
" What do you mean ? " 

" I mean the fifty I 
I never spent an hour so thrifty ; 
But you, who tried to make me lose, 
Gro, burst with envy, if you choose ! 
But how is this ! Where are they ? " 

"Who?" 
" The gentlemen — I mean the two 

Came yesterday — are they below ? " 
" They galloped oiF an hour ago." 
" Oh, purge me I blister I shave and bleed ! 
For, hang the knaves, I 'm mad indeed ! " 

James Nack. 

Sie Bi'etJ in l^eautjt). 

She died in beauty, — like a rose 

Blown from its parent stem ; 
She died in beauty, — like a pearl 

Dropped from some diadem. 

She died in beauty, — like a lay 

Along a moonlit lake ; 
She died in beauty, — like the song 

Of birds amid the brake. 

She died in beauty, — like the snow 

On flowers dissolved away ; 
She died in beauty, — like a star 

Lost on the brow of day. 



164 SINGLE FAMOUS POEMS. 

She lives in glory, — ^like night's gems 

Set round the silver moon ; 
She lives in glory, — ^like the sun 

Amid the blue of June. 

Charles Doyne Sillery. 



Cfte Neb) Cale cf a Cufi» 

The Orient day was fresh and fair, 
A breeze sang soft in the ambient air, 
Men almost v^^ondered to find it there, 

Blowing so near Bengal, 
Where waters bubble as boiled in a pot, 
And the gold of the sun spread melting hot, 
And there 's hardly a breath of wind to be got 

At any price at all. 
Unless, indeed, when the great Simoom 
Gets up from its bed with the voice of doom. 

And deserts no rains e'er drench 
Eise up and roar with a dreadful gust, 
Pillars of sand and clouds of dust 
Rushing on drifted, and rapid to burst, 
And filling all India's throat with thirst 

That its Granges could n't quench. 

No great Simoom rose up to-day, 

But only a gentle breeze, 
And that of such silent and voiceless play , 
That a lady's bustle 
Had made more rustle 

Than it did among the trees. 
'T was not like the breath of a British vale, 
Where each G-reen acre is blessed with a Gale 

Whenever the natives please ; 
But it was of that soft inviting sort 
That it tempted to revel in picnic sport 

A couple of Bengalese. 



THE NEW TALE OF A TUB. \ 65 

Two Bengalese 
Eesolved to seize 
The balmy chance of that cool-winged weather, 
To revel in Bengal ease together. 

One was tall, the other was stout, 
They were natives both of the glorious East, 
And both so fond of a rural feast 
That oflf they roamed to a country plain, 

Where the breeze roved free about, 
That during its visits brief, at least, 
If it never were able to blow again, 

It might blow upon their blow-out. 

The country plain gave a view as small 

As ever man clapped his eyes on, 
Where the sense of sight did easily pall. 
For it kept on seeing nothing at all. 

As far as the far horizon. 
Nothing at all !— Oh ! what do I say ?— 
Something certainly stood in the way 
(Though it had neither cloth nor tray. 

With its " tiffin " I would n't quarrel- 
It was a sort of hermaphrodite thino- 
(It might have been filled with sugar or lino- 
But is very unfit for a muse to sing). 

Betwixt a tub and a barrel 

It stood in the midst of that Indian plain. 

Burning with sunshine, pining for rain, 

A parenthesis balanced 'twixt pleasure and pain, 

And as stiff as if it were starching, — 
When up to it, over the brown and green 
Of that Indian soil, were suddenly seen 

Two gentlemen anxiously marchino-. 
Those two gentlemen were, if you please. 
The aforesaid couple of Bengalese ; 
And the tub or barrel that stood beyond— 

14* 



166 SINGLE FAMO US POEMS. 

Tor sliort we will call it Tub — 
Contained with pride, 
In its jolly inside, 
The prize of which they were dotingly fond. 
The aforesaid gentlemen's grub. 

"Leave us alone — come man or come beast," 
Said the eldest, " We '11 soon have a shy at the feast." 

They are now at their picnic with might and with main. 
But what do we see in the front of the plain ? 
A jungle, a thicket of bush, weed, and grass, 
And in it reposing — eh ? — no, not an ass — 
Not an ass, not an ass, — that could not come to pass ; 
No donkey, no donkey, no donkey at all, 
But, superb in his slumber, a Royal Bengal. 
Though Royal, he was n't a king — 
No such thing ! 
He did n't rule lands from the Thames to the Niger, 
But he did hold a reign 
O'er that jungle and plain. 
And besides was a very magnificent Tiger. 

There he lay, in his skin so gay, 
His passions at rest, and his appetites curbed ; 
A Minister Prime, 
In his proudest time. 
Asleep, was never more undisturbed ; 

For who would come to shake him ? 
0, it 's certain sure, in his dream demure, 

That none would dare to wake him. 
Only the Royal snore may creep 
Over the dreams of a Tiger's sleep. 

The Bengalese, in cool apparel. 

Meanwhile have reached their picnic barrel ; 

In other words, they have tossed the grub 



THE NEW TALE OF A TUB, io7 

Out of their great provision Tub, 
And, standing it up for shelter, 
Sit guzzhng underneath its shade, 
With a glorious dinner ready-made. 

Which they're eating helter-skelter. 
Ham and chicken, and bread and cheese, 

They make a pass to spread on the grass. 
They sit at ease, with their plates on their knees, 
And now their hungry jaws they appease, 
And now they turn to the glass; 
Eor Hodgson's ale 
Is genuine pale. 
And the bright champagne 
Flows not in vain. 
The most convivial souls to please 
Of these very thirsty Bengalese. 

Ha ! one of the two has relinquished his fork. 
And wakes up the Tiger by drawing a cork. 

Blurting and spurting ! 

List! Olist! 

Perhaps the Tiger thinks he is hissed. 
Eflfervescing and whizzed and phizzed ! 
Perhaps his Majesty thinks he is quizzed, 

Or haply deems. 

As he 's roused from his dreams. 
That his visions have come to a thirsty stop, 
And resolves to moisten his throat with a drop. 

At all events, with body and soul. 

He gives in his jungle a stretch and a roll, 

Then regally rises to go for a stroll, 

With a temperate mind, 

For a beast of his kind, 

And a tail uncommonly long behind. 



168 SINGLE FAMOUS FOEMS. 

He knows of no water, 
By field or by flood ; 
He does not seek slaughter, 
He does not scent blood. 
No ! the utmost scope 
Of his limited hope 
Is, that these 
Bengalese, 
When they find he arrives, 

May not rise from their picnic and run for their Hves, 
But simply bow on that beautiful plain, 
And offer Sir Tiger a glass of champagne. 
" From my jungle it true is 
They woke me, I think. 
So the least they can do is 
To give me some drink." 

Gently Tiger crouches along. 
Humming a kind of animal song, 

A sweet subdued familiar lay 

As ever was warbled by beast of prey ; 
And all so softly, tunefully done, 

That it made no more sound 

Than his shade on the ground ; 
So the Bengalese heard it, never a one I 

Gently Tiger steals along, 
" MUd as a moonbeam," meek as a lamb, — 
What so suddenly changes his song 
From a tune to a growl ? 
"Och! by my sowl, 
Nothing on earth but the smell of the ham ! " 
He quickens his pace, 

The illigant baste, 
And he 's running a race 
With himself for a taste. 
And he 's taken to roaring, and given up humming, 
Just to let the two Bengalese know he is coming. 



THE NEW TALE OF A TUB. 169 

What terrors sieze 
The Bengalese 
As the roar of the Tiger reaches the car, 
Their hair is standing on end with fear. 

Short-and-stout, with his hair all gray, 

Has a rattling note in his jolly old throat; 

If choking his laugh with a truss of hay, 

He could n't more surely have stifled the gay. 
While Tall-and-thin with his hair all carroty, 

Looks thrice as red with fright as his head, 

And his face bounds plump, at a single jump, 
Into horror, and out of hilarity. 

All they can hear, in their terrible fear, 

Behind and before, is the Tiger's roar ; 

Again and again, o'er the plain. 

Clearer and clearer, nearer and nearer. 
Into the Tub now its way it has found. 
Where its echoes keep rolling round and round, 
Till out of the bung-hole they bursting come, 
Like a regiment of thunders escaped from a drum. 

If an earthquake had shattered a thousand kegs. 
The terrified Bengalese could n't, i' fegs. 
Have leapt more rapidly on to their legs. 

He 's at 'em, he 's on 'em, the jungle guest I 

When a man's life by peril is prest. 

His wits will sometimes be at their best. 
So the presence of Tiger, I find. 
Inspires our heroes with presence of mind. 

There 's no time to be lost — 

Down the glasses are tossed; 
The Bengalese have abandoned their grub. 
And they 're dodging their gentleman round the Tub. 
Active and earnest they nowhere lodge. 
And he can't get at them, because of their dodge. 
Short-and-stout and Tall-and-thin 
Never before such a scrape were in, 
15 



1 70 SINGLE FAMO US P OEMS. • 

Nor ever yet used — can you well have a doubt of it ?- 
So uncommonly artful a dodge to get out of it. 
Tiger keeps prowling, 
Howling, and growling; 
He feels himself that their dodge is clever ; 
But the quick fresh blood of the Bengalese 
Nicer and nicer he snufFs on the breeze. 
The more they practice their dodge recitals, 
The more he longs to dine on their vitals. 
His passion is up, his hunger is keen, 
His jaws are ready, his teeth are clean, 
And sharpened their limbs to sever. 
The fire is flashing in light from his eyes ; 
In his own peculiar manner he cries, 
The while they shine, 
" If I mean to dine, 
I had better begin," 
And then, with a grin. 
And a voice the loudest that ever was heard, 
He roars, " Never trust to a tiger's word, 
If this dodge shall last much longer ! 
No, no, no, no, — it shall be no go ! 
There 's a way of disturbing this Tub's repose ; 
So down on your knees, 
You Bengalese, 

And prepare to be eaten up, if you please. 
Here goes ! 
Here goes ! here goes ! " and he gave a spring. 
The gentlemen, looking for no such thing. 
Might have fallen a prey to the Tiger's fling ; 

But a certain interference. 
Which bursts from their most intelHgent Tub, 
May enable them to return to their grub. 
On the selfsame plain a year hence. 
The Tub, though empty of roll and ration, 
Is full of a certain preservation. 

Of which — though it does not follow 



TEE NEW TALE OF A TUB. 17 1 

In every case of argumentation 
It is full because it is hollow. 
For, not having a top, and no inside things, 
It turns top-heavy when Tiger springs, 
And, making a kind of balancing pause. 
Keeps holding the animal up by his claws, 

In a manner that seems to fret it ; 
AVhile Short-and-stout, in a state of doubt, 
KeejDS on his belly a sharp lookout ; 
And Tall-and-thin, with an impudent grin. 

Exults in his way, 

As much as to say, 
" I only wish you may get it ! 
But much as I may respect your ability, 
1 don't see at present the great probability." 

The Tiger has leapt up, heart and soul. 
It 's clear he meant to go the whole 
Hog, in his hungry eftbrts to seize 
The two defianceful Bengalese. 

But the Tub ! the Tub I 

Ay, there 's the rub ! 

At present he 's balanced atop of the Tub, 

His fore legs inside, 

And the rest of his hide, 
Not weighing so much as his head and his legs, 

And having no hand in 

A pure understandin' 
Of the just equilibrium of casks and of kegs, 

Not bred up in attics, 

Nor taught mathematics. 
To work out the problems of Euclid with pegs, — 
He has plunged with the impetus Avild of a lover. 
And the Tub has loomed large, balanced, paused, and 
turned over. 

The Tiger at first had a hobby-horse ride. 
But now he is decently quai'tered inside ; 



J72 SINGLE FAMOUS POEMS. 

And the question is next, long as fortune may frown on 

him, 
IIow the two Bengalese are to keep the Tub down on 
him. 

'Bout this there 's no blunder, 
The Tiger is under 

The Tub I 
My verse need not run 

To the length of a sonnet, 
To tell how the Bengalese 

Both jumped upon it, 
While the beautiful barrel 
Keeps acting as bonnet 
To the Tiger inside. 
Who no more in his pride 
Can roam over jungle and plain, 
But sheltered alike from the sun and the rain. 
Around its interior his sides deigns to rub 
With a fearful hub-bub. 
And longs for his freedom again. 

The two Bengalese, 

Not at all at their ease, 

Hear him roar, 

And deplore 

Their prospects as sore, 
Forgetting both picnic and flask ; 

Each, wondering, dumb. 

What of both will become, 
Helps the other to press on the cask j 

Kesigned to their fate, 

But increasing their weight 
By action of muscle and sinew, 

In order that forcibly you, Mr. Tub, 
Whom their niggers this morning 
Rolled here with their grub, 
May still keep the Tiger within you. 



TRE NEW TALE OF A TUB. 173 

On the top of the Tub, 
In the warmest of shirts, 

The thin man stands, 
While the fat by his skirts 
Holds, anxiously puffing and blowing ; 

And the thin peers over the top of the cask, 
" Is there any hope for us ? " 

As much as to ask. 
With a countenance cunning and knowhig; 
And just as he mournfully 'gins to bewail, 

In a grief-song that ought to be sung whole, 
He twigs the long end of the old Tiger's tail 
As it twists itself out of the bung-hole. 
Then, sharp on the watch, 
He gives it a catch, 
And shouts to the Tiger, 
" You 've now got your match ; 
You may rush and may riot, may wriggle and roar. 
But I 'm blest if I '11 let your tail go any more ! " 
It 's as safe as a young roasted pig in. a larder, 
And no two Bengalese could hold on by it harder. 
With the Tiger's tail clenched fast in his fist. 
And his own coat-tail grasped fast to assist. 
Stands Tall-and-thin with Short-and-stout, 
Both on the top of the Tub to scout. 
Tiger within and they without, 

And both in a pretty pickle. 
The Tiger begins by giving a bound ; 
The Tub 's half turned, but the men are found 
To have very carefully jumped to the ground — ■ 

At trifles they must not stickle. 
It 's no use quaking and turning pale, 
Pluck and patience must now prevail, 
They must keep a hold on the Tiger's tail, 

And neither one be fickle. 
There they must pull, if they pull for weeks. 
Straining their stomachs and bursting theh cheeks, 



1 74 SINGLE FAMO US POEMS. 

While Tiger alternately roars and squeaks, 

Trying to break away from 'em ; 
They must keep the Tub turned over his back, 
And never let his long tail get slack, 

For fear he should win the day from 'em. 
Yes, yes, they must hold him tight, 
From night till morning, from morn till night, — 
Must n't stop to eat, must n't stop to weep. 
Must n't stop to drink, must n't stop to sleep, — 
No cry, no laugh, no rest, no grub. 
Till they starve the Tiger under the Tub, 
Till the animal dies, 
To his own surprise, 
With two Bengalese in a deadly quarrel, 
And his tail thrust through the hole of a barrel 

Oh dear ! oh dear ! it 's very clear 

They can't live so ; but they dare n't let go — 

Fate for a pitying world to wail, 

Starving behind a Tiger's tail. 

If Invention be Necessity's son, 

Now let him tell them what 's to be done. 

What 's to be done ! ha ! I see a grin 

Of joy on the face of Tall-and-thin, 

Some new device he has hit in a trice. 

The which he is telling all about 

To the gratified gentleman, Short-and-stout. 

What 's to be done ! what precious fun ! 

Have n't thej found out what 's to be done I 

See ! see ! what glorious glee ! 

Note ! mark ! what a capital lark I > 

Tiger and Tub, and bung-hole and all, 

Baffled by what is about to befall. 

Excellent ! marvelous ! beautiful ! 1 

75 n't it now an original go ! 

What, stop ! I 'm ready to drop. 

Hold ! stay ! I 'm fainting away. 



THE OLD SEXTON. 176 

Laughter I 'm certain will kill me to-day ; 
And Short-and-stout is bursting his skin, 
And almost in fits is Tall-and-thin, 
And Tiger is free, yet they do not quail, 

Though temper has all gone wrong with him. 
No ! they 've tied a knot in the Tiger's tail, 

And he carried the Tub along with him ; 
He 's a freehold for life, with a tail out of joint, 
And has made his last climax a true knotty point. 

Frederick W. N. BAYLEf. 



CJe (Dlti Sexton, 

Nigh to a grave that was newly made. 
Leaned a sexton old on his earth-worn spade ; 
His work was done, and he paused to wait 
The funeral-train at the open gate, 
A relic of by- gone days was he, 
And his locks were gray as the foamy sea ; 
And these words came from his lips so thin : 
" I gather them in — I gather them in — 
Gather — gather — I gather them in. 

" I gather them in ; for man and boy, 
Year after year of grief and joy, 
I 've builded the houses that lie around 
In every nook of this burial ground. 
Mother and daughter, father and son. 
Come to my solitude one by one; 
But come they stranger, or come they kin, 
I gather them in — I gather them in, 

" Many are with me, yet I 'm alone ; 
I 'm King of the Dead, and I make my throne 
On a monument slab of marble cold — 
My sceptre of rule is the spade I hold. 



1 76 SINGLE FAMO US POEMS. 

Come they from cottage, or come they from hall, 
Mankind are my subjects, all, all, all I 
May they loiter in pleasure, or toilfully spin, 
I gather them in — I gather them in. 

" I gather them in, and their final rest 
Is here, down here, in the earth's dark breast 1 " 
And the sexton ceased as the funeral-train 
Wound mutely over that solemn plain ; 
And I said to myself : When time is told, 
A mightier voice than that sexton's old, 
WiU be heard o'er the last trump's dreadful din ; 

" I gather them in — I gather them in — 
Crather — gather — gather them in." 

Park Benjamin. 

CJe Icibate of tje ^uf0. 

Last night among his fellow-roughs, 

He jested, quaffed, and swore ; 
A drunken private of the Buffs, 

Who never looked before. 
To-day, beneath the foeman's frown, 

He stands in Elgin's place. 
Ambassador from Britain's crown. 

And type of aU her race. 

Poor, reckless, rude, low-born, untaught, 

Bewildered, and alone, 
A heart with English instinct fraught 

He yet can call his own. 
Ay, tear his body limb from limb, 

Bring cord or axe or flame. 
He only knows that not through him 

Shall England come to shame. 

Far Kentish hop-fields round him seemed, 
Like dreams, to come and go ; 



LIGHT. 17^ 

Bright leagues of cherry-blossom gleamed, 

One sheet of living snow ; 
The smoke above his father's door 

In gray soft eddyings hung ; 
Must he then ■watch it rise no more, 

Doomed by himself so young ? 

Yes, honor calls! — with strength Hke steel 

He put the vision by ; 
Let dusky Indians whine and kneel, 

An English lad must die. 
And thus, with eyes that would not shrink, 

With knee to man unbent, 
Unfaltering on its dreadful brink. 

To his red grave he went. 

Vain mightiest fleets of iron framed. 

Vain those all-shattering guns, 
Unless proud England keep untamed 

The strong heart of her sons ; 
So let his name through Europe ring, — 

A man of mean estate, 
Who died as firm as Sparta's king, 

Because his soul was great. 

Sir Francis Hastings Doyle. 



From the quickened womb of the primal gloom 

The sun rolled black and bare. 
Till I wove him a vest for liis Ethiop breast 

Of the threads of my golden hair ; 
And when the broad tent of the firmament 

Arose on its airy spars, 
I penciled the hue of its matchless blue, 

And spangled it round with stars. 
15* 



178 SINGLE FAMO US P OEMS. 

I painted the flowers of the Eden bowers, 

And their leaves of Uving green, 
And mine were the dyes in the sinless eyes 

Of Eden's virgin queen ; 
And when the fiend's art on the trustful heart 

Had fastened its mortal spell. 
In the silvery sphere of the first-born tear 

To the trembling earth I fell. 

When the waves that burst o'er the world accurs'd 

Their work of wrath had sped, 
And the Ark's lone few, the tried and true, 

Came forth among the dead ; 
With the wond'rous gleams of my bridal beams, 

I bade their terrors cease. 
As I wrote, on the roll of the storm's dark scroll, 

Qod's covenant of peace I 

Like a pall at rest on a senseless breast. 

Night's funeral shadow slept; — 
Where shepherd swains on the Bethlehem plains 

Their lonely vigils kept — 
When I flashed on their sight the heralds bright 

Of Heaven's redeeming plan. 
As they chanted the morn of a Saviour born — 

Joy, joy to the outcast man 1 

Equal favor I show to the lofty and low, 

On the just and unjust I descend ; 
E'en the blind, whose vain spheres roll in darkness and tears, 

Feel my smile, the blest smile of a friend. 
Nay, the flower of the waste by my love is embraced, 

As the rose in the garden of Kings ; 
At the chrysalis bier of the worm I appear. 

And lo ! the gay butterfly wings. 

The desolate Morn, like a mourner forlorn. 
Conceals all the pride of her charms, 



A DEATH- BED. IVO 

Till I bid the bright hours chase night from her bowers, 

And lead the young day to her arms ; 
And when the gay Rover seeks Eve for his lover, 

And sinks to her balmy repose, 
I wrap their soft rest by the zephyr-fanned west, 

In curtains of amber and rose. 

From my sentinel steep, by the night-brooded deep, 

I gaze with un slumbering eye, 
When the cynosure star of the mariner 

Is blotted from out of the sky ; 
And guided by me through the merciless sea, 

Though sped by the hurricane's wings, 
His compassless bark, lone, weltering dark. 

To the haven-home safely he brings. 

I waken the flowers in their dew-spangled bowers, 

The birds in their chambers of green. 
And mountain and plain glow with beauty again, 

As they bask in my matinal sheen. 
Oh, if such the glad worth of my presence to earth. 

Though fitful and fleeting the while, 
"What glories must rest on the home of the blest, 

Ever bright with the Deity's smile ! 

William Pitt Palmer. 

Her sufifering ended with the day ; 

Yet lived she at its close, 
And breathed the long, long night away 

In statue-like repose. 

But when the sun, in all his state. 

Illumed the eastern skies, 
She passed through glory's morning-gate. 

And walked in Paradise. 

James AijDRicn. 



180 SINGLE FAMOUS POEMS. 

It was the calm and silent night I 

Seven hundred years and fifty-three 
Had Rome been growing up to might, 

And now was queen of land and sea. 
Ko sound was heard of clashing wars, — 

Peace brooded o'er the hushed domain: 
Apollo, Pallas, Jove, and Mars 

Held undisturbed their ancient reign, 
In the solemn midnight, 
Centuries ago. 

'T was in the calm and silent night ! 

The senator of haughty Rome, 
Impatient, urged his chariot's flight, 

From lordly revel rolling home ; 
Triumphal arches, gleaming, swell 

His breast with thoughts of boundless sway; 
"What recked the Roman what befell 

A paltry province far away, 
In the solemn midnight. 
Centuries ago ? 

Within that province far away 

Went plodding home a weary boor ; 
A streak of light before him lay, 

Fallen tlirough a half-shut stable-door, 
Across his path. He passed, for naught 

Told what was going on within ; 
How keen the stars, his only thought — 

The air, how calm, and cold, and thin, 
In the solemn midnight, 
Centuries ago I 

Oh, strange indifference I low and high 
Drowsed over common joys and cares ; 



THE IVY GREEK 181 

The earth was still, but knew not why ; 

The world was listening, unawares. 
How calm a moment may precede 

One that shall thrill the world forever 
To that still moment, none would heed, 
Man's doom was linked no more to sever, 
In the solemn midnight, 
Centuries ago ! 

It is the calm and solemn night ! 

A thousand bells ring out, and throw 
Their joyous peals abroad, and smite 

The darkness, charmed and holy now ! 
The night that erst no name had worn, 

To it a happy name is given ; 
For in that stable lay, new-born. 

The peaceful Prince of earth and heaven, 
In the solemn midnight, 
Centuries ago ! 

Alfred Domett. 



O, A DAINTY plant is the ivy green, 

That creepeth o'er ruins old ! 
Of right choice food are his meals, I ween. 

In his cell so lone and cold. 
The walls must be crumbled, the stones decayed, 

To pleasure his dainty whim ; 
And the mouldering dust that years have made 

Is a merry meal for him. 

Creeping where no life is seen, 
A rare old plant is the ivy green. 

Fast he stealeth on, though he wears no wings. 

And a stanch old heart has he ! 
16 



182 SINGLE FAMO US P OEMS. 

How closely he twineth, how tight he clings 

To his friend, the huge oak-tree ! 
And slyly he traileth along the ground, 

And his leaves he gently waves. 
And he joyously twines and hugs around 
The rich mould of dead men's graves. 
Creeping where no hfe is seen, 
A rare old plant is the ivy green. 

Whole ages have fled, and their works decayed, 

And nations have scattered been ; 
But the stout old ivy shall never fade 

From its hale and hearty green. 
The brave old plant in its lonely days 

Shall fatten upon the past ; 
For the stateliest buildin.g man can raise 
Is the ivy's food at last. 

Creeping where no life is seen, 
A rare old plant is the ivy green. 

Charles Dickens. 

Ct)e spoils!) li3og. 

Whence come those shrieks so wild and shrill, 
That cut, like blades of steel, the air, 

Causing the creeping blood to chill 
With the sharp cadence of despair ? 

Again they come, as if a heart 

Were cleft in twain by one quick blow, 

And every string had voice apart 
To utter its peculiar woe. 

Whence come they ? From yon temple, where 
An altar, raised for private prayer. 
Now forms the warrior's marble bed 
Who Warsaw's gallant armies led. 



THE POLISH BO T. \ 83 

The dim funereal tapers throw 
A holy lustre o'er his brow, 
And burnish with their rays of light 
The mass of curls that gather bright 
Above the haughty brow and eye 
Of a young boy that 's kneeling by. 

What hand is that, whose icy press 

Clings to the dead with death's own grasp, 
But meets no answering caress ? 

No thrilling fingers seek its clasp. 
It is the hand of her whose cry 

Rang wildly, late, upon the air, 
When the dead warrior met her eye 

Outstretched upon the altar there. 

With pallid lip and stony brow 
She murmurs forth her anguish now. 
But hark I the tramp of heavy feet 
Is heard along the bloody street ; 
Nearer and nearer yet they come. 
With clanking arms and noiseless drum. 
Now whispered curses, low and deep, 
Around the holy temple creep ; 
The gate is burst ; a ruffian band 
Rush in, and savagely demand, 
With brutal voice and oath profane. 
The startled boy for exile's chain. 

The mother sprang with gesture wild, 
And to her bosom clasped her child ; 
Then, with pale cheek and flashing eye. 
Shouted with fearful energy, 
" Back, ruffians, back ! nor dare to tread 
Too near the body of my dead ; 
Nor touch the living boy ; I stand 
Between him and your lawless band. 



1 84 SINGLE FAMO US POEMS 

Take we, and bind these arms, these hands, 

With Russia's heaviest iron bands, 

And drag me to Siberia's wild 

To perish, if 't will save my child! " 

" Peace, woman, peace ! " the leader cried, 
Tearing the pale boy from her side, 
And in his ruffian grasp he bore 
His victim to the temple door. 

" One moment ! " shrieked the mother; " one I 
"Will land or gold redeem my son ? 
Take heritage, take name, take all. 
But leave him free from Russia's thrall ! 
Take these ! " and her white arms and hands 
She stripped of rings and diamond bands. 
And tore from braids of long black hair 
The gems that gleamed like starlight there ; 
Her cross of blazing rubies, last, 
Down at the Russian's feet she cast. 
He stooped to seize the glittering store ; — 
Up springing from the marble floor, 
The mother, with a cry of joy. 
Snatched to her leaping heart the boy. 
But no 1 The Russian's iron grasp 
Again undid the mother's clasp. 
Forward she fell, with one long cry 
Of more than mortal agony. 

But the brave child is roused at length. 

And, breaking from the Russian's hold, 
He stands, a giant in the strength 

Of his young spirit, fierce and bold. 
Proudly he towers; his flashing eye. 

So blue, and yet so bright, 
Seems kindled from the eternal sky, 

So brilliant is its light. 
His curling lips and crimson cheeks 
Foretell the thought before he speaks ; 



THE POLISH BOY. jgS 

"With a full voice of proud command 

He turned upon the wondering band : 
" Ye hold me not ! no ! no, nor can ; 

This hour has made the boy a man. 

I knelt before my slaughtered sire, 

Nor felt one throb of vensfeful ire. 

I wept upon his marble brow, 

Yes, wept! I was a child ; but now 

My noble mother, on her knee, 

Hath done the work of years for me ! " 

He drew aside his broidered vest, 

And there, like slumbering serpent's crest. 

The jeweled haft of poniard bright 

Glittered a moment on the sisfht, 
" Ha ! start ye back ? Fool ! coward ! knave I 

Think ye my noble father's glaive 

Would drink the life-blood of a slave ? 

The pearls that on the handle flame, 

Would blush to rubies in their shame; 

The blade would quiver in thy breast 

Ashamed of such ignoble rest. 

No ! thus I rend the tyrant's chain, 

And fling him back a boy's disdain I " 

A moment, and the funeral light 
Flashed on the jeweled weapon bright ; 
Another, and his young heart's blood 
Leaped to the floor, a crimson flood. 
Quick to his mother's side he sprang, 
And on the air his clear voice raner : 
" Up, mother, up ! I 'm free ! I 'm free I 
The choice was death or slavery. 
Up, mother, up ! Look on thy son ! 
His freedom is forever won ; 
And now he waits one holy kiss 
To bear his father home in bliss. 
One last embrace, one blessing, — one I 
To prove thou know'st, appro v'st thy son. 



SINGLE FAMOUS POEMS. 

What ! silent yet ? Canst thou not feel 
My warm blood o'er thy heart congeal ? 
Speak, mother, speak ! lift up thy head ! 
What ! silent still ? Then art thou dead ! 

Great GTod, I thank thee ! Mother, I 

Eejoice with thee, — and thus — to die." 
fOne long, deep breath, and his pale head 
Lay on his mother's bosom, — dead. 

Ann S. Stephens. 

THE charge at Balaklava I 

that rash and fatal charge ! 
Never was a fiercer, braver. 
Than that charge at Balaklava, 

On the battle's bloody marge ! 
All the day the Russian columns. 

Fortress huge, and blazing banks. 
Poured their dread destructive volumes 

On the French and English ranks, — 

On the gallant allied ranks ! 
Earth and sky seemed rent asunder 
By the loud incessant thunder ! 
When a strange but stern command — 
Needless, heedless, rash command — 
Came to Lucan's little band, — 
Scarce six hundred men and horses 
Of those vast contending forces : — 
" England 's lost unless you save her ! 
Charge the pass at Balaklava ! " 

that rash and fatal charge, 
On the battle's bloody marge ! 

Far away the Russian Eaecles 

Soar o'er smoking hill and dell, 
And their hordes, like howling beagles. 

Dense and countless, round them yell ! 



BALAKLAVA. 18' 

Thundering cannon, deadly mortar, 
Sweep the field in every quarter ! 
Never, since the days of Jesus, 
Trembled so the Chersonesus ! 

Here behold the G-allic Lilies — 

Stout St. Louis' golden Lihes — 

Float as erst at old Ramillies ! 

And beside them, lo ! the Lion ! 

With her trophied Crqss, is flying I 
Glorious standards ! — shall they waver 
On the field of Balaklava? 
No, by Heavens ! at that command — 
Sudden, rash, but stern command — 
Charges Lucan's little band ! 

Brave Six Hundred ! lo ! they charge. 
On the battle's bloody marge I 

Down yon deep and skirted valley, 

Where the crowded cannon play, — 
Where the Czar's fierce cohorts rally, 
Cossack, Calmuck, savage KalU, — 

Down that gorge they swept away ! 
Down the new Thermopylae, 
Flashing swords and helmets see ! 
Underneath the iron shower. 

To the brazen cannon's jaws. 
Heedless of their deadly power. 

Press they without fear or pause, — 

To the very cannon's jaws ! 
Gallant Nolan, brave as Roland 

At the field of Roncesvalles, 

Dashes down the fatal valley, 
Dashes on the bolt of death. 
Shouting with his latest breath, 
" Charge, then, gallants ! do not waver. 
Charge the pass at Balaklava! " 

that rash and fatal charge, 
On the battle's bloody marge ! 



1 88 SINGLE FAMO US P OEMS. 

Now the bolts of volleyed thunder 
Eend the little band asunder, 
Steed and rider wildly screaming, 
Screaming wildly, sink away ; 
Late so proudly, proudly gleaming. 
Now but lifeless clods of clay, — 
Now but bleeding clods of clay ! 
Never since the days of Jesus, 
Saw such sight the Chersonesus ! 
Yet your remnant, brave Six Hundred, 
Presses onward, onward, onward, 

Till they storm the bloody pass, — 
Till, like brave Leonidas, 
They storm the deadly pass ! 
Sabring Cossack, Calmuck, Kalli, 
In that wild shot-rended valley, — 
Drenched with fire and blood, hke lava. 
Awful pass at Balaklava ! 

that rash and fatal charge, 
On that battle's bloody marge ! 

For now Russia's rallied forces, 
Swarming hordes of Cossack horses, 
Trampling o'er the reeking corses, 

Drive the thinned assailants back, 
Drive the feeble remnant back. 
O'er their late heroic track ! 
Yain, alas ! now rent and sundered, 
Yain your struggles, brave Two Hundred ! 
Thrice your number lie asleep, 
In that valley dark and deep. 
"Weak and wounded you retire 
From that hurricane of fire, — 
That tempestuous storm of fire, — 
But no soldiers firmer, braver. 

Ever trod the field of fame. 
Then the Knights of Balaklava, — 
'^nr.cr tn pf*oU hcro's name! 



THE PA UPERS DRIVE. 189 

Yet their country long shall mourn 

For her ranks so rashly shorn, — 

So gallantly, but madly shorn 

In that fierce and fatal charge, 
On the battle's bloody marge. 

Alexander B. Meek. 

CJe ^IJauper'js Bribe. 

There 's a grim one-horse hearse in a jolly round trot — ■ 
To the church-yard a pauper is going, I wot; 
The road it is rough, and the hearse has no springs ; 
And hark to the dirge which the mad driver sings : 

Rattle his hones over the stones ! 

He 's only a pauper, whom nobody owns / 

Oh, where are the mourners ? Alas ! there are none — 
He has left not a gap in the world, now he 's gone — 
Not a tear in the eye of child, woman, or man ; 
To the grave with his carcass as fast as you can : 

Rattle his hones over the stones ! 

He 's only a pauper, whom nobody owns I 

What a jolting, and creaking, and splashing, and din ! 
The whip, how it cracks ! and the wheels, how they spin 
How the dirt, right and left, o'er the hedges is hurled! 
The pauper at length makes a noise in the world ! 

Rattle his bones over the stones! 

He 's only a pauper, whom nobody owns I 

Poor pauper defunct ! he has made some approach 

To gentility, now that he 's stretched in a coach ! 

He 's taking a drive in his carriage at last ; 

But it will not be long, if he goes on so fast. 
Rattle his bones over the stones I 
He 's only a pauper, whom nobody owns I 

You bumpkins, who stare at your brother conveyed, 
Behold what respect to a cloddy is paid ! 
16* 



190 SINGLE FAMO US POEMS. 

And be joyful to think, when by death you 're laid low, 
You 've a chance to the grave like a gemman to go I 

Rattle Ms hones over the stones! 

He 's only a pauper^ whom nobody owns 1 

But a truce to this strain ; for my soul it is sad, 
To think that a heart in humanity clad 
Should make, like the brutes, such a desolate end, 
And depart from the light without leaving a friend. 

Bear soft his hones over the stones ! 

Though a pauper^ he 's one whom his Maker yet owns I 

Thomas Noel. 

dFlorence Fane. 

I loved thee long and dearly, 

Florence Vane ; 
My life's bright dream and early 

Hath come again ; 
I renew in my fond vision 

My heart's dear pain. 
My hopes and thy derision, 

Florence Vane ! 

The ruin, lone and hoary, 

The ruin old, 
Where thou didst hark my story. 

At even told, 
That spot, the hues elysian 

Of sky and plain 
I treasure in my vision, 

Florence Vane ! 

Thou wast lovelier than the roses 

In their prime ; 
Thy voice excelled the closes 

Of sweetest rhyme ; 



THE DULE 'S I' THIS BONNET 0' MINE. 29 

Thy heart was as a river 

Without a main, 
Would I had loved thee never, 

Florence Vane. 

But fairest^ coldest wonder ! 

Thy glorious clay 
Lieth the green sod under ; 

Alas the day ! 
And it boots not to remember 

Thy disdain, 
To quicken love's pale ember, 

Florence Yane ! 

The lilies of the valley 

By young graves weep. 
The daisies love to dally 

Where maidens sleep, 
May their bloom, in beauty vying, 

Never wane 
Where thine earthly part is lying, 

Florence Vane, 

Philip Pendleton Cooke. 



^Je Bale '33 i* tf)i0 iSonnet 0* iHme. 

The dule 's i' this bonnet o' mine: 

My ribbins '11 never be reet ; 
Here, Mally, aw 'm like to be fine, 

For Jamie '11 be comin' to-neet; 
He met me i' th' lone t' other day 

(Aw wur gooin' for wayter to th" well), 
An' he begged that aw 'd wed him i' May, 

Bi th' mass, if he'll let me, aw will I 

When he took my two bonds into his. 
Good Lord, heaw they trembled between ! 



] 92 SINGLE FAMO US POEMS. 

An' aw durst n't look up in his face, 

Becose on him seein' my e'en. 
My cheek went as red as a rose ; 

There 's never a mortal con tell 
Heaw happy aw felt, — for, thae knows, 

One could n't ha' axed him theirsel'. 

But th' tale wur at th' end o' my tung : 

To let it eawt would n't be reet, 
For aw thought to seem f orrud wur wrong ; 

So aw towd him aw 'd tell him to-neet. 
But, Mally, thae knows very weel. 

Though it is n't a thing one should own, 
Iv aw 'd th' pikein' o' th' world to mysel'. 

Aw 'd oather ha' Jamie or noan. 

!Neaw, Mally, aw 've towd thae my mind; 

What would to do iv ' t wur thee ? 
" Aw 'd tak him just while he 's inclined, 

An' a f arrantly bargain he '11 be ; 
For Jamie 's as greadly a lad 

As ever stept eawt into th' sun. 
Go, jump at thy chance, an' get wed ; 

An' mak th' best o' th' job when it 's done I " 

Eh, dear 1 but it 's time to be gwon : 
Aw should n't like Jamie to wait; 
Aw connut for shame be too soon. 

An' aw would n't for th' wuld be too late. 
Aw 'm o' ov a tremble to th' heel : 
Dost think 'at my bonnet '11 do ? 
" Be o£f, lass, — thae looks very weel ; 

He wants noan o' th' bonnet, thae foo ! " 

Edwin Waugh. 



ABRAHAM LINCOLN. \ .j 3 

^ficajam Hmcoln. 

FIRST PUBLISHED IN PUNCH. 

You lay a wreath on murdered Lincoln's bier, 
You, who with mocking pencil wont to trace, 

Broad for the self-complacent British sneer, 

His length of shambling hmb, his furrowed face, 

His gaunt, gnarled hands, his unkempt, bristling hair, 

His garb uncouth, his bearing ill at ease, 
His lack of all we prize as debonair, 

Of power or will to shine, of art to please ; 

YoUj whose smart pen backed up the pencil's laugh, 
Judging each step as though the way were plain; 

Reckless, so it could point its paragraph. 
Of chief's perplexity or people's pain, — • 

Beside this corpse, that bears for winding-sheet 
The Stars and Stripes he lived to rear anew, 

Between the mourners at his head and feet, 
Say, scurrile jester, is there room for you? - 

Yes : he had lived to shame me from my sneer, 

To lame my pencil and confute my pen ; 
To make me own this hind of princes peer. 

This rail-splitter, a true-born king of men. 

My shallow judgment I had learned to rue, 

Noting how to occasion's height he rose ; 
How his quaint wit made home-truth seem more truej 

How, iron-like, his temper grew by blows ; 

How humble, yet how hopeful he could be ; 

How in good fortune and in ill the same ; 
Nor bitter in success, nor boastful he, 

Thirsty for gold, nor feverish for fame. 
37 



1 94 SINGLE FAMO US FOEMS. 

He went about his work, such work as few 
Ever had laid on head and heart and hand, 

As one who knows, where there 's a task to do, 

Man's honest will must Heaven's good grace command ; 

Who trusts the strength will with the burden grow, 
That God makes instruments to work his will, 

If but that will we can arrive to know, 

Nor tamper with the weights of good and ill. 

So he went forth to battle, on the side 

That he felt clear was Liberty's and Right's, 

As in his peasant boyhood he had plied 

His warfare with rude Nature's thwarting mights — 

The uncleared forest, the unbroken soil, 

The iron bark that turns the lumberer's axe, 

The rapid that o'erbears the boatman's toil, 

The prairie hiding the mazed wanderer's tracks, 

The ambushed Indian, and the prowling bear, — 
Such were the deeds that helped his youth to train : 

Rough culture, but such trees large fruit may bear, 
If but their stocks be of right girth and grain. 

So he grew up, a destined work to do. 

And hved to do it ; four long-suffering years' 

111 fate, ill feeling, ill report lived through, 

And then he heard the hisses change to cheers, 

The taunts to tribute, the abuse to praise, 

And took both with the same unwavering mood, — 

Till, as he came on light, from darkling days. 

And seemed to touch the goal from where he stood, 

A felon hand, between the goal and him. 

Reached from behind his back, a trigger prest. 

And those perplexed and patient eyes were dim, 
Those gaunt, long-laboring limbs were laid to rest. 



THE MEMORY OF THE DEAD. ] 9.5 

The words of mercy were upon his hps, 

Forgiveness in his heart and on his pen, 
When this vile murderer brought swift echpse 

To thoughts of peace on earth, good Avill to men. 

The Old World and the New, from sea to sea, 

Utter one voice of sympathy and shame. 
Sore heart, so stopped when it at last beat high ! 

Sad life, cut short just as its triumph came I 

A deed accursed! Strokes have been struck before 
By the assassin's hand, whereof men doubt 

If more of horror or disgrace they bore ; 

But thy foul crime, like Cain's, stands darkly out, 

Vile hand, that brandest murder on a strife, 

Whate'er its grounds, stoutly and nobly striven. 

And with the martyr's crown crownest a life 
With much to praise, little to be forgiven. 

Tom Taylor. 

Cf)e iHemotg of tf)e Seati. 

Who fears to speak of Ninety-Eight ? 

Who blushes at the name ? 
When cowards mock the patriot's fate. 

Who hangs his head for shame ? 
He 's all a knave, or half a slave. 

Who slights his country thus j 
But a true man, like you, man, 

Will fiU your glass with us. 

We drink the memory of the brave. 

The faithful and the few — 
Some lie far oft" beyond the wave — 

Some sleep in Ireland, too ; 
All, all are gone — but still lives on 

The fame of those who died — 



J 96 SINGLE FAMO US POEMS. 

All true men, like you, men, 
Eemember them with pride. 

Some on the shores of distant lands 

Their weary hearts have laid, 
And by the stranger's heedless hands 

Their lonely graves were made ; 
But, though their clay be far away 

Beyond the Atlantic foam — 
In true men, like you, men. 

Their spirit 's still at home. 

The dust of some is Irish earth ; 

Among their own they rest ; 
And the same land that gave them birth 

Has caught them to her breast ; 
And we will pray that from their clay 

Full many a race may start 
Of true men, like you, men, 

To act as brave a part. 

They rose in dark and evil days 

To right their native land ; 
They kindled here a living blaze 

That nothing shall withstand. 
Alas ! that might can vanquish right — 

They fell and passed away ; 
But true men, like you, men, 

Are plenty here to-day. 

Then here 's their memory — may it be 

For us a guiding light. 
To cheer our strife for liberty, 

And teach us to unite. 
Through good and ill, be Ireland's still, 

Though sad as theirs your fate ; 
And true men, be you, men. 

Like those of Ninety-Eight ! 

John Kells Ingram. 



THE BIVO UA C OF TEE DEAD 197 

^i)t HSibouac of tfje Btati. 

The muffled drum's sad roll has beat 

The soldier's last tattoo ; 
No more on life's parade shall meet 

That brave and fallen few. 
On fame's eternal camping ground 

Their silent tents are spread, 
And glory guards, with solemn round, 

The bivouac of the dead. 

No rumor of the foe's advance 

Now swells upon the wind ; 
No troubled thouglit at midnight haunts 

Of loved ones left behind ; 
No vision of the morrow's strife 

The warrior's dream alarms; 
No braying horn nor screaming fife 

At dawn shaU call to arms. 

Their shivered swords are red with rust, 

Their plumed heads are bowed ; 
Their haughty banner, trailed in dust, 

Is now their martial sliroud. 
And plenteous funeral tears have washed 

The red stains from each brow. 
And the proud forms, by battle gashed, 

Are free from anguish now. 

The neighing troop, the flashing blade, 

The bugle's stirring blast. 
The charge, the dreadful cannonade. 

The din and shout are past; 
Nor war's wild note nor glory's peal 

Shall thrill with fierce delight 
Those breasts that never more may feel 

The rapture of the fight. 



1 98 SINGLE FAMO US P OEMS. 

Like the fierce northern hurricane 

That sweeps liis great plateau, 
Flushed with the triumph yet to gain, 

Came down the serried foe. 
Who heard the thunder of the fray 

Break o'er the field beneath, 
Knew well the watchword of that day 

Was " Victory or death." 

Long had the doubtful conflict raged 

O'er all that stricken plain, 
For never fiercer fig^ht had waged 

The vengeful blood of Spain; 
And still the storm of battle blew, 

Still swelled the gory tide ; 
Not long, our stout old chieftain knew, 
Such odds his strength could bide. 

'T was in that hour his stern command 

Called to a martyr's grave 
The flower of his beloved land. 

The nation's flag to save. 
By rivers of their fathers' gore 

His first-born laurels grew, 
And well he deemed the sons would pour 

Their lives for glory too. 

Full many a norther's breath has swept 

O'er Angostura's plain — 
And long the pitying sky has wept 

Above the mouldering slain. 
The raven's scream, or eagle's flight, 

Or shepherd's pensive lay, 
Alone awakes each sullen height 

That frowned o'er that dread fray. 

Sons of the Dark- and Bloody Ground, 
Ye must not slumber there, 



NEAREB, MY GOD, TO THEK 199 

Where stranger steps and tongues resound 

Along the heedless air ; 
Your own proud land's heroic soil 

Shall be your fitter grave ; 
She claims from war his richest spoil — 

The ashes of her brave. 

So, 'neath their parent turf they rest, 

Far fi'om the gory field, 
Borne to a Spartan mother's breast, 

On many a bloody shield ; 
The sunshine of their native sky 

Smiles sadly on them here, 
And kindred eyes and hearts watch by 

The heroes' sepulchre. 

Rest on, embalmed and sainted dead. 

Dear as the blood ye gave ; 
No impious footstep here shall tread 

The herbage of your grave ; 
Nor shall your glory be forgot 

While Fame her record keeps. 
Or Honor points the hallowed spot 

Where Valor proudly sleeps. 

Yon marble minstrel's voiceless stone, 

In deathless song shall tell, 
When many a vanished age hath flown, 

The story how ye fell ; 
Nor wreck, nor change, nor winter's blight. 

Nor Time's remorseless doom, 
Shall dim one ray of glory's light 

That gilds your deathless tomb. 

Theodore O'Hara. 

iaeaccr, mg <0otJ, to CJee. 

Nearer, my God, to thee, 
Nearer to thee ! 



200 SINGLE FAMO US P OEMS. 

E'en though it be a cross 

That raise th me ; 
Still all my song shall be, 
Nearer, my God, to thee, 

Nearer to thee I 

Though, like the wanderer, 

The sun gone down, 
Darkness be over me. 

My rest a stone ; 
Yet in my dreams I 'd be 
Nearer, my God, to thee. 

Nearer to thee ! 

There let the way appear 

Steps unto heaven ; 
All that thou sendest me 

In mercy given ; 
Angels to beckon me 
Nearer, my God, to thee, 

Nearer to thee 1 

Then with my waking thoughts 

Bright with thy praise. 
Out of my stony griefs 

Bethel I '11 raise ; 
So by my woes to be 
Nearer, my God, to thee, 

Nearer to thee 1 

Or if on joyful wing 

Cleaving the sky, 
Sun, moon, and stars forgot, 

Upward I fly ; 
Still all my song shall be, — 
Nearer, my God, to thee, 

Nearer to thee. 

Sarah Flower Adajis. 



LINES ON A SKELETON. 201 

ILincjs cn a Skeleton. 

Behold this ruin ! 'T was a skull 
Once of ethereal spirit full. 
This narrow cell was Life's retreat, 
This space was Thought's mysterious seat. 
What beauteous visions filled this spot, 
What dreams of pleasure long forgot I 
Nor hope, nor joy, nor love, nor fear, 
Have left one trace of record here. 

Beneath this mouldering canopy 

Once shone the bright and busy eye, 

But start not at the dismal void, — 

If social love that eye employed. 

If with no lawless fire it gleamed. 

But through the dews of kindness beamed, 

That eye shall be forever bright 

When stars and sun are sunk in night. 

Within this hollow cavern hung 
The ready, swift, and tuneful tongue ; 
If Falsehood's honey it disdained. 
And when it could not praise was chained ; 
If bold in Virtue's cause it spoke, 
Yet gentle concord never broke, — 
This silent tongue shall plead for thee 
When Time unveils Eternity 1 

Say, did these fingers delve the mine ? 
Or with the envied rubies shine? 
To hew the rock, or wear a gem. 
Can little now avail to them. 
But if the page of Truth they sought, 
Or comfort to the mourner brought. 
These hands a richer meed shall claim 
Than all that wait on Wealth and Fame. 
17* 



202 SINGLE FAMOUS POEMS. 

Avails it whether bare or shod 
These feet the paths of duty trod ? 
If from the bowers of Ease they fled, 
To seek Affliction's humble shed ; 
If G-randeur's guilty bribe they spurned, 
And home to Virtue's cot returned, — 
These feet with angel-wings shall vie, 
And tread the palace of the sky. 

Anonymous. 

CJe ^lace bjere Man sjoulti Bi'e, 

How little recks it where men lie, 

When once the moment 's past 
In which the dim and glazing eye 

Has looked on earth its last, — 
Whether beneath the sculptured urn 

The coffined form shall rest, 
Or in its nakedness return 

Back to its mother's breast I 

Death is a common friend or foe, 

As different men may hold, 
And at his summons each must go, 

The timid and the bold ; 
But when the spirit, free and warm. 

Deserts it, as it must. 
What matter where the lifeless form 

Dissolves again to dust ? 

The soldier falls 'mid corses piled 

Upon the battle-plain, 
Where reinless war-steeds gallop wild 

Above the mangled slain ; 
But though his corse be grim to see. 

Hoof-trampled on the sod, 
What recks it, when the spirit free 

Has soared aloft to God ? 



A HUNDRED TEARS TO COME. 203 

The coward's dying eyes may close 

Upon his downy bed, 
And softest hands his limbs compose, 

Or garments o'er them spread. 
But ye who shun the bloody fray, 

When fall the mangled brave. 
Go — strip his coffin-lid away, 

And see him in his grave ! 

'T were sweet, indeed, to close our eyes, 

With those we cherish near, 
And, wafted upwards by their sighs, 

Soar to some calmer sphere. 
But whether on the scaffold high, 

Or in the battle's van, 
The fittest place where man can die 

Is where he dies for man 1 

Michael Joseph Barry. 



a J^untiretf gears to OToine. 

Where, where will be the birds that sing, 

A hundred years to come ? 
The flowers that now in beauty spring, 

A hundred years to come ? 
The rosy lips, the lofty brow, 
The heart that beats so gayly now. 
Oh, where will be love's beaming eye, 
Joy's pleasant smile, and sorrow's sigh, 

A hundred years to come ? 

Who '11 press for gold this crowded street, 

A hundred years to come ? 
Who '11 tread yon church with willing feet, 

A hundred years to come? 
Pale trembling age, and fiery youth, 
And childhood with its brow of truth ; 



204 SINGLE FAMOUS POEMS. 

The ricli and poor, on land and sea,— 
Where will the mighty millions be 
A hundred years to come ? 

We all within our graves shall sleep, 

A hundred years to come ; 
No living soul for us will weep, 

A hundred years to come. 
But other men our lands shall till, 
And others, then, our streets will fill, 
While other birds will sing as gay, 
As bright the sunshine as to-day, 

A hundred years to come. 

William Goldsmith Brown. 



Cje Song of Steam, 

Harness me down with your iron bands, 

Be sure of your curb and rein. 
For I scorn the strength of your puny hands 

As the tempest scorns a chain. 
How I laughed as I lay concealed from sight. 

For many a countless hour, 
At the childish boast of human might, 

And the pride of human power. 

When I saw an army upon the land, 

A navy upon the seas, 
Creeping along, a snail-like band. 

Or waiting the wayward breeze, — 
When I marked the peasant faintly reel 

With the toil which he daily bore, 
As he feebly turned the tardy wheel. 

Or tugged at the weary oar, — 

When I measured the panting courser's speed, 
The flight of the carrier dove, 



TEE SONG OF STEAM. 205 

As they bore the law a king decreed, 

Or the Hnes of impatient love, 
I could but think how the world would feel, 

As these were outstripped afar, 
"When I should be bound to the rushing keel. 

Or chained to the flying car. 

Ha, ha, ha ! They found me at last, 

They invited me forth at length. 
And I rushed to my throne with a thunder blast, 

And laughed in my iron strength ! 
Oh I then ye saw a wondrous change 

On the earth and the ocean wide, 
Where now my fiery armies range, 

Nor wait for wind or tide. 

The ocean pales where'er I sweep, 

To hear my strength rejoice, 
And monsters of the briny deep 

Cower trembling at my voice. 
I carry the wealth and the lord of earth, 

The thoughts of his godlike mind ; 
The wind lags after my going forth, 

The lightning is left behind. 

In the darksome depths of the fathomless mine, 

My tireless arm doth play ; 
"Where the rocks never saw the sun decline, 

Or the dawn of a glorious day ; 
I bring earth's glittering jewels up 

From the hidden caves below. 
And I make the fountain's granite cup 

With a crystal gush o'erflow. 

I blow the bellows, I forge the steel. 

In all the shops of trade ; 
I hammer the ore and turn the wheel 

Where my arms of strength are made. 
18 



206 SINGLE FAMOUS F OEMS. 

I manage the furnace, the mill, the mint, — 

I carry, I spin, I weave; 
And all my doings I put into print 

On every Saturday eve. 

I 've no muscle to weary, no brains to decay, 

No bones to be "laid on the sheK/' 
And soon I intend you may " go and play," 

While I manage the world myself. 
But harness me down with your iron bands, 

Be sure of your curb and rein, 
Por I scorn the strength of your puny hands 

As the tempest scorns a chain. 

George W. Cutter 



2l2af)g ti^us Honfiing? 

Why thus longing, thus forever sighing, 
For the far-off, un attained and dim. 

While the beautiful, all round thee lying. 
Offers up its low, perpetual hymn ? 

Wouldst thou listen to its gentle teaching, 
AH thy restless yearnings it would still ; 

Leaf and flower and laden bee are preaching 
Thine own sphere, though humble, first to hlL 

Poor indeed thou must be, if around thee 
Thou no ray of light and joy canst throw — ■ 

If no silken cord of love hath bound thee 
To some little world through weal and woe ; 

If no dear eyes thy fond love can brighten — 
No fond voices answer to thine own ; 

If no brother's sorrow thou canst lighten, 
By daily sympathy and gentle tone. 



NOTHING TO WEAR. 207 

jSTot by deeds that win the crowd's applauses, 
Not by works that give thee world-renown, 

Not by martyrdom or vaunted crosses, 

Canst thou win and wear the immortal crown. 

Daily struggling, though unloved and lonely, 

Every day a rich reward will give ; 
Thou wilt find, by hearty striving only. 

And truly loving, thou canst truly live. 

Dost thou revel in the rosy mornino- 
When all nature hails the lord of light, 

And his smile, the mountain-tops adorning, 
Robes yon fragrant fields in radiance bright ? 

Other hands may grasp the field and forest. 

Proud proprietors in pomp may shine; 
But with fervent love if thou adorest. 

Thou art wealthier— all the world is thine. 

Yet if through earth's wide domains thou rovest, 

Sighing that they are not thine alone, 
Not those fair fields, but thyself thou lovest. 

And their beauty and thy wealth are gone. 

Nature wears the color of the spirit; 

Sweetly to her worshiper she sings ; 
All the glow, the grace she doth inherit, 

Eound her trusting child she fondly flings. 

Harriet Winslow Sewall. 

iaotj^mg to Witax. 

Miss Flora M'Flimset, of Madison Square, 
Has made three separate journeys to Paris, 
And her father assures me, each time she was there, 
That she and her friend Mrs. Harris 



208 SINGLE FAMOUS POEMS. 

(Not the lady whose name is so famous in history, 

But plain Mrs. H., without romance or mystery) 

Spent six consecutive weeks, without stopping, 

In one continuous round of shopping, — 

Shopping alone, and shopping together. 

At all honrs of the day, and in all sorts of weather, 

For all manner of things that a woman can put 

On the crown of her head, or the soul of her foot. 

Or wrap round her shoulders, or fit round her waist, 

Or that can be sewed on, or pinned on, or laced, 

Or tied with a string, or stitched with a bow, 

In front or behind, above or below ; 

For bonnets, mantillas, capes, collars, and shawls; 

Dresses for breakfast, and dinners, and balls ; 

Dresses to sit in, and stand in, and walk in ; 

Dresses to dance in, and flirt in, and talk in ; 

Dresses in which to do nothing at all ; 

Dresses for Winter, Spring, Summer, and Fall ; — 

All of them different in color and shape. 

Silk, muslin, and lace, velvet, satin, and crape, 

Brocade and broadcloth, and other material. 

Quite as expensive and much more ethereal ; 

In short, for all things that could ever be thought of, 

Or milliner, modiste, or tradesman be bought of. 

From ten- thousand-franc robes to twenty-sous frills ; 
In all quarters of Paris, and to every store. 
While M'Flimsey in vain stormed, scolded, and swore, 

They footed the streets, and he footed the bills 1 

The last trip, their goods shipped by the steamer A^-go, 
Formed, M'Flimsey declares, the bulk of her cargo, 
Not to mention a quantity kept from the rest, 
Sufficient to fill the largest sized chest. 
Which did not appear on the ship's manifest. 
But for which the ladies themselves manifested 
Such particular interest, that they invested 
Their own proper persons in layers and rows 



NOTHING TO WEAB. 209 

Of muslins, embroideries, worked under-clothes. 
Gloves, handkerchiefs, scarfs, and such trifles as those ; 
Then, wrapped in great shawls, like Circassian beauties, 
Gave good hy to the ship, and go by to the duties. 
Her relations at home all marveled, no doubt, 
Miss Flora had grown so enormously stout 
For an actual belle and a possible bride ; 

But the miracle ceased when she turned inside out. 

And the truth came to light, and the dry-goods beside ; 

Which, in spite of Collector and Custom-House sentry, 

Had entered the port without any entry. 

And yet, though scarce three months have passed since 
the day 

This merchandise went, on twelve carts, up Broadway, 

This same Miss M'Fhmsey, of Madison Square, 

The last time we met was in utter despair. 

Because she had nothing whatever to wear I 

Nothing to wear ! Now, as this is a true ditty, 
I do not assert — this, you know, is between us — • 

That she 's in a state of absolute nudity. 
Like Powers' Greek Slave, or the Medici Venus ; 

But I do mean to say, I have heard her declare. 
When at the same moment she had on a dress 
Which cost five hundred dollars, and not a cent less, 
And jewelry worth ten times more, I should guess, 

That she had not a thing in the wide world to wear I 

I should mention just here, that out of Miss Flora's 

Two hundred and fifty or sixty adorers, 

I had just been selected as he who should throw all 

The rest in the shade, by the gracious bestowal 

On myself, after twenty or thirty rejections. 

Of those fossil remains which she called her " affections," 

And that rather decayed, but well-known work of art, 

Which Miss Flora persisted in styling her " heart." 

So we were engaged. Our troth had been plighted, 



210 SINGLE FAMO US P OEMS. 

Kot by moonbeam or starbeam, by fountain or grove, 
But in a front parlor, most brilliantly lighted, 
Beneath the gas-fixtures, we whispered our love. 
Without any romance, or raptures, or sighs. 
Without any tears in Miss Flora's blue eyes. 
Or blushes, or transports, or such silly actions. 
It was one of the quietest business transactions, 
With a very small sprinkling of sentiment, if any, 
And a very large diamond imported by Tiffany. 
On her virginal lips while I printed a kiss. 
She exclaimed, as a sort of parenthesis. 
And by way of putting me quite at my ease, 
" You know I 'm to polka as much as I please, 
And flirt when I like — now, stop, do n't you speak — 
And you must not come here more than twice in the 

week, 
Or talk to me either at party or ball, 
But always be ready to come when I call ; 
So do n't prose to me about duty and stuff, 
If we do n't break this off, there will be time enough 
For that sort of thing ; but the bargain must be 
That, as long as I choose, I am perfectly free, — 
For this is a kind of engagement, you see. 
Which is binding on you, but not binding on me." 

Well, having thus wooed Miss M'Flimsey and gained her, 

With the silks, crinolines, and hoops that contained her, 

I had, as I thought, a contingent remainder 

At least in the property, and the best right 

To appear as its escort by day and by night ; 

And it being the week of the Stuckup's grand ball,— 

Their cards had been out a fortnight or so, 

And set all the Avenue on the tiptoe, — 
I considered it only my duty to call, 

And see if Miss Flora intended to go. 
I found her — as ladies are apt to be found. 
When the time intervening between the first sound 



NOTHING TO WEAB. 2 11 

Of the bell and the visitor^s entry is shorter 
Than usual— I found; I won't say — I caught her, 
Intent on the pier-glass, undoubtedly meaning 
To see if perhaps it did n't need cleaning. 
She turned as I entered, — " Why, Harry, you sinner, 
I thought that you went to the Flashers' to dinner! " 
''So I did," I replied, "but the dinner is swallowed, 

And digested, I trust, for 't is now nine and more, 
So being relieved from that duty, I followed 

Inclination, which led me, you see, to your door; 
And now will your ladyship so condescend 
As just to inform me if you intend 
Your beauty, and graces, and presence to lend 
(All of which, when I own, I hope no one will borrow) 
To the Stuckups, whose party, you know, is to-morrow ? " 
The fair Flora looked up, with a pitiful air, 
And answered quite promptly, " Why, Harry, mon cher, 
I should like above all things to go with you there, 
But really and truly — I 've nothing to wear." 
" Nothing to wear ! go just as you are; 
Wear the dress you have on, and you '11 be by far, 
I engage, the most bright and particular star 

On the Stuckup horizon — " I stopped, for her eye, 
Notwithstanding this delicate onset of flattery, 
Opened on me at once a most terrible battery 

Of scorn and amazement. She made no reply, 
But gave a slight turn to the end of her nose, 

(That pure Grecian feature,) as much to say, 
" How absurd that any sane man should suppose 
That a lady would go to a ball in the clothes, 

No matter how fine, that she wears every day I " 

So I ventured again : " Wear your crimson brocade ; " 
(Second turn up of nose)—" That 's too dark by a shade." 

* Your blue silk "— " That 's too heavy." " Your pink "— 
" That's too light." 

"Wear tulle over satin " — " I can't endure white." 



212 [SINGLE FAMOUS POEMS. 

" Your rose-colored, then, the best of the batch.'' 
" I have n't a thread of point-lace to match." 
" Your brown moire antique " — " Yes, and look like a Qua- 
ker;" 
" The pearl-colored " — " I would, but that plaguy dress- 
maker 
Has had it a week." — " Then that exquisite lilac. 
In which you would melt the heart of a Shy lock ; " 
(Here the nose took again the same elevation) — 
" I would n't wear that for the whole of creation." 

" Why not? It 's my fancy, there 's nothing could strike it 
As more comme ilfaut^^ — '^ Yes, but, dear me, that lean 

Sophronia Stuckup has got one just like it. 
And I won't appear dressed like a chit of sixteen." 
*' Then that splendid purple, that sweet Mazarine ; 
That superb point d' aiguille, that imperial green, 
That zephyr-like tarletan, that rich grenadine " — 
** Not one of all which is fit to be seen," 

Said the lady, becoming excited and flushed. 
"Then wear," I exclaimed in a tone which quite crushed 
Opposition, " that gorgeous toilette which you sported 
In Paris last spring, at the grand presentation. 
When you quite turned the head of the head of the nation, 
And by all the grand court were so very much courted." 
The end of the nose was portentously tipped up, 
And both the bright eyes shot forth indignation. 
As she burst upon me with the fierce exclamation, 
" I have worn it three times, at the least calculation. 
And that and most of my dresses are ripped up ! " 
Here I ripped out something, perhaps rather rash, 

Quite innocent, though ; but, to use an expression 
More striking than classic, it "settled my hash," 
And proved very soon the last of our session. 
" Fiddlesticks, is it, sir ? I wonder the ceiling 
Does n't fall down and crush you, — you men have no feul« 
ing; 



NOTHING TO WEAR. 213 

You selfish, unnatural, illiberal creatures, 

Who set yourselves up as patterns and preachers, 

Your silly pretense,— why, what a mere guess it is I 

Pray, what do you know of a woman's necessities ? 

I have told you and sho>vn you I 've nothing to wear, 

And it 's perfectly plain you not only do n't care. 

But you do not beheve me," (liere the nose went still 

higher.) 
*I suppose, if you dared, you would call me a har. 
Our engagement is ended, sir,— yes, on the spot; 
You 're a brute, and a monster, and — I do n't know what." 
I mildly suggested the words Hottentot, 
Pickpocket, and cannibal, Tartar, and thief. 
As gentle expletives which might give relief; 
But this only proved as a spark to the powder, 
And the storm I had raised came faster and louder ; 
It blew and it rained, thundered, lightened, and hailed 
Interjections, verbs, pronouns, till language quite failed 
To express the abusive, and then its arrears 
Were brought up all at once by a torrent of tears, 
And my last faint, despairing attempt at an obs- 
Ervation was lost in a tempest of sobs. 
Well, I felt for the lady, and felt for my hat, too, 
Improvised on the crown of the latter a tattoo. 
In lieu of expressing the feelings which lay 
Quite too deep for words, as Wordsworth would say ; 
Then, without going through the form of a bow. 
Found myself in the entry, I hardly knew how. 
On door-step and side-walk, past lamp-post and square, 
At home and up-stairs, in my own easy-chair ; 

Poked my feet into slippers, my fire into blaze, 
And said to myself, as I lit my cigar, 
' Supposing a man had the wealth of the Czar 

Of the Russias to boot, for the rest of his days, 
On the whole do you think he would have much to spare, 
If he married a woman with nothing to wear ?" 
Since that night, taking pains that it should not be bruited 
18* 



214 SINGLE FAMO US P OEMS. 

Abroad in society, I 've instituted 

A course of inquiry, extensive and thorough, 

On this vital subject, and find, to my horror. 

That the fair Flora's case is by no means surprising. 

But that there exists the greyest distress 
In our female community, solely arising 

From this unsupplied*destitution of dress, 
Whose unfortunate victims are filling the air 
With the pitiful v^^ail of " Nothing to wear." 

Eesearches in some of the " Upper Ten " districts 

Keveal the most painful and startling statistics, 

Of which let me mention only a few : 

In one single house, on the Fifth Avenue, 

Three young ladies were found, all below twenty-two, 

Who have been three whole weeks without anything new 

In the way of flounced silks, and thus left in the lurch, 

Are unable to go to ball, concert, or church. 

In another large mansion, near the same place. 

Was found a deplorable, heart-rending case 

Of entire destitution of Brussels point-lace. 

In a neighboring block there was found, in three calls, 

Total want, long continued, of camel's-hair shawls; 

And a suffering family, whose case exhibits 

The most pressing need of real ermine tippets ; 

One deserving young lady almost unable 

To survive for the want of a new Russian sable ; 

Still another, whose tortures have been most terrific 

Ever since the sad loss of the steamer Pacific, 

In which were ingulfed, not friend or relation, 

(For whose fate she perhaps might have found consolation, 

Or borne it, at least, with serene resignation,) 

But the choicest assortment of French sleeves and collais 

Ever sent out from Paris, worth thousands of dollars. 

And all as to style most recherche and rare, 

Tlie want of which leaves her with nothing to wear. 

And renders her life so drear and dyspeptic 



NOTHING TO WEAR. 215 

That she 's quite a recluse, and almost a skeptic, 

For she touchingly sajs, that this sort of grief 

Cannot find in Rehgion the slightest relief, 

And Philosophy has not a maxim to spare 

For the victims of such overwhelming despair. 

But the saddest, by far, of all these sad features, 

Is the cruelty practiced upon the poor creatures 

By husbands and fathers, real Bluebeards and Timons, 

Who resist the most touching appeals made for diamonds 

By their wives and their daughters, and leave them for days 

UnsuppHed with new jewelry, fans, or bouquets. 

Even laugh at their miseries whenever they have a chance 

And deride their demands as useless extravagance; 

One case of a bride was brought to my view 

Too sad for belief, but, alas! 't was too true. 

Whose husband refused, as savage as Charon, 

To permit her to take more than ten trunks to Sharon. 

The consequence was, that when she got there. 

At the end of three weeks she had nothing to wear, 

And when she proposed to finish the season 

At ISTewport, the monster refused, out and out, 

For his infamous conduct alleging no reason, 

Except that the waters were good for his gout • 

Such treatment as this was too shocking, of course 

And proceedings are now going on for divorce. 

But why harrow the feehngs by lifting the curtain 

From these scenes of woe ? Enough, it is certain, 

Has here been disclosed to stir up the pity 

Of every benevolent heart in the city, 

And spur up Humanity into a canter 

To rush and relieve these sad cases instanter. 

Won't somebody, moved by this touching description, 

Come forward to-morrow and head a subscription ? 

Won't some kind philanthropist, seeing that aid is 

So needed at once by these indigent ladies. 

Take charge of the matter? Or won't Peter Cooper 



2 1 6 SINGLE FAMO US P OEMS 

The corner-stone lay of some new splendid super- 
Structure, like that which to-day links his name 
In the Union unending of Honor and Fame, 
And found a new charity just for the care 
Of these unhappy women with nothing to wear, 
"Which, in view of the cash which would daily be claimed, 
The Laying-out Hospital well might be named ? 
Won't Stewart, or some of our dry-goods importers. 
Take a contract for clothing our wives and our daughters ? 
Or, to furnish the cash to supply these distresses, 
And life's pathway strew with shawls, collars, and dresses, 
Ere the want of them makes it much rougher and thornier, 
Won't some one discover a new California ? 

ladies, dear ladies, the next sunny day 
Please trundle your hoops just out of Broadway, 
From its whirl and its bustle, its fashion and pride, 
And the temples of Trade which tower on each side, 
To the alleys and lanes, where Misfortune and Gruilt 
Their children have gathered, their city have built; 
Where Hunger and Vice, like twin beasts of prey, 

Have hunted their victims to gloom and despair; 
Raise the rich, dainty dress, and the fine broidered skirty 
Pick your delicate way through the dampness and dirt. 

Grope through the dark dens, climb the rickety stair 
To the garret, where wretches, the young and the old. 
Half starved and half naked, lie crouched from the cold ; 
See those skeleton limbs, those frost-bitten feet. 
All bleeding and bruised by the stones of the street ; 
Hear the sharp cry of childhood, the deep groans that swell 

From the poor dying creature who writhes on the floor ; 
Hear the curses that sound like the echoes of Hell, 

As you sicken and shudder and fly from the door ; 
Then home to your wardrobes, and say, if you dare, — 
Spoiled children of fashion, — you 've nothing to wear I 

And 0, if perchance there should be a sphere 
Where all is made right which so puzzles us here, 



ANTOyr AND CLEOPA TEA, 2 1 7 

Where the glare and the gUtter and tinsel of Time 
Fade and die in the hght of that region sublime, 
"Where the soul, disenchanted of flesh and of sense, 
Unscreened by its trappings and shows and pretense, 
Must be clothed for the life and the service above, 
With purity, truth, faith, meekness, and love, 
O daughters of Earth ! foolish virgins, beware I 
Lest in that upper realm you have nothing to wear ! 

William Allen Butler, 

EntoitB antJ OTUopatra, 

I AM dying, Egypt, dying. 

Ebbs the crimson life-tide fast. 
And the dark Plutonian shadows 

Gather on the evening blast ; 
Let thine arms, Queen, infold me ; 

Hush thy sobs and bow thine ear ; 
Listen to the great heart-secrets, 

Thou, and thou alone, must hear. 

Though my scarred and veteran legions 

Bear their eagles high no more, 
And my wrecked and scattered galleys 

Strew dark Actium's fatal shore ; 
Though no glittering guards surround me, 

Prompt to do their master's will, 
I must perish like a Roman, 

Die the great Triumvir still. 

Let not Caesar's servile minions 

Mock the lion thus laid low ; 
'T was no foeman's arm that felled him — 

'T was his own that struck the blow, — 
His who, pillowed on thy bosom. 

Turned aside from glory's ray — 
His who, drunk with thy caresses, 

Madly threw a world away. 
19 



2 1 8 SINGLE FAMO US F OEMS. 

Should the base plebeian rabble 

Dare assail my name at Rome, 
Where my noble spouse, Octavia, 

Weeps within her widowed home, 
Seek her ; say the gods bear witness — 

Altars, augurs, circling wings — 
That her blood, with mine commingled, 

Yet shall mount the throne of kings. 

As for thee, star-eyed Egyptian I 

Glorious sorceress of the Nile, 
Light the path to Stygian horrors 

With the splendors of thy smile. 
Give the Caesar crowns and arches, 

Let his brow the laurel tAvine ; 
I can scorn the Senate's triumphs. 

Triumphing in love like thine. 

I am dying, Egypt, dying; 

Hark ! the insulting foeman's cry. 
They are coming ! quick, my falchion I 

Let me front them ere I die. 
Ah ! no more amid the battle 

Shall my heart exulting swell — 
Isis and Osiris guard thee 1 

Cleopatra, Rome, farewell! 

William Haines Lytlb. 



CJe Nautilus anti tje Ammonite, 

The nautilus and the ammonite 
Were launched in friendly strife, 

Each sent to float in its tiny boat 
On the wild, wide sea of life. 

For each could swim on the ocean's brim, 
And, when wearied, its sail could furl, 



THE NA UTIL US AND THE AMMONITE. 2 1 9 

And sink to sleep in the great sea-deep, 
In its palace all of pearl. 

And theirs was a bliss more fair than this 

Which Ave taste in our colder time ; 
For they were rife in a tropic life — 

A brighter and better chme. 
» 
They swam 'mid isles whose summer smiles 

Were dimmed by no alloy ; 
Whose groves were palm, whose air was balm, 

Where life was only joy. 

They sailed all day through creek and bay. 

And traversed the ocean deep ; 
And at night they sank on a coral bank, 

In its fairy bowers to sleep. 

And the monsters vast of ages past , 

They beheld in their ocean caves ; 
They saw them ride in their power and pride, 

And sink in their deep-sea graves. 

And hand in hand, from strand to strand, 

They sailed in mirth and glee ; 
These fstiry shells, with their crystal cells, 

Twin sisters of the sea. 

But they came at last to a sea long past. 

And as they reached its shore, 
The Almighty's breath spoke out in death, 

And the ammonite was no more. 

So the nautilus now in its shelly prow, 

As over the deep it strays, 
Still seems to seek, in bay and creek, 

Its companion of other days. 



220 SINGLE FAMO US F OEMS, 

And alike do we, on life's stormy sea, 

As we roam from shore to shore, 
Thus tempest-tossed, seek the loved, the lost, 

And find them on earth no more. 

Yet the hope how sweet, again to meet, 

As we look to a distant strand. 
Where heart meets heart, and no more they part 

Who meet in that better land. 

Gr. F. Richardson. 

In their ragged regimentals 
Stood the old Continentals, 

Yielding not, 
When the grenadiers were lunging, 
And like hail fell the plunging 

Cannon-shot ; 

When the files 

Of the isles, [rampant 

From ine smoKy night encampment, bore the banner of the 

Unicorn, [drummer, 

And grummer, grummer, grummer rolled the roll of the 

Through the morn ! 

Then with eyes to the front all. 
And with guns horizontal. 

Stood our sires ; 
And the balls whistled deadly, 
And in streams flashing redly 

Blazed the fires; 

As the roar 

On the shore. 
Swept the strong battle-breakers o'er the green-sodded acres 

Of the plain ; 
And louder, louder, louder cracked the black gunpowder. 

Cracking amain 1 



BORIS, 221 

Now like smiths at their forges 
Worked the red St. George's 

Cannoneers ; 
And the " villainous saltpetre " 
Rung a fierce, discordant metre 

Round their ears; 

As the swift 

Storm-drift, 
With hot sweeping anger, came the horse-guard's clangor 

On our flanks. 
Then higher, higher, higher burned the old-fashioned fire 

Through the ranks I 

Then the old-fashioned colonel 
Galloped through the white infernal 

Powder-cloud ; 
And his broadsword was swinj^inor. 
And his brazen throat was ringing 
Trumpet loud. 
Then the blue 
Bullets flew. 
And the trooper-jackets redden at the touch of the leaden 

Rifle-breath ; 
And rounder, rounder, rounder roared the iron six-pounder 
Hurling death ! 

Guy Humphrey McMaster. 

I SAT with Doris, the shepherd maiden ; 

Her crook was laden with wreathed flowers. 
I sat and wooed her through sunlight wheeling, 

And shadows steaUng for hours and hours. 

And she my Doris, whose lap incloses 

Wild summer roses of faint perfume, 
The while I sued her, kept hushed and hearkened 

Till shades had darkened from gloss to gloom. 



222 SINGLE FAMOUS POEMS. 

She touched my shoulder with fearful finger; 

S'le said, " We linger, we must not stay ; 
My flock 's in danger, my sheep will wander ; 

Behold them yonder, how far they stray 1 " 

I answered bolder, " Nay, let me hear you, 
And still be near you, and still adore ! 

No wolf nor stranger will touch one yearling — 
Ah I stay my darling a moment more 1 " 

She whispered sighing, " There will be sorrow 
Beyond to-morrow, if I lose to-day ; 

My fold unguarded, my flock unfolded — • 
I shall be scolded and sent away ! " 

' Said I replying, " If they do miss you, 

They ought to kiss you when you get home ; 
And well rewarded by friend and neighbor 
Should be the labor from which you come." 

" They might remember," she answered meekly, 
" That lambs are weakly and sheep are wild ; 
But if they love me it 's none so fervent — 
I am a servant and not a child." 

Then each hot ember glowed quick within me, 
And love did win me to swift reply : 
" Ah ! do but prove me, and none shall bind you, 
Nor fray nor find you until I die I " 

She blushed and started, and stood awaiting, 

As if debating in dreams divine ; 
But I did brave them — I told her plainly, 

She doubted vainly, she must be mine. 

So we twin-hearted, from all the valley 
Did rouse and rally her nibbling ewes ; 

And homeward drove them, we two together, 
Through blooming heather and gleaming dews. 



THE EXILE TO HIS WIFE. 223 

That simple duty such grace did lend her, 

My Doris tender, my Doris true, 
Tliat I her warder did always bless her, 

And often press her to take her due. 

And now in beauty she fills my dwelling 

With love exceUing, and undefiled ; 
And love doth guard her, both fast and fervent, 

No more a servant, nor yet a child. 

Arthur Munbt. 

CJe Q^xilt to 5i0 ESEife. 

Come to me, darhng, I 'm lonely without thee ; 
Day-time and night-time I 'm dreaming about thee ; 
Night-time and day-time in dreams I behold thee. 
Unwelcome the waking that ceases to fold thee. 
Come to me, darling, my sorrows to lighten ; 
Come in thy beauty, to bless and to brighten ; 
Come in thy womanhood, meekly and lowly ; 
Come in thy loveliness, queenly and holy. 

Swallows shall flit round the desolate ruin. 
Telling of Spring and its joyous renewing; 
As thoughts of thy love and its manifest treasure 
Are circling my heart with a promise of pleasure. 
Spring of my heart ! May of my bosom ! 
Shine out on my soul till it bourgeon and blossom. 
The waste of my life has a rose-root within it, 
And thy fondness alone to the sunshine can win it. 

Figure which moves like a song through the even, 
Features lit up with a reflex of heaven. 
Eyes like the skies of poor Erin, our mother, 
Where sunshine and shadow are chasing each other ; 
Smiles coming seldom, but childlike and simple ; 
And opening their eyes from the heart of a dimple; 
0, thanks to the Saviour that even the seeming 
Is left to the exile, to brighten his dreaming. 



224 SINGLE FAMOUS POEMS. 

You have been glad when you knew I was gladdened ; 
Dear, are you sad now to hear I am saddened ? 
Our hearts ever answer in tune and in time, love. 
As octave to octave, and rhyme unto rhyme, love ; 
I cannot smile but your cheeks will be glowing ; 
You cannot weep but my tears will be flowing; 
You will not linger when I shall have died, love ; 
I could not live without you at my side, love. 

Come to me, dear, ere I die of my sorrow ; 

Eise on my gloom like the sun of to-morrow ; 

Come swift and strong as the words which I speak, love, 

With a song on your lip and a smile on your cheek, love ; 

Come, for my heart in your absence is dreary ; 

Haste, for my spirit is sickened and weary ; 

Come to the arms which alone shall caress thee ; 

Come to the heart that is throbbing to press thee. 

Joseph Brenan. 



IRocfe me to Sleep. 

Backward, turn backward, Time, in your flight, 
Make me a child again just for to-night ! 
Mother, come back from the echoless shore, 
Take me again to your heart as of yore ; 
Kiss from my forhead the furrows of care, 
Smooth the few silver threads out of my hair ; 
Over my slumbers your loving watch keep ; — 
Rock me to sleep, mother — rock me to sleep ! 

Backward, flow backward, tide of the years ! 
I am so weary of toil and of tears, — 
Toil without recompense, tears all in vain, — 
Take them, and give me my childhood again I 
I have grown weary of dust and decay,— 
Weary of flinging my soul-wealth away j 
Weary of sowing for others to reap ; — 
Rock me to sleep, mother, — rock me to sleep ! 



ROCK ME TO SLEEP. ^ -225 

Tired of the hollow, the base, the untrue, 
Mother, mother, my heart calls for you ! 
Many a summer the grass has grown green, 
Blossomed and faded, our faces between ; 
Tet with strong yearning and passionate pain, 
Long I to-night for your presence again ; 
Come from the silence so long and so deep ;- 
Rock me to sleep, mother, — rock me to sleep! 

Over my heart, in the days that are flown, 
No love like mother-love ever has shone ; 
No other worship abides and endures. 
Faithful, unselfish, and patient like yours ; 
None like a mother can charm away pain 
Erom the sick soul and the world-weary brain : 
Slumber's soft calms o'er my heavy hds creep ;— 
Eock me to sleep, mother, — rock me to sleep I 

Come, let your brown hair, just Hghted with gold, 
Fall on your shoulders again as of old ; 
Let it drop over my forehead to-night. 
Shading my faint eyes away from the light ; 
For with its sunny-edged shadows once more 
Haply will throng the sweet visions of yore ; 
Lovingly, softly, its bright billows sweep ; — 
Rock me to sleep, mother, — rock me to sleep 1 

Mother, dear mother, the years have been long 
Since I last listened your lullaby song ; 
Sing, then, and unto my soul it shall seem 
Womanhood's years have been only a dream ; 
Clasped to your heart in a loving embrace. 
With your light lashes just sweeping my face. 
Never hereafter to wake or to weep ; — 
Rock me to sleep, mother, — rock me to sleep 1 

Elizabeth Akers Allen. 



19* 



226 SINGLE FAMO US P OEMS. 

(Bn\}) a l^afig Small. 

Only a baby small, 

Dropt from the skies ; 
Only a laughing face, 

Two sunny eyes; 
Only two cherry lips, 

One chubby nose ; 
Only two little hands, 

Ten little toes. 

Only a golden head, 

Curly and soft ; 
Only a tongue that wags 

Loudly and oft; 
Only a little brain, 

Empty of thought ; 
Only a little heart. 

Troubled with nought. 

Only a tender flower 

Sent us to rear ; 
Only a life to love 

While we are here ; 
Only a baby small. 

Never at rest ; 
Small, but how dear to us, 

God knoweth best. 

Matthias Barr. 

^ie f dig mti letiagoaue. 

'T WAS a jolly old pedagogue, long ago, 

Tall and slender, and sallow, and dry ; 
His form was bent, and his gait was slow, 
His long, thin hair was as white as snow ; 
But a wonderful twinkle shone in his eye, 



TEE JOLL Y OLD FED A GOQUE. 227 

And he sang every night as he went to bed, 
" Let us be happy down here below ; 
The living should live, though the dead be dead," 
Said the jolly old pedagogue, long ago. 

He taught his scholars the rule of three, 

"Writing, and reading, and history too, 
Taking the little ones on his knee. 
For a kind old heart in his breast had he, 

And the wants of the smallest child he knew : 
"Learn while you 're young," he often said, 
" There is much to enjoy down here below ; 
Life for the living, and rest for the dead," 

Said the jolly old pedagogue, long ago. 

With stupidest boys, he was kind and cool. 

Speaking only in gentlest tones ; 
The rod was scarcely known in his school ; 
Whipping to him was a barbarous rule. 

And too hard work for his poor old bones ; 
"Besides, it was painful," — he sometimes said, 
" We should make Hfe pleasant here below, 
The living need charity more than the dead," 

Said the jolly old pedagogue, long ago. 

He lived in the house by the hawthorn lane. 
With roses and woodbine over the door ; 

His rooms were quiet and neat and plain, 

But a spirit of comfort there held reign, 
And made him forget he was old and poor. 
" I need so httle," he often said, 

" And my friends and relatives here below 

Won't litigate over me when I am dead," 
Said the jolly old pedagogue, long ago. 

But th3 most pleasant times that he had, of all, 
Wei e the sociable hours he used to pass. 



228 SINGLE FAMOUS POEMS. 

With his chair tipped back to a neighbor's wall, 
Making an unceremonious call, 

Over a pipe and a friendly glass ; — 
" This was the sweetest pleasure," he said, 
" Of the many I share in here below ; 
Who has no cronies, had better be dead," 
Said the jolly old pedagogue, long ago. 

The jolly old pedagogue's wrinkled face 
Melted all over in sunshiny smiles ; — 
He stirred his glass with an old-school grace, 
Chuckled, and sipped, and prattled apace, 

Till the house grew merry from cellar to tiles;— 
" I 'm a pretty old man," he gently said, 
" I 've lingered a long while here below. 
But my heart is fresh, if my youth be fled 1 " 
Said the jolly old pedagogue, long ago. 

He smoked his pipe in the balmy air. 
Every night when the sun went down, 

While the soft wind played in his silvery hair, 

Leaving its tenderest kisses there 

On the jolly old pedagogue's jolly old crown ; 

And feeling the kisses, he smiled and said, 
" 'T is a glorious world down here below ; 

Why wait for happiness till we are dead ? " 
Said the jolly old pedagogue, long ago. 

He sat at his door one midsummer night, 

After the sun had sunk in the west, 
And the lingering beams of golden light 
Made his kindly old face look warm and bright. 

While the odorous night-wind whispered " EestI 
Gently, gently he bowed his head, — 

There were angels waiting for him, I know j 
He was sure of happiness, living or dead, 

This jolly old pedagogue, long ago, 

George Arnold. 



ODE ON THE CENTENARY OF BURNS. 229 

Otje on tje dttnUnax^ of iSurns. 

We hail this morn 
A century's noblest birth; 

A Poet peasant-born, 
Who more of Fame's immortal dower 

Unto his country brings 

Than all her kings I 

As lamps high set 
Upon some earthly eminence ; 
And to the gazer brighter thence 
Than the sphere hghts they flout — 

Dwindle in distance and die out, 

While no star waneth yet; 
So through the past's far-reaching night 

Only the star-souls keep their light. 

A gentle boy, 
With moods of sadness and of mirth, 

Quick tears and sudden joy. 
Grew up beside the peasant's hearth. 

His father's toil he shares ; 

But haK his mother's cares 

From his dark, searching eyes, 
Too swift to sympathize, 

Hid in her heart she bears. 

At early morn 
His father calls him to the field ; 
Through the stiff soil that clogs his feet, 

ChiU rain, and harvest heat. 
He plods all day ; returns at eve outworn, 

To the rude fare a peasant's lot doth yield — 
To what else was he born ? 

The God-made king 
Of every living thing ; 
20 



230 SINGLE FAMO US P OEMS. 

(For liis great heart in love could hold them all) ; 
The dumb eyes meeting his by hearth and stall — 

Gifted to understand ! — 

Knew it and sought his hand ; 
And the most timorous cretaure had not fled 

Could she his heart have read, 
Which fain all feeble things had blessed and sheltered 

To Nature's feast, 
Who knew her noblest guest 
And entertained him best. 
Kingly he came. Her chambers of the east 
She draped with crimson and with gold, 
And poured her pure joy wines 
For him the poet-souled ; 
For him her anthem rolled 
From the storm- wind among the winter pines, 

Down to the slenderest note 
Of a love-warble from the linnet's throat. 

But when begins 
The array for battle, and the trumpet blows, 
A king must leave the feast and lead the fight ; 

And with its mortal foes, 
G-rim gathering hosts of sorrows and of sins, 

Each human soul must close ; 

And Fame her trumpet blew 
Before him, wrapped him in her purple state. 
And made him mark for all the shafts of Fate 

That henceforth round him flew. 

Though he may yield. 
Hard-pressed, and wounded fall 
Forsaken on the field ; 
His regal vestments soiled ; 
His crown of half its jewels spoiled ; 
He is a king for all. 



ODE ON THE CENTENARY OF BURNS. 231 

Had he but stood aloof I 
Had he arrayed himself in armor proof 

Against temptation's darts! 
So yearn the good— so those the world calls wise 

With vain, presumptuous hearts, 
Triumphant moralize. 

Of martyr-woe 
A sacred shadow on his memory rests 

Tears have not ceased to flow — 
Indignant grief yet stirs impetuous breasts, 

To think — above that noble soul brought low 
That wise and soaring spirit fooled, enslaved — 

Thus, thus he had been saved ! 

It might not be I 

That heart of harmony 

Had been too rudely rent ; 
Its silver chords, which any hand could wound. 

By no hand could be tuned, 
Save by the Maker of the instrument, 

Its every string who knew, 
And from profaning touch his heavenly gift withdrew. 

Regretful love 

His country fain would prove. 
By grateful honors lavished on his grave ; 

Would fain redeem her blame 
That he so little at her hands can claim. 

Who unrewarded gave 
To her his life-bought gift of song and fame. 

The land he trod 
Hath now become a place of pilgrimage ; 

Where dearer are the daisies of the sod 

That could his song engage. 

The hoary hawthorn, wreathed 
Above the bank on which his limbs he flung 



232 SINGLE FAMOUS POEMS. 

While some sweet plaint lie breathed ; 
The streams he wandered near ; 
The maidens whom he loved ; the songs he sung — 
All, all are dear I 

The arch blue eyes — 

Arch but for love's disguise — 
Of Scotland's daughters, soften at his strain ; 
Her hardy sons, sent forth across the main 
To drive the plowshare through earth's virgin soils, 

Lighten with it their toils : 
And sister-lands have learned to love the tongue 

In which such songs are sung. 

For doth not song 

To the whole world belong ? 
Is it not given wherever tears can fall. 
Wherever hearts can melt, or blushes glow, 
Or mirth and sadness mingle as they flow, 

A heritage to all ? 

IsA Craig Knox. 



(©bee tjie l^iber. 

Over the river they beckon to me — 

Loved ones who 've passed to the further side; 
The gleam of their snowy robes I see. 

But their voices are lost in the dashing tide. 
There 's one with ringlets of sunny gold, 

And eyes the reflection of heaven's own blue ; 
He crossed in the twilight gray and cold. 

And the pale mist hid him from mortal view ; 
We saw not the angels who met him there. 

The gates of the city we could not see — 
Over the river, over the river, 

My brother stands waiting to welcome me ! 



OVEB THE RIVER. 233 

Over the river the boatman pale 

Carried another, the household pet ; 
Her brown curls waved in the gentle gale — 

Darling Minnie ! I see her yet. 
She crossed on her bosom her dimpled hands, 

And fearlessly entered the phantom bark, 
"We felt it ghde from the silver sands, 

And all our sunshine grew strangely dark ; 
"We know she is safe on the further side, 

Where all the ransomed and angels be — 
Over the river, the mystic river. 

My childhood's idol is waiting for me. 

For none return from those quiet shores, 

Who cross with the boatman cold and pale ; 
We hear the dip of the golden oars. 

And catch a gleam of the snowy sail ; 
And lo ! they have passed from our yearning heart, 

They cross the stream and are gone for aye, 
We may not sunder the vail apart 

That hides from our vision the gates of day ; 
We only know that their barks no more 

May sail with us o'er life's stormy sea — 
Yet, somewhere, I know, on the unseen shore, 

i^They watch, and beckon, and wait for me. 

And I sit and think, when the sunset's gold 

Is flushing river and hill and shore, 
I shall one day stand by the water cold 

And list for the sound of the boatman's oar ; 
I shall watch for a gleam of the flapping sail, 

I shall hear the boat as it gains the strand ; 
I shall pass from sight with the boatman pale, 

To the better shore of the spirit land. 
I shall know the loved who have gone before, 

And joyfully sweet will the meeting be. 
When over the river, the peaceful river, 

The Angel of Death shall carry me. 

Nancy Priest Wakefield. 



234 SINGLE FAMO US F OEMS. 

" Come a little nearer, Doctor, — thank you ! — let me take 
tlie cup: 
Draw your chair up, — draw it closer, — ^just another little 

, sup! 
May be you may think I 'm better ; but I 'm pretty well 

used up, — 
Doctor, you 've done all you could do, but I 'm just a 
going up 1 

"Feel my pulse, sir, if you want to, but it ain't much use to 

try "— 
" Never say that," said the Surgeon, as he smothered down 

a sigh ; 
"It will never do, old comrade, for a soldier to say die! " 
" What you say will make no difference. Doctor, when you 

come to die. 

" Doctor, what has been the matter ? " " You were very 
faint, they say ; 
You must try to get to sleep now." " Doctor, have I been 
away ? " 
"Kotthat anybody knows of!" "Doctor — Doctor, please 
to stay ! 
There is something I must tell you, and you won't have 
long to stay I 

" I have got my marching orders, and I 'm ready now to go ; 
Doctor, did you say I fainted ? — but it could n't ha' been 

so, — 
For as sure as I 'm a Sergeant, and was wounded at Shi- 

loh, 
I 've this very night been back there, on the old field of Shi 

loh! 



THE OLD SERGEANT. 235 

" Tliis is all that I remember : The last time the Lighter 

came, 
And the lights had all been lowered, and the noises much 

the same, 
He had not been gone five minutes before something called 

my name: 

* Orderly Sergeant — Robert Burton I '—just that way it 

called my name. 

" And I wondered who could call me so distinctly and so 

slow, 
Knew it could n't be the Lighter, — he could not have 

spoken so ; 
And I tried to answer, ' Here, sir ! ' but I could n't make 

it go; 
For I could n't move a muscle, and I could n't make it go ! 

" Then I thought: It 's all a nightmare, all a humbug and a 
bore; 
Just another foohsh grape-vine^ — and it won't come any 

more; 
But it came, sir, notwithstanding, just the same way as be- 
fore: 

* Orderly Sergeant — Robert Burton ! ' even plainer than 

before. 

" That is all that I remember, till a sudden burst of light. 
And I stood beside the River, where we stood that Sunday 

night, 
"Waiting to be ferried over to the dark blufis opposite, 
When the river was perdition and all hell was opposite I 

'•' And the same old palpitation came again in all its power, 
And I heard a Bugle sounding, as from some celestial 
Tower; 

♦Canard. 



236 SINGLE FAMOUS FOEMS. 

And the same mysterious voice said : ' It is the eleventh 
four! 
" Ordekly Sergeant — Robert Burton — It is the eleventh 
HOUR I ' 

"Doctor Austin I — what day is this?" "It is Wednesday 

night, you knovv^." 
"Yes, — to-morrow will be New Year's, and a right good 
time below 1 
What time is it, Doctor Austin ? " " Nearly Twelve." " Then 

do n't you go I 
Can it be that all this happened — all this — not an hour ago I 

" There was where the gun-boats opened on the dark, re- 
bellious host ; 

And where Webster semicircled his last guns upon the 
coast ; 

There were still the two log-houses, just the same, or else 
their ghost, — 

And the same old transport came and took me over — or its 
ghost I 

"And the old field lay before me all deserted far and wide; 
There was where they fell on Prentiss, — there McClernand 

met the tide ; 
There was where stern Sherman rallied, and where Hurl- 

but's heroes died, — 
Lower down, where Wallace charged them, and kept 

charging till he died. 

" There was where Lew Wallace showed them he was of 
the canny kin, 

There was where old Nelson thundered, and where .Rous- 
seau waded in ; 

There McCook sent 'em to breakfast, and we all began tc 
win — 

There was where the grape-shot took me, just as we be- 
gan to win. 



THE OLD SERGEANT. 237 

*^NoTr, a shroud of snow and silence over everything vras 

spread ; 
And but for this old blue mantle and the old hat on my 

head, 
I should not have even doubted, to this moment, I waa 

dead, — 
For my footsteps were as silent as the snow upon the dead I 

*' Death and silence 1 — Death and silence ! all around me aa 

I sped I 
And behold, a mighty Tower, as if builded to the dead, — 
To the Heaven of the heavens, lifted up its mighty head, 
Till the Stars and Stripes of Heaven ah seemed waving 

from its head 1 

" Round and mighty-based it towered — up into the infinite — 
And I knew no mortal mason could have built a shaft so 

bright ; 
For it shone hke solid sunshine; and a winding stair of 

light, 
Wound around it and around it till it wound clear out of 

sight 1 

" And, behold, as I approached it — with a rapt and dazzled 
stare, — 
Thinking that I saw old comrades just ascending the great 

Stair, — 
Suddenly the solemn challenge broke of — ' Halt, and who 

goes there ! ' 
*I 'm a friend,' I said, 'if you are.' — 'Then advance, sir, to 
the Stair 1 ' 

"I advanced! — That sentry, Doctor, was Elijah Ballan- 
tyne 1 — 
First of all to fall on Monday, after we had formed the 
line : 
20* 



238 SINGLE FAMOUS POEMS. 

'Welcome, my old Ser<;eant, welcome 1 Welcome by that 

countersign ! ' 
And he pointed to the scar there, under this old cloak of 
mine! 

" As he grasped my hand, I shuddered, thinking only of the 
grave ; 
But he smiled and pointed upward with a bright and 
bloodless glaive : 

' That 's the way, sir, to Head-quarters.' — * What Head- 
quarters ? ' — ' Of the Brave.' 

'But the great Tower ? ' — * That,' he answered, 'Is the way, 
sir, of the Brave I ' 

" Then a sudden shame came o'er me at his uniform of light,*- 
At my own so old and tattered, and at his so new and 

bright ; 
' Ah I ' said he, ' you have forgotten the New Uniform to- 
night,— 
Hurry back, for you must be here at just twelve o'clock 
to-night ! ' 

* And the next thing I remember, you were sitting there, 

and I — 
Doctor — did you hear a footstep ? Hark ! — God bless you 

aU! Good-byl 
Doctor, please to give my musket and my knapsack, when 

I die. 
To my Son — my Son that 's coming, — he won't get here 

tmidie! 

" Tell him his old father blessed him as he never did before, — 

And to carry that old musket" — Hark! a knock is at the 
door ! — 

" Till the Union "—See I it opens !— " Father ! Father ! speak 

once more ! " 

' Bless you I " — gasped the old gray Sergeant, and he lay 

and said no more. 

FORCEYTHE WiLLSON. 



TOO LATE. 239 

Coo Hate, 

"Ah! si la jennesse savait,— si la vleillesse pouvait! " 

There sat an old man on a rock, 

And unceasing bewailed him of Fate, — 
That concern where we all must take stock, 
Though our vote has no hearing or weight; 
And the old man sang him an old, old song, — 
Never sang voice so clear and strong 
That it could drown the old man's for long. 
For he sang the song " Too late! too late I " 

* When we want, we have for our pains 

The promise that if we but wait 
Till the want has burned out of our brains, 
Every means shall be present to state ; 

While we send for the napkin the soup gets cold, 
While the bonnet is trimming the face grows old, 
When we 've matched our buttons the pattern is sold^ 
And everything comes too late, — too late 1 

" When strawberries seemed like red heavens, — 
Terrapin stew a wild dream, — 
When my brain was at sixes and sevens, 
If my mother had ' folks ' and ice cream. 
Then I gazed with a lickerish hunger 
At the restaurant man and fruit-monger, — 
But oh ! how I wished I were younger 

When the goodies all came in a stream I in a stream \ 

" I 've a splendid blood horse, and — a liver 
That it jars into torture to trot; 
My row-boat 's the gem of the river, — 
Gout makes every knuckle a knot! 
I can buy boundless credits on Paris and Rome, 
But no palate for menus,— no eyes for a dome, — 
Those belonged to the youth who must tarry at home^ 
When no home but an attic he 'd got, — he 'd got I 



240 SINGLE FAMO US POEMS. 

" How I longed, in that lonest of garrets, 
Wliere the tiles baked my brains all July, 
For ground to grow two pecks of carrots, 
Two pigs of my own in a sty, 

A rosebush, — a Httle thatched cottage, — 
Two spoons — ^love — a basin of pottage ! — 
Now in freestone I sit, — and my dotage, — 

With a woman's chair empty close by, close by 1 

" Ah ! now, though I sit on a rock, 

I have shared one seat with the great; 
I have sat — knowing naught of the clock — 
On love's high throne of state ; 
But the hps that kissed, and the arms that caressed, 
To a mouth grown stern with delay were pressed, 
And circled a breast that their clasp had blessed, 
Had they only not come too late,— too late 1 " 

FiTZ Hugh Ludlow. 

5imi&at ti)e Q^nti sjall te. 

When another life is added 

To the heaving, turbid mass ; 
When another breath of being 

Stains creation's tarnished glass ; 
When the first cry, weak and piteous, 

Heralds long-enduring pain, 
And a soul from non-existence 

Springs, that ne'er can die again ; 
When the mother's passionate welcome, 

Sorrow-like, bursts forth in tears, 
And a sire's self-gratulation 

Prophesies of future years. — 

It is well we cannot see 
What the end shall be. 

When across the infant features 
Trembles the faint dawn of mind. 



21 



WHAT TEE END SHALL BE 241 

Aud the heart looks from the windows 

Of the eyes that were so blind ; 
When the inarticulate murmurs 

Syllable each swaddled thought, 
To the fond ear of affection 

With a boundless promise fraught ; 
Kindhng great hopes for to-morrow 

From that dull, uncertain ray. 
As by glimmering of the twilight 

Is foreshown the perfect day, — 

It is weU we cannot see 
What the end shall be. 

When the boy, upon the threshold 

Of his all-comprising home, 
Puts aside the arm maternal 

That enlocks him ere he roam ; 
When the canvas of his vessel 

Flutters to the favoring gale. 
Years of solitary exile 

Hid behind the sunny sail : 
When his pulses beat with ardor. 

And his sinews stretch for toil, 
And a hundred bold emprises 

Lure him to that eastern soil, — 

It is well we cannot see 
What the end shall be. 

When the youth beside the maiden 

Looks into her credulous eyes, 
And the heart upon the surface 

Shines too happy to be wise ; 
He by speeches less than gestures 

Hinteth what her hopes expound, 
Laying out the waste hereafter 

Like enchanted garden-ground ; 
He may falter — so do many ; 

She may suffer so must all : 



242 SINGLE FAMOUS POEMS. 

Both may yet, world-disappointed, 
This lost hour of love recall, — 

It is well we cannot see 
What the end shall be. 

Wlien the altar of religion 

Greets the expectant bridal pair, 
And the vow that lasts till dying 

Vibrates on the sacred air ; 
When man's lavish protestations 

Doubts of after-change defy, 
Comforting the frailer spirit 

Bound his servitor for aye ; 
When beneath love's silver moonbeams 

Many rocks in shadow sleep. 
Undiscovered, till possession 

Shows the danger of the deep, — 

It is well we cannot see 
What the end shall be. 

Whatsoever is beginning. 

That is wrought by human skill ; 
Every daring emanation 

Of the mind's ambitious will ; 
Every first impulse of passion. 

Gush of love or twinge of hate ; 
Every launch upon the waters 

Wide-horizoned by our fate ; 
Every venture in the chances 

Of life's sad, oft desperate game, 
Whatsoever be our motive. 

Whatsoever be our aim, — 

It is well we cannot see 
What the end shall be. 

Frances Browne. (?) 



THE TWO WORLDS. 243 

Two Avorlds there are. To one our eyes we strain, 
Whose magic joys we shall not see again; 

Bright haze of morning veils its glimmering shore. 
Ah, truly breathed we there 
Intoxicating air — 
Glad were our hearts in that sweet realm of 
Nevermore. 

The lover there drank her delicious breath 
Whose love has yielded since to change or death ; 

The mother kissed her child, whose days are o'er. 
Alas ! too soon have fled 
The irreclaimable dead : 
We see them — visions strange — amid the 
Nevermore. 

The merrysome maiden used to sing — 
The brown, brown hair that once was wont to cling 
To temples long clay-cold : to the very core 
They strike our weary hearts, 
As some vexed memory starts 
From that long faded land — the realm of 
Nevermore. 

It is perpetual summer there. But here 
Sadly may we remember rivers clear, 

And harebells quivering on the meadow-floor. 
For brighter bells and bluer. 
For tenderer hearts and truer 
People that happy land — the realm of 
Nevermore. 

Upon the frontier of this shadowy land 
We pilgrims of eternal sorrow stand : 

What realm lies forward, with its happier store 



244 SINGLE FAMO US FOEMS. 

Of forests green and deep, 
Of valleys hushed in sleep, 
And lakes most peaceful ? 'T is the land of 
Evermore. 

Very far oflf its marble cities seem — 
Very far off — beyond our sensual dream — 

Its woods, unrufHed by the vsrild wind's roar ; 
Yet does the turbulent surge 
Howl on its very verge. 
One moment — and we breathe within the 
Evermore. 

They whom we loved and lost so long ago 
Dwell in those cities, far from mortal wo — 

Haunt those fresh woodlands, whence sweet carolings 
soar. 
Eternal peace have they ; 
God wipes their tears away: 
They drink that river of hfe which flows from 
Evermore. 

Thither we hasten through these regions dim, 
But, lo, the wide wings of the Seraphim 

Shine in the sunset! On that joyous shore 
Our lightened hearts shall know 
The hfe of long ago : 
The sorrow-burdonod past shall fade for 
Evermore. 

Mortimer Collins. 

i^ai'n on tf)e IRoof. 

When the humid shadows hover 

Over all the starry spheres. 
And the melancholy darkness 

Gently weeps in rainy tears, 



BAIN UN THE ROOF. 245 

What a bliss to press the pillow 

Of a cottage-chamber bed 
And to listen to the patter 

Of the soft rain overhead 1 

I 
Every tinkle on the shingles 

Has an echo in the heart ; 
And a thousand dreamy fancies 

Into busy being start, 
And a thousand recollections 

Weave their air-threads into woof, 
As I Usten to the patter 

Of the rain upon the roof. 

Now in memory comes my mother, 

As she used long years agone, 
To regard the darUng dreamers , 

Ere she left them till the dawn: 
! I see her leaning o'er me. 

As I list to this refrain 
Which is played upon the shingles 

By the patter of the rain. 

Then my little seraph sister, 

With her wings and waving hair, 
And her star-eyed cherub brother^ 

A serene angelic pair ! — 
Ghde around my wakeful pillow, 

With their praise or mild reproof, 
As I listen to the murmur 

Of the soft rain on the roof. 

And another comes, to thrill me 

With her eyes' delicious blue ; 
And I mind not, musing on her, 

That her heart was all untrue : 
I remember but to love her 

With A passion kin to pa;n, 



246 SINGLE FAMO US P OEMS. 

And my heart's quick pulses vibrate 
To the patter of the rain. 

Art hath naught of tone or cadence 

That can work with such a spell 
In the soul's mysterious fountains, 

Whence the tears of rapture well, 
As that melody of nature. 

That subdued, subduing strain 
Which is played upon the shingles 

By the patter of the rain. 

COATES KiNNET. 

Wee Willie Winkie rins through the town, 
Up-stairs and doon-stairs, in his nicht-gown, 
Tirlin' at the window, cryin' at the lock, 
" Are the weans in their bed ? — for it 's now ten o'clock.'* 

Hey, Willie Winkie I are ye comin' ben ? 

The cat 's singin' gay thrums to the sleepin' hen. 

The doug's speldered on the floor, and disna gie a cheep ; 

But here 's a waukrife laddie, that winna fa' asleep. 

Ony thing but sleep, ye rogue ! glow'rin' like the moon, 
Rattlin' in an airn jug wi' an airn spoon, 
Rumblin' tumblin' roun' about, crowin' like a cock, 
Skirlin' like a kenna-what — wauknin' sleepin' folk. 

Hey, Willie Winkie ! the wean 's in a creel I 
Waumblin' afF a body's knee hke a vera eel, 
Ruggin' at the cat's lug, and ravelhn' a' her thrums, — 
Hey, Willie Winkie I — See, there he comes I 

Wearie is the mither that has a storie wean, 
A wee stumpie stoussie, that canna rin his lane. 
That has a battle aye wi' sleep, before he '11 close an ee ; 
But a kiss frae aff his rosy Hps g:ies strength anew to me. 

William Miller^. 



THE OLD CANOE. 247 

CJe eiti OTanoe. 

Where the rocks are gray and the shore is steep, 

And the waters below look dark and deep, 

Where the rugged pine, in its lonely pride, ^ 

Leans gloomily over the murky tide. 

Where the reeds and rushes are long and rank. 

And the weeds grow thick on the winding bank. 

Where the shadow is heavy the whole day through,— 

There lies at its moorings the old canoe. 

The useless paddles are idly dropped. 

Like a sea-bird's wings that the storm had lopped, 

And crossed on the railing one o'er one. 

Like the folded hands when the work is done ; 

While busily back and forth between 

The spider stretches his silvery screen, 

And the solemn owl, with his dull " too-hoo," 

Settles down on the side of the old canoe. 

The stern, haK sunk in the slimy wave, 

Rots slowly away in its living grave. 

And the green moss creeps o'er its dull decay, 

Hiding its mouldering dust away. 

Like the hand that plants o'er the tomb a flower, 

Or the ivy that mantles the falhng tower ; 

While many a blossom of loveliest hue 

Springs up o'er the stern of the old canoe. 

The currentless waters are dead and still. 
Bat the light wind plays with the boat at will, 
And lazily in and out again 
It floats the length of the rusty chain, 
Like the weary march of the hands of time, 
That meet and part at the noontide chime; 
And the shore is kissed at each turning anew, 
By the drippling bow of the old canoe. 



248 SINGLE FAMOUS FOEMS. 

Oh, many a time, with a careless hand, 
I have pushed it away from the pebbly strand, 
And paddled it down where the stream runs quick. 
Where the whirls are wild and the eddies are thick, 
^ And laughed as I leaned o'er the rocking side, 
And looked below in the broken tide, 
To see that the faces and boats were two. 
That were mirrored back from the old canoe. 

But now, as I lean o'er the crumbling side, 

And look below in the sluggish tide. 

The face that I see there is graver grown, 

And the laugh that I hear has a soberer tone. 

And the hands that lent to the light skiff wings 

Have grown familiar with sterner things. 

But I love to think of the hours that sped 

As I rocked where the whirls their white spray shed. 

Ere the blossoms waved, or the green grass grew 

O'er the mouldering stern of the old canoe. 

Emily Rebecca Page. 



A very old man in an alms-house was asked what he was doing now. 
He replied, " Only waiting." 

Only waiting till the shadows 

Are a little longer grown ; ^ 

Only waiting till the ghmmer 

Of the day's last beam is flown ; 
Till the night of earth is faded 

From the heart once full of day ; 
Till the stars of heaven are breaking 

Through the twihght soft and gray. 

Only waiting till the reapers 

Have the last sheaf gathered home ; 



[TEE BURIAL OF MOSES. 249 

For the summer-time is faded, 

And the autumn winds have come. 

Quickly, reapers, gather quickly 
The last ripe hours of my heart, 

For the bloom of life is withered, 
And I hasten to depart. 

Only waiting till the angels 

Open wide the mystic gate, 
At whose feet I long have lingered, 

Weary, poor, and desolate. 
Even now I hear the footsteps, 

And their voices far away ; 
If they call me, I am waiting, 

Only waiting to obey. 

Only waiting till the shadows 

Are a little longer grown ; 
Only waiting till the glimmer 

Of the day's last beam is flown ; 
Then from out the gathered darkness, 

Holy, deathless stars shall rise, 
By whose light my soul shall gladly 

Tread its pathway to the skies. 

Anonymous. 



Cf)e iSurial of if^oses. 

" And tie buried him In a valley in the land of Moab, over agalnsi 
Beth-peor ; bnt no man knoweth of his sepulchre unto this day." Deut. 
xxxiv : 6. 

By Nebo's lonely mountain. 
On this side Jordan's wave. 

In a vale in the land of Moab, 
There lies a lonely grave ; 

But no man dug tliat sepulchre. 
And no man saw it e'er, 

21* 



250 SINGLE FAMOUS POEMS. 

For the angels of Grod upturned the sod, 
And laid the dead man there. 

That was the grandest funeral 

That ever passed on earth ; 
But no man heard the tramping, 

Or saw the train go forth; 
Noiselessly as the daylight 

Comes when the night is done, 
And the crimson streak on ocean's cheek 

Grows into the great sun, — 

Noiselessly as the spring-time 

Her crown of verdure weaves, 
And all the trees on all the hills 

Open their thousand leaves, — 
So, without sound of music. 

Or voice of them that wept, 
Silently down from the mountain crown 

The great procession swept. 

Perchance the bald old eagle. 

On gray Beth-peor's height, 
Out of his rocky eyrie. 

Looked on the wondrous sight. 
Perchance the lion, stalking. 

Still shuns the hallowed spot; 
For beast and bird have seen and heard 

That which man knoweth not, 

Lo I when the warrior dieth, 

His comrades in the war. 
With arms reversed, and muffled drum, 

Follow the funeral car. 
They show the banners taken, 

They tell his battles won. 
And after him lead his masterless steed, 

While peals the minute gun. 



TEE BURIAL OF MOSES. 251 

Amid the noblest of the land 

Men lay the sage to rest, 
And give the bard an honored place, 

With costly marble dressed. 
In the great minster transept, 

Where lights like glories fall. 
And the choir sings, and the organ rings 

Along the emblazoned wall. 

This was the bravest warrior 

That ever buckled sword ; 
This the most gifted poet 

That ever breathed a word ; 
And never earth's philosopher 

Traced, with his golden pen, 
On the deathless page, truths half so sage 

As he wrote down for men. 

And had he not high honor ? 

The hill-side for his pall. 
To lie in state while angels wait. 

With stars for tapers tall ; 
And the dark rock pines, like tossing plumes, 

Over his bier to wave ; 
And God's own hand, in that lonely land, 

To lay him in the grave, — 

In that deep grave, without a name. 

Whence his uncoffined clay 
Shall break again, — wondrous thought I — 

Before the judgment day ; 
And stand, with glory wrapped around, 

On the hills he never trod. 
And speak of the strife that won our life, 

With the incarnate Son of God. 

lonely tomb in Moab's land 1 
dark Beth-peor's hill I 



252 SINGLE FAMOUS POEMS. 

Speak to these curious hearts of ours, 

And teach them to be still. 
God hath his mysteries of grace, — 

Ways that we cannot tell ; 
He hides them deep, like the secret sleep 

Of him he loved so well. 

Cecil Frances Alexander, 

ifHilton's iPcagec of patience. 

I AM old and blind ! 
Men point at mo as smitten by G-od's frown ; 
Afflicted and deserted of my kind, 

Yet am I not cast down. 

I am weak, yet strong : 
I murmur not that I no longer see ; 
Poor, old, and helpless, I the more belong, 

Father Supreme, to Thee. 

merciful One 1 

When men are farthest, then art Thou most nearj 
When friends pass by, my weaknesses to shun. 
Thy chariot I hear. 

Thy glorious face 
Is leaning towards me, and its holy hght 
Shines in upon my lonely dwelling-place, — 

And there is no more night. 

On my bended knee, 
I recognize Thy purpose, clearly shown ; 
My vision thou hast dimmed, that I may see 

Thyself— Thyself alone. 

1 have naught to fear ; 

This darkness is the shadow of Thy wing ; 
Beneath it I am almost sacred, — here 
Can come no evil thing. 



CURFEW MUST NOT RmO TO-NIGHT. 253 

Oh, I seem to stand 
Trembling, where foot of mortal ne'er hath been, 
Wrapped in the radiance of Thy sinless hand 

Which eye hath never seen. 

Visions come and go, — 
Shapes of resplendent beauty round me throng • 
From angel lips I seem to hear the flow 

Of soft and holy song. 

It is nothing now, — 
When Heaven is ripening on my sightless eyes, 
When airs from Paradise refresh my brow, 

That earth in darkness hes. 

In a purer clime, 
My being fills with rapture, — waves of thought 
Roll in upon my spirit, — strains sublime 

Break over me unsought. 

Give me now my lyre I 
I feel the stirrings of a gift divine ; 
Within my bosom glows unearthly fire. 

Lit by no skill of mine. 

Elizabeth Lloyd Howell. 

Olurfeb) Mn^t not l^mg Cor^nigit 

England s sun was slowly setting o'er the hills so far away, 
Filling all the land with beauty at the close of one sad 

day; 
And the last rays kiss'd the forehead of a man and maiden 

fair, 
He with step so slow and weakened, she with sunny, 

floating hair ; 
He with sad bowed head, and thoughtful, she with lips so 

cold and white. 
Struggling to keep back the murmur, " Curfew must not 

ring to-night" 
22 



254 SINGLE FAMOUS POEMS. 

" Sexton," Bessie's white lips faltered, pointing to the prison 

old, 
"With its walls so dark and gloomy, — walls so dark, and 

damp, and cold, — 
" I 've a lover in that prison, doomed this very night to die, 
At the ringing of the Curfew, and no earthly help is nigh. 
Cromwell will not come till sunset," and her face grew 

strangely white. 
As she spoke in husky whispers, " Curfew must not ring 

to-night." 

"Bessie," calmly spoke the sexton — every word pierced her 
young heart 
Like a thousand gleaming arrows — like a deadly poisoned 

dart; 
* Long, long years I 've rung the Curfew from that gloomy 

shadowed tower; 
Every evening, just at sunset, it has told the twilight hour; 
I have done my duty ever, tried to do it just and right, 
Now I 'm old, I will not miss it; girl, the Curfew rings to- 
night!" 

Wild her eyes and pale her features, stern and white her 

thoughtful brow, 
And within her heart's deep centre, Bessie made a solemn 

vow; 
She had listened while the judges read, without a tear or 

sigh, 
" At the ringing of the Curfew — Basil Underwood must die.^* 
And her breath came fast and faster, and Jbier eyes grew 

large and bright — 
One low murmur, scarcely spoken — " Curfew must not ring 

to-night 1" 

She with light step bounded forward, sprang within the old 
church door, 

Left the old man coming slowly, paths he 'd trod so oft be- 
fore; 



CURFEW MUST NOT RING TO-NIGHT. 255 

Kot one moment paused the maiden, but with cheek and 

brow aglow, 
Staggered up the gloomy tower, where the bell swung to 

and fro : 
Then she climbed the slimy ladder, dark, without one ray 

of light. 
Upward still, her pale lips saying: "Curfew shall not ring 

to-night." 

She has reached the topmost ladder, o'er her hangs the 
great dark bell. 

And the awful gloom beneath her, like the pathway down 
to hell ; 

See, the ponderous tongue is swinging, 't is the hour of 
Curfew now — 

And the sight has chilled her bosom, stopped her breath 
and paled her brow. 

Shall she let it ring? No, never! her eyes flash with sud- 
den light. 

As she springs and grasps it firmly — " Curfew shall not 
ring to-night I " 

Out she swung, far out, the city seemed a tiny speck be- 
low; 

There, 'twixt heaven and earth suspended, as the bell 
swung to and fro ; 

And the half-deaf Saxon ringing (years he had not heard 
the bell,) 

And he thought the twilight Curfew rang young Basil's 
funeral knell; 

Still the maiden clinging firmly, cheek and brow so pale 
and white, 

Stilled her frightened heart's wild beating — " Curfew shall 
not ring to-night^ 

It was o'er — the bell ceased swaying, and the maiden 

stepped once more 
Firmly on the damp old ladder, where for hundred years 

before 



256 SINGLE FAMOUS POEMS. 

Human foot had not been planted; and what she this 

night had done, 
Should be told in long years after — as the rays of setting 

sun 
Light the sky with mellow beauty, aged sires with heads 

of white, 
Tell their children why the' Curfew did not ring that one 

sad night. 

O'er the distant hills came Cromwell; Bessie saw him, 

and her brow, 
Lately white with sickening terror, glows with sudden 

beauty now ; 
At his feet she told her story, showed her hands all bruised 

and torn ; 
And her sweet young face so haggard, with a look so sad 

and worn, 
Touched his heart with sudden pity — lit his eyes with 

misty light; 
"Go, your lover lives!" cried Cromwell; "Curfew shall 

not ring to-night." 

Rosa Hartwick Thorpe. 

i^ebelcg in Inbia. 

We meet 'neath the sounding rafter, 

And the walls around are bare ; 
As they echo the peals of laughter 

It seems that the dead are there j 
But stand to your glasses steady. 

We drink to our comrades' eyes ; 
Quaff a cup to the dead already — 

And hurrah for the next that dies I 

Not here are the goblets flowing, 

Not here is the vintage sweet ; 
*T is cold, as our hearts are growing, 

And dark as the doom we meet. 



BEVELR Y IN INDIA, 257 

But stand to your glasses steady, 

And soon shall our pulses rise ; 
A cup to the dead already — 

Hurrah for the next that dies 1 

Not a sigh for the lot that darkles, 

Not a tear for the friends that sink ; 
We '11 fall, 'midst the wine-cup's sparkles, 

As mute as the wine we drink. 
So stand to your glasses steady, 

'T is in this that our respite lies ; 
One cup to the ,dead already — 

Hurrah for the next that dies I 

Time was when we frowned at others, 

We thought we were wiser then ; 
Ha 1 ha ! let those think of their mothers, 

Who hope to see them again. 
No ! stand to your glasses steady. 

The thoughtless are here the wise ; 
A cup to the dead already — 

Hurrah for the next that dies I 

There 's many a hand that 's shaking, 

There 's many a cheek that 's sunk ; 
But soon, though our hearts are breaking. 

They '11 burn with the wine we 've drunk. 
So stand to your glasses steady, 

'T is here the revival lies; 
A cup to the dead already — 

Hurrah for the next that dies 1 

There 's a mist on the glass congealing, 

'T is the hurricane's fiery breath ; 
And thus does the warmth of feeling 

Turn ice in the grasp of death. 
Ho 1 stand to your glasses steady ; 

For a moment the vapor flies; 



258 SINGLE FAMO US F OEMS. 

A cup to the dead already — 
Hurrah for the next that dies ! 

Who dreads to the dust returning ? 

Who shrinks from the sable shore, 
Where the high and haughty yearning 

Of the soul shall sing no more ? 
Ho ! stand to your glasses steady ; 

This world is a world of lies ; 
A cup to the dead already — 

Hurrah for the next that dies ! 

Cut off from the land that bore us, 

Betrayed by the land we find, 
Where the brightest have gone before us, 

And the dullest remain behind — 
Stand, stand to your glasses steady ! 

'T is all we have left to prize ; 
A cup to the dead already — 

And hurrah for the next that dies ! 

Bartholomew Dow ling. 



Cfte Mismg of tf)t Moon. 

"0, THEN tell me, Shawn O'Ferrall, 

Tell me why you hurry so." 
" Hush, ma bouchal, hush and listen,"- 

And his cheeks were all aglow. 
" I bear ordhers from the captain, 

Get you ready quick and soon, 
For the pikes must be together 

At the risin' of the moon." 

" 0, then tell me, Shawn O'Ferrall, 
Where the gatherin' is to be." 

" In the ould spot by the river, 

Eight well known to you and me. 



3fr MAR YLAND. 259 

One word more — for signal token 

Whistle up the niarchin' tune, 
With your pike upon your shoulder, 

By the risin' of the moon." 

Out from many a mud- Avail cabin 

Eyes were watching through that night ; 
Many a manly chest was throbbing 

For the blessed warning light. 
Murmurs passed along the valleys, 

Like the banshee's lonely croon, 
And a thousand blades were flashing, 

At the rising of the moon. 



'O 



There beside the singing river 

That dark mass of men was seen ; 
Far above the sliining weapons 

Hung their own beloved green. 
" Death to every foe and traitor ! 

Forward ! strike the marchin' tune, 
And hurrah, my boys, for freedom ! — 

'T is the risin' of the moon." 

Well they fought for poor old Ireland, 

And full bitter was their fate. 
0, what glorious pride and sorrow 

Fill the name of Ninety -Eight ! 
Yet, thank Grod ! e'en still are beating 

Hearts in manhood's burning noon, 
Wlio would follow in their footsteps 

At the risin' of the moon. 

John K. Casey. 

The despot's heel is on thy shore, 

Maryland ! 
His torch is at thy temple door, 

Maryland ! 



2\jo single famo us poems. 

Avenge the patriotic gore 
That flecked the streets of Baltimore, 
And be the battle queen of yore, 
Maryland, My Maryland I 

Hark to a wandering son's appeal, 

Maryland ! 
My mother state, to thee I kneel, 

Maryland ! 
For life and death, for woe and weal. 
Thy peerless chivalry reveal. 
And gird thy beauteous limbs with steel, 
Maryland, My Maryland ! 

Thou wilt not cower in the dust, 

Maryland ! 
Thy beaming sword shall never rust, 

Maryland ! 
Remember Carroll's sacred trust, 
Remember Howard's warlike thrust, 
And all thy slumberers with the just, 
Maryland, My Maryland. 

Come, 't is the red dawn of the day, 

Maryland ! 
Come with thy panoplied array, 
Maryland I 
With Ringgold's spirit for the fray, 
With Watson's blood at Monterey, 
With fearless Lowe and dashing May, 
Maryland, My Maryland. 

Dear mother, burst the tyrant's chain, 
Maryland I 

Virginia should not call in vain, 
Maryland ! 

She meets her sisters on the plain ; 
" Sic semper ! " 't is the proud refrain, 



MT MARYLAND. 261 

That baffles minions back amain, 
Maryland, My Maryland I 

Come, for thy shield is bright and strong, 

Maryland 1 
Come, for thy dalliance does thee wrong, 

Maryland ! 
Come to thine own heroic throng. 
That stalks with liberty along, 
And give a new key to thy song, 
Maryland, My Maryland I 

I see the blush upon thy cheek, 

Maryland ! 
But thou wast ever bravely meek, 

Maryland ! 
But lo 1 there surges forth a shriek 
From hill to hill, from creek to creek ; 
Potomac calls to Chesapeake, 
Maryland, My Maryland 1 

Thou wilt not yield the Yandal toll, 

Maryland I 
Thou wilt not crook to his control, 

Maryland I 
Better the fire upon thee roll, 
Better the shot, the blade, the bowl. 
Than crucifixion of the soul, 

Maryland, My Maryland I 

I hear the distant thunder hum, 
Maryland I 
The Old Line's bugle, fi^e, and drum, 

Maryland ! 
She is not dead, nor deaf, nor dumb- 
Huzza I she spurns the Northern scum ; 
She breathes, she burns — she '11 come I she '11 come . 
Maryland, My Maryland 1 

James R. Randall. 



262 SINGLE FAMO US P OEMS. 

" Rifleman, shoot me a fancy shot 

Straight at the heart of yon prowHng vidette; 
Eing me a ball in the glittering spot 

That shines on his breast like an amulet ! " 

*' Ah, captain ! here goes for a fine-drawn bead, 

There 's music around when my barrel 's in tune ! " 
Crack ! went the rifle, the messenger sped, 

And dead from his horse fell the ringing dragoon. 

" Now, rifleman, steal through the bushes, and snatch 
Fi'om your victim some trinket to handsel first blood ; 
A button, a loop, or that luminous patch 

That gleams in the moon like a diamond stud I " 

" Oh captain ! I staggered, and sunk on my track, 
When I gazed on the face of that fallen vidette, 
For he looked so like you, as he lay on his back. 
That my heart rose upon me, and masters me yet. 

"But I snatched ofi'the trinket, — this locket of gold; 
An inch from the centre my lead broke its way, 
Scarce grazing the picture, so fair to behold, 
Of a beautiful lady in bridal array." 

"Ha! rifleman, fling me the locket! — 't is she. 

My brother's young bride, — and the fallen dragoon 
Was her husband — Hush! soldier, 't was Heaven's decree, 
We must bury him there, by the light of the moon I 

" But, hark 1 the far bugles their warnings unite ; 
War is a virtue, weakness a sin ; 
There 's a lurking and loping around us to-night;— 
Load again, rifleman, keep your hand in ! " 

Charles Dawson Shanly (?) 



THE PICKET GUARD. 263 

Cf)e picket ©uacu. 

"All quiet along the Potomac," they say, 
" Except now and then a stray picket 
Is shot, as he walks on his beat, to and fro, 

By a rifleman hid in the thicket. 
'T is nothing — a private or two, now and then, 

Will not count in the news of the battle ; 
Not an officer lost — only one of the men, 

Moaning out, all alone, the death-rattle." 

AU quiet along the Potomac to-night. 

Where the soldiers lie peacefully dreaming ; 
Their tents in the rays of the clear autunm moon, 

Or the light of the watch-fires, are gleaming. 
A tremulous sigh, as the gentle night- wind 

Through the forest-leaves softly is creeping ; 
While stars up above, with their ghttering eyes, 

Keep guard — for the army is sleeping. 

There 's only the sound of the lone sentry's tread, 

As he tramps from the rock to the fountain, 
And thinks of the two in the low trundle-bed 

Far away in the cot on the mountain. 
His musket falls slack — his face, dark and grim. 

Grows gentle with memories tender, 
As he mutters a prayer for the children asleep — 

For their mother — may Heaven defend her 1 

The moon seems to shine just as brightly as then. 

That night, when the love yet unspoken 
Leaped up to his hps — when low-murmured vows 

Were pledged to be ever unbroken. 
Then drawing his sleeve roughly over his eyes, 

He dashes oflf tears that are weUing, 
And gathers his gun closer up to its place 

As if to keep down the heart-swelling. 



264 SINGLE FAMO US FOEMS. 

He passes the fountain, the blasted pine tree — 

The footstep is lagging and weary ; 
Yet onward he goes, through the broad belt of light, 

Toward the shades of the forest so dreary. 
Hark 1 was it the night-wind that rustled the leaves ? 

Was it moonlight so wondrously flashing ? 
It looked like a rifle — " Ah ! Mary, good-bye 1" 

And the Hfe-blood is ebbing and plashing. 

All quiet along the Potomac to-night, 

No sound save the rush of the river ; 
"While soft falls the dew on the face of the dead — 

The picket 's off duty forever. 

Ethel Lynn Beers. 

Alas ! the weary hours pass slow, 

The night is very dark and still, 
And in the marshes far below 

I hear the bearded whippoorwill. 
I scarce can see a yard ahead ; 

My ears are strained to catch each sound ; 
I hear the leaves about me shed. 

And the spring's bubbling through the ground. 

Along the beaten path I pace, 

Where white rags mark my sentry's track ; 
In formless shrubs I seem to trace 

The foeman's form, with bending back ; 
I think I see him crouching low — 

I stop and hst — I stoop and peer. 
Until the neighboring hillocks grow 

To groups of soldiers far and near. 

With ready piece I wait and watch, 
Until my eyes, familiar grown, 



SHERMAN'S MABCH TO THE SEA. 265 

Detect each harmless earthen notch, 

And turn guerillas into stone ; 
And then amid the lonely gloom, 

Beneath the tall old chestnut trees, 
My silent marches I resume, 

And thmk of other times than these. 

" Halt I who goes there ? " my challenge cry, 

It rings along the watchful Une ; 
" Kehef ! " I hear a voice reply — • 

" Advance, and give the countersign 1 " 
With bayonet at the charge I wait — 
The corporal gives the mystic spell ; 
With arms aport I charge my mate. 
Then onward pass, and all is welL 

But in the tent that night awake, 

I ask, if in the fray I fall. 
Can I the mystic answer make. 

When the angelic sentries call ? 
And pray that Heaven may so ordain, 

Where'er I go, what fate be mine, 
Whether in pleasure or in pain, 

I still may have the countersign. 

Anonymous. 



SSeman^s M^xtf} to tfje Sea. 

Our camp-fires shone bright on the mountain 

That frowned on the river below. 
As we stood by our guns in the morning, 

And eagerly watched for the foe ; 
When a rider came out of the darkness 

That hung over mountain and tree, 
And shouted, " Boys, up and be ready I 

Vor Sherman will march to the sea I " 



266 SINGLE FAMO US P OEMS. 

Then cheer upon cheer for bold Sherman 

Went up from each valley and glen, 
And the bugles re-echoed the music 

That came from the lips of the men ; 
For we knew that the stars in our banner 

More bright in their splendor would be, 
And that blessings from Northland would greet us, 

When Sherman marched down to the sea. 

Then forward, boys ! forward to battle ! 

We marched on our wearisome way, 
We stormed the wild hills of Resaca — 

God bless those who fell on that day I 
Then Kenesaw, dark in its glory, 

Frowned down on the flag of the free ; 
But the East and the West bore our standard 

And Sherman marched on to the sea. 

Still onward we pressed, till our banners 

Swept out from Atlanta's grim walls, 
And the blood of the patriot dampened 

The soil where the traitor-flag falls ; 
We paused not to weep for the fallen, 

Who slept by each river and tree, 
Yet we twined them a wreath of the laurel, 

As Sherman marched down to the sea. 

Oh, proud was our army that morning, 

That stood where the pine darkly towers, 
When Sherman said, " Boys, you are weary, 

But to-day fair Savannah is ours I " 
Then sang we the song of our chieftain, 

That echoed o'er river and lea, 
And the stars in our banner shone brighter 

When Sherman marched down to the sea 

Samuel H. M. Byers. 



DRIVING HOME THE COWS. 267 

Out (if the clover and blue-ejed grass 

He turned them into the river-lane ; 
Oue after another he let them pass, 

Then fastened the meadow bars again. 

Under the willows, and over the hill, 
He pati(3ntly followed their sober paoe ; 

The merry whistle for once was still, 
And something shadowed the sunny face. 

Only a boy I and his father had said 

He never could let his youngest go; 
Two already were lying dead 

Under the feet of the trampling foe. 

But after the evening work was done. 

And the frogs were loud in the meadow-swamp, 

Over his shoulder he slung his gun 
And stealthily followed the foot-path damp 

Across the clover and through the wheat 
With resolute heart and purpose grim. 

Though cold was the dew on his hurrying feet, 
And the bhnd bat's flitting startled him. 

Thrice since then had the lanes been white, 
And the orchards sweet with apple-bloom; 

And now, when the cows came back at night, 
The feeble father drove them home. 

For news had come to the lonely farm 

That three were lying where two had lain ; 

And the old man's tremulous, palsied arm 
Could never lean on a son's again. 

The summer day grew cool and late, 

He went for the cows when the work was done ; 



268 SINGLE FAMOUS POEMS. 

But down the lane, as he opened the gate, 
He saw them coming one by one, — 

Brindle, Ebony, Speckle, and Bess, 

Shaking their horns in the evening wind j 

Cropping the buttercups out of the grass, — 
But who was it following close behind ? 

Loosely swung in the idle air 

The empty sleeve of army blue ; 
And worn and pale, from the crisping hair, 

Looked out a face that the father knew. 

For Southern prisons will sometimes yawn, 
And yield their dead unto life again ; 

And the day that comes with a cloudy dawn 
In golden glory at last may wane. 

The great tears sprang to their meeting eyes ; 

For the heart must speak when the lips are dumb ; 
And under the silent evening skies 

Together they followed the cattle home. 

Kate Putnam Osgood. 

popping (tt^xxi. 

And there they sat, a-popping corn, 

John Styles and Susan Cutter — 
John Styles as fat as any ox, 

And Susan fat as butter. 

And there they sat and shelled the corn, 

And raked and stirred the fire, 
And talked of different kinds of corn, 

And hitched their chairs up nigher. 

Then Susan she the popper shook. 
Then John he shook the popper, 



TEE TWINS. 269 

Till both their faces grew as red 
As saucepans made of copper. 

And then they shelled, and popped, and ate, 

All kinds of fun a-poking, 
While he haw-hawed at her rema.;ks, 

And she laughed at his joking. 

And still they popped, and still they ate — 

John's mouth was like a hopper — • 
And stirred the fire, and sprinkled salt. 

And shook and shook the popper. 

The clock struck nine — the clock struck ten, 

And still the corn kept popping ; 
It struck eleven, and then struck twelve, 

And still no signs of stopping. 

And John he ate, and Sue she thought — 

The corn did pop and patter — 
Till John cried out, " The corn 's a-fire I 

Why, Susan, what 's the matter ? " 

Said sne, " John Styles, it 's one o'clock ; 

You '11 die of indigestion ; 
I 'm sick of all this popping corn — 

Why don't you pop the question ? " 

Anonymous. 

In form and feature, face and limb^ 

I grew so like my brother. 
That folks got taking me for him, 

And each for one another. 
It puzzled all our kith and kin. 

It reached a fearful pitch ; 



270 SINGLE FAMO US F OEMS, 

For one of us was born a twin, 
And not a soul knew which. 

One day to make the matter worse, 

Before our names were fixed, 
As we were being washed by nurse, 

We got completely mixed ; 
And thus, you see, by fate's decree. 

Or ratlier nurse's whim, 
My brother John got cliristened me, 

And I got christened him. 

This fatal hkeness ever dogged 

My footsteps when at school. 
And I was always getting flogged, 

When John turned out a fooL 
I put this question, fruitlessly, 

To every one I knew, 
** What would you do, if you were me, 

To prove that you were you." 

Our close resemblance turned the tide 

Of my domestic life, 
For somehow, my intended bride 

Became my brother's wife. 
In fact, year after year the same 

Absurd mistakes went on. 
And when I died, the neighbors came 

And buried brother John. 

Henry S. LEiaa. 

E Ufttle ^mu. 

The chill November day was done. 
The working world home faring ; 

The wind came roaring through the streets 
And set the gas-lights flaring ; 



A LITTLE GOOSK 271 

And hopelessly and aimlessly. 

The scared old leaves \^"ere flying ; 
When, mingled with the sighing wind, 

I heard a small voice crying. 

And shivering on the corner stood 

A child of four, or over ; 
No cloak or hat her small, soft arms, 

And wind blown curls to cover. 
Her dimpled face was stained with tears; 

Her round blue eyes ran over ; 
She cherished in her wee, cold hand, 

A bunch of faded clover. 

And one hand round her treasure while 

She slipped in mine the other : 
Half scared, half confidential, said, 
" Oh ! please, I want my mother ! " 
" Tell me your street and number, pet : 
Do n't cry, I '11 take you to it." 
Sobbing she answered, " I forget : 
The organ made me do it. 

" He came and played at Milly's steps, 

The monkey took the money ; 
And so I followed down the street, 

The monkey was so funny. 
I 've walked about a hundred hours. 

From one street to another : 
The monkey 's gone, I 've spoiled my flowers, 

Oh I please, I want my mother." 

"But what 's your mother's name? and what 
The street? Now think a minute." 

" My mother's name is mamma dear — 
The street — I can't begin it." 

" But what is strange about the house, 
Or new — not like the otliers ? " 



272 SINGLE FAMO US POEMS, 

" I guess you mean my trundle-bed, 
Mine and my little brother's. 

'* Oh dear 1 I ought to be at home 

To help him say his prayers, — 
He *s such a baby he forgets ; 

And we are both such players ; — 
And there 's a bar to keep us both 

From pitching on each other, 
For Harry rolls when he 's asleep : 

Oh dear I I want my mother." 

The sky grew stormy ; people passed 
All muffled, homeward faring : 
" You '11 have to spend the night with me," 
I said at last, despairing. 
I tied a kerchief round her neck — 
" What ribbon 's this, my blossom ? " 
"Why do n't you know? " she smiling, said, 
And drew it from her bosom. 

A card with number, street, and name ; 
My eyes astonished met it ; 
" For," said the little one, " you see 
I might sometimes forget it : 
And so I wear a little thing 
That tells you all about it ; 
For mother says she 's very sure 
I should get lost without it." 

Eliza Sproat Turner. 

Ciretr Matins. 

A LITTLE elbow leans upon your knee, 

Your tired knee that has so much to bear ; 

A child's dear eyes are looking lovingly 
From underneath a thatch of tangled hair. 



TIRED MOTHERS, 2T3 

Perhaps you do not heed the velvet touch 

Of warm, moist fingers, folding yours so tight ; 

You do not prize this blessing overmuch, — 
You almost are too tired to pray to-night. 

But it is blessedness ! A year ago 

I did not see it as I do to-day — 
We are so dull and thankless ; and too slow 

To catch the sunshine till it slips away. 
And now it seems surpassing strange to me. 

That, while I wore the badge of motherhood, 
I did not kiss more oft and tenderly 

The little child that brought me only good. 

And if, some night when you sit down to rest. 

You miss this elbow from your tired knee, — 
This restless curling head from oft" your breast, — 

This lisping tongue that chatters constantl}'; 
If from your own the dimpled hands had slipped, 

And ne'er would nestle in your palm again ; 
If the white feet into their grave had tripped, 

1 could not blame you for your heartache then. 

I wonder so that mothers ever fret 

At little children clinging to their gown ; 
Or that the footprints, when the days are wet, 

Are ever black enough to make them frown. 
If I could find a little muddy boot, 

Or cap, or jacket, on my chamber-floor, — 
If I could kiss a rosy, restless foot. 

And hear it patter in my house once more, — 

If I could mend a broken cart to-day, 
To-morrow make a kite to reach the sky, 

There is no woman in Grod's world could say 
She was more blissfully content than L 

But ah I the dainty pillow next my own 
Is never rumpled by a shining head ; 



274 SINGLE FAMOUS POEMS. 

My singing birdling from its nest is flown, — 
The little boy I used to kiss is dead ! 

May Kiley Smith. 

When the lessons and tasks are all ended, 

And the school for the day is dismissed. 
The little ones gather around me 

To bid me good-night and be kissed : 
Oh, the little white arms that encircle 

My neck in their tender embrace ! 
Oh, the smiles that are halos of heaven, 

Shedding sunshine of love on my face I 

And when they are gone I sit dreaming 

Of my childhood too lovely to last ; 
Of joy that my heart will remember. 

While it wakes to the pulse of the past, 
Ere the world and its wickedness made me 

A partner of sorrow and sin. 
When the glory of Grod was about me, 

And the glory of gladness within. 

All my heart grows as weak as a woman's, 

And the fountains of feeling will flow. 
When I think of the paths, steep and stony, 

Where the feet of the dear ones must go j 
Of the mountains of Sin hanging o'er them, 

Of the tempest of Fate blowing wild ; 
Oh I there 's nothing on earth half so holy 

As the innocent heart of a child! 

They are idols of hearts and of households; 

They are angels of God in disguise ; 
His sunlight still sleeps in their tresses, 

His glory still gleams in their eyes, 
Those truants from home and from heaven. 

They have made me more manly and mild I 



THE CHILD REK 275 

And I know, now, how Jesus could liken 
The kingdom of God to a child. 

I ask not a life for the dear ones, 

All radiant, as others have done, 
But that life may have just enough shadow 

To temper the glare of the sun ; 
I would pray God to guard them from evil, 

But my prayer would bound back to myself ; 
Ah 1 a seraph may pray for a sinner. 

But a sinner must pray for himself. 

The twig is so easily bended, 

I have banished the rule and the rod ; 
I have taught them the goodness of knowledge, 

They have taught me the goodness of God ; 
My heart is the dungeon of darkness, 

Where I shut them for breaking a rule; 
My frown is sufficient correction ; 

My love is the law of the school. 

I shall leave the old house in the autumn, 

To traverse its threshold no more ; 
Ah ! how I shall sigh for the dear ones, 

That meet me each morn at the door ; 
I shall miss the " good nights " and the kisses, 

And the gush of their innocent glee, 
The group on the green, and the flowers 

That are brought every morning for me. 

I shall miss them at mom and at even, 

Their song in the school and the street; 
I shall miss the low hum of their voices, 

And the tread of their delicate feet. 
When the lessons of life are all ended. 

And death says " the school is dismissed," 
May the little ones gather around me. 

To bid me good-night and be kissed ! 

Charles M. Dickinson. 



276 SINGLE FAMOUS POEMS. 

Ci^e iSun'al of Sir Scijn i^oore* 

KoT a drum was heard, not a funeral note, 
As his corse to the rampart we hurried ; 

Kot a soldier discharged his farewell shot 
O'er the grave where our hero we buried. 

"We buried him darkly at dead of night, 

The sods with our bayonets turning ; 
By the struggling moonbeam's misty light, 

And the lanthorn diinly burning. 

Ko useless coffin enclosed his breast, 

Not in sheet or in shroud we wound him ; 

But he lay like a warrior taking his rest, 
With his martial cloak around him. 

Few and short were the prayers we said. 

And we spoke not a word of sorrow ; 
But we steadfastly gazed on the face that was dead, 

And we bitterly thought of the morrow. 

"We thought, as we hollowed his narrow bed, 
And smoothed down his lonely pillow. 

That the foe and the stranger would tread o'er his head, 
And we far away on the billow ; 

Lightly they '11 talk of the spirit that 's gone, 
And o'er his cold ashes upbraid him, — 

But little he '11 reck, if they let him sleep on 
In the grave where a Briton has laid him. 

But half of our heavy task was done. 

When the clock struck the hour for retiring ; 

And we heard the distant and random gun 
That the foe was sullenly firing. 



SONG.— IF I HAD TEO UQET. 211 

Slowly and sadly we laid him down, 

From the field of his fame fresh and gory ; 

We carved not a line, and we raised not a stone — 
But we left him alone with his glory. 

Charles Wolfe. 



Song.— If $ JatJ CJoug^t. 

If I had thought thou couldst have died, 

I might not weep for thee ; 
But I forgot, when by thy side, 

That thou couldst mortal be. 
It never through my mind had passed, 

The time would e'er be o'er. 
And I on thee should look my last, 

And thou wouldst smile no more. 

And still upon that face I look. 

And think 't will smile again; 
And still the thought I will not brook, 

That I must look in vain. 
But when I speak, thou dost not say 

What thou ne'er left'st unsaid, 
And now I feel, as well I may, 

Sweet Mary, thou art dead. 

If thou wouldst stay e'en as thou art, 

All cold and all serene, 
I still might press thy silent heart. 

And where thy smiles have been. 
While e'en thy chill, bleak corse I have, 

Thou seemest still mine own ; 
But there I lay thee in thy grave, 

And I am now alone. 

I do not think, where'er thou art. 
Thou hast forgotten mej 
24 



278 SINGLE FAMO US POEMS. 

And I perhaps may soothe this heart 

In thinking too of thee ; 
Yet there was round thee such a dawn 

Of hght ne'er seen before, 
As fancy never could have drawn, 

And never can restore. 

Charles Wolfe. 



Song.— (Ho, dForget Mt. 

Go, forget me ! Why should sorrow 

O'er that brow a shadow fling ? 
Go, forget me, and to-morrow 

Brightly smile and sweetly sing. 
Smile — though I shall not be near thee. 
Sing — though I shall never hear thee. 

May thy soul with pleasure shine, 

Lasting as the gloom of mine. 

Like the Sun, thy presence glowing 

Clothes the meanest things in hght ; 
And when thou, like him, art going. 

Loveliest objects fade in night. 
All things looked so bright about thee. 
That they nothing seem without thee ; 

By that pure and lucid mind 

Earthly things are too refined. 

Go, thou vision wildly gleaming, 

Softly on my soul that fell ; 
Go, for me no longer beaming — 

Hope and Beauty, fare ye welll 
Go, and all that once delighted 
Take, and leave me all benighted : 

Glory's burning, generous swell, 

Fancy, and the poet's shell. 

Charles Wolfe. 



A JAVANESE POEM, 279 

Lympha pudica Deum vidit, ei erubuit. 

The modest water saw its God, and blushed. 

Richard Crashaw. 

E 3Jabanese ^Poern, 

I DO not know where I shall die. 
I saw the great sea on the south coast, when I was there 

with my father making salt. 
If I die at sea, and my body is thrown into the deep 

water, then sharks will come : 
They will swim round my corpse, and ask, 
" Which of us shall devour the body that goes down into the 
water?" 

I shall not hear it. 

I do not know where I shall die. 
I saw in a blaze the house of Pa-Ausoe, 
Which he himself had set on fire because he was mata- 

glap. 
If I die in a burning house, glowing embers will fall on my 

corpse, 
And outside the house there will be many cries of men 
throwing water on the fire to kill it. 
I shall not hear it. 

I do not know where I shall die. 
I saw the Uttle Si-Oenah fall out of a klappa tree, when 

he plucked the klappa for his mother. 
If I fall out of a klappa tree, I shall lie dead below in the 

shrubs, like Si-Oenah. 
Then my mother will not weep, for she is dead. 
But others will say with a loud voice, " See, there lies 
Saidjahl" 

I shall not hear it. 

Mata-glaj), insane. Kkqypa, cocoanut. 



280 SINGLE FAMOUS POEMS. 

I do not know where I shall die. 
I have seen the corpse of Pa-Lisoe, who died of old age, 

for his hairs were white. 
If I die of old age, with white hairs, hired women will 

stand weeping near my corpse. 
And they will make lamentations, as did the mourners 

over Pa-Lisoe's corpse ; 
And the grandchildren will weep very loud. 
I shall not hear it. 

I do not know where I shall die. 
I have seen at Badoer many that were dead. 
They were dressed in white shrouds, and were buried in 

the earth. 
If I die at Badoer, and am buried beyond the village, east- 
ward against the hill where the grass is high, 
Then will Adinda pass by there, and the border of her 
sarong will sweep softly along the grass. 
I shall hear it. 

Eduard Douwes Dekker. 
Translated hy Baron Alphonse Nahuys. 

a gufeon airatile=:Song, 

The wind blows over the Yukon. 

My husband hunts the deer on the Koyukun mountains. 

Ahmi, Ahmi, sleep, little one. 

There is no wood for the fire. 

The stone axe is broken, my husband carries the other. 

Where is the sun- warmth ? Hid in the dam of the beaver, 

waiting the spring-time. 
Ahmi, Ahmi, sleep, little one, wake not. 

Look not for ukali, old woman. 

Long since the cache was emptied, and the crow does not 
light on the ridge-pole. 



A YUKON CRABLE-SOM. 281 

Long smce my husband departed. Why does he wait in 

the mountains ? 
Ahmi, Ahmi, sleep, little one, softly. 

Where is my own ? 

Does he lie starving on the hillside? Why does he linger? 
Comes he not soon, I will seek him among the mountains. 
Ahmi, Ahmi, sleep, little one, sleep. 

The crow has come, laughing. 
His beak is red, his eyes glisten, the false one I 
" Thanks for a good meal to Kuskokala the shaman. 
On the sharp mountain quietly lies your husband." 
Ahmi, Ahmi, sleep, little one, wake not. 

"Twenty deers' tongues tied to the pack on his shoulders; 
Not a tongue in his mouth to call to his wife with. 
Wolves, foxes, and ravens are tearing and fighting for mor- 
sels. 

Tough and hard are the sinews ; not so the child in your 
bosom." 

Ahmi, Ahmi, sleep, little one, wake not. 

Over the mountain slowly staggers the hunter. 

Two bucks' thighs on his shoulders, with bladders of fat 

between them. 
Twenty deers' tongues in his belt. Gro, gather wood, old 

woman ! 
Off flew the crow — liar, cheat, and deceiver I 
Wake, little sleeper, wake, and call to your father. 

He brings you buckfat, marrow, and venison fresh from 

the mountain. 
Tired and worn, he has carved a toy of the deer's horn, 
While he was sitting and waiting long for the deer on the 

hillside. 
Wake, and see the crow, hiding himself from the arrow I 
Wake, httle one, wake, for here is your father. 

Translated by W. H. Dall. 



282 SINGLE FAMO US POEMS, 

€Je baggage. 

Many a year is in its grave, 
Since 1 crossed this restless wave; 
And the evening, fair as ever, 
Shines on ruin, rock, and river. 

Then, in this same boat, beside, 
Sat two comrades, old and tried ; 
One with all a father's truth. 
One with all the fire of youth. 

One on earth in silence wrought, 
And his grave in silence sought; 
But tlie younger, brighter form 
Passed in battle and in storm. 

So, whene'er I turn my eye 

Back upon the days gone by, 

Saddening thoughts of friends come o'er me, 

Friends who closed their course before me. 

Yet what binds us friend to friend, 
But that soul with soul can blend ? 
Soul-like were those hours of yore ; 
Let us walk in soul once more I 

Take, boatman, thrice thy fee ; 

Take — I give it willingly ; 

For, invisible to thee. 

Spirits twain have crossed with me. 

LuDwiG Uhland. 
Translated hy Sarah Austin. 

^nn Ji^atf)ab3ag, 

Would ye be taught, ye feathered throng, 
With love's sweet notes to grace your song, 



ANN HATHAWAY, 283 

To pierce the heart with thrilling lay, 
Listen to mine Ann Hathaway 1 
She hath a way to sing so clear, 
Phoebus might wondering stop to hear. 
To melt the sad, make blithe the gay, 
And nature charm, Ann hath a way ; 

She hath a way, 

Ann Hathaway ; 
To breathe dehght, Ann hath a way. 

When Envy's breath and rancorous tooth 

Do soil and bite fair worth and truth, 

And merit to distress betray. 

To soothe the heart, Ann hath a way. 

She hath a way to chase despair. 

To heal all grief, to cure all care. 

Turn foulest night to fairest day. 

Thou know'st, fond heart, Ann hath a way, 

She hath a way, 

Ann Hathaway ; 
To make grief bliss, Ann hath a way. 

Talk not of gems, the orient list. 
The diamond, topaz, amethyst. 
The emerald mild, the ruby gay. 
Talk of my gem, Ann Hathaway. 
She hath a way, with her bright eye, 
Their various lustre to defy, — 
The jewels she, and the foil they, 
So sweet to look Ann Hathaway, 

She hath a way, 

Ann Hathaway ; 
To shame bright gems, Ann hath a way. 

But were it to my fancy given. 
To rate her charms, I 'd call them heaven ; 
For though a mortal made of clay. 
Angels must love Ann Hathaway ; 



284 SINGLE FAMOUS POEMS. 

She hath a way so to control, 
To rapture the imprisoned soul, 
And sweetest heaven on earth display, 
That to be heaven Ann hath a way ; 

She hath a way, 

Ann Hathaway ; 
To be heaven's self, Ann hath a way. 

Attributed to Shakespeare. 

As one who, destined from his friends to part, 
Regrets his loss, but hopes again, erewhile, 
To share their converse and enjoy ^t4ieir smile, 

And tempers, as he may, afBiction's dart, — 

Thus, loved associates ! chiefs of elder art ! 
Teachers of wisdom ! who could once beguile 
My tedious hours, and lighten every toil, 

I now resign you — nor with fainting heart. 

For, pass a few short years, or days, or hours, 
And happier seasons may their dawn unfold. 
And all your sacred fellowship restore ; 

When, freed from earth, unlimited its powers. 
Mind shall with mind direct communion hold, 
And kindred spirits meet to part no more. 

William Roscoe. 

" Lovely river, lovely river, 
to float upon thy stream ! 
to rest on thee forever. 
Life a long, delicious dream ! 

" There are forms about me wing-ins:, 
Far too bright for mortal eye. 
There are thoughts within me springing, 
That would make it sweet to die." 



WE PARTED IN SILENCE 285 

Where the sparkhng crystal waters 

Shot in music from their cell, 
Couched on rose, the fountain's daughters 

Watched the working of their spelL 

Hylas, hark I the breeze is gushing 

Through thy gallant vessel's sail. 
Hylas, hark ! the tide is rushing — 

Hark ! the sailors' parting hail 1 

But a nobler fate has found thee 

Than was e'er by valor won ; 
And a deeper spell has bound thee 

TJ^n was e'er by man undone. 

O'er the crystal waters bending, 

Low he dips the marble urn ; 
Thoughts of home and anguish blending 

With the dreams that in him burn. 

Deeper still the charm is stealing — 
Forms of beauty crowd the shore, 

Till his brain and eye are reeling — 
In he plunges — all is o'er I 

In the naiads' bosom ever, 

Yainly now by hill and grove, 
Ocean's marge, and sacred river, 

Shalt thou seek him, son of Jove. 

Anonymous. 

WRt ^artetr in SUtnct. 

We parted in silence, we parted by night, 

On the banks of that lonely river; 
Where the fragrant limes their boughs unite, 

We met — and we parted for ever. 
24* 



286 SINGLE FAMOUS POEMS. 

The night-bird sang, and the stars above 

Told many a touching story, 
Of friends long passed to the kingdom of love, 

Where the soul wears its mantle of glory. 

"We parted in silence — our cheeks were wet 

With the tears that were past controlling ; 
We vowed we would never, no, never forget, 

And those vows at the time were consoling ; 
But those lips that echoed the sounds of mine, 

Are as cold as that lonely river ; 
And that eye, that beautiful spirit's shrine. 

Has shrouded its fires forever. 

And now on the midnight sky I loot, 

And my heart grows full of weeping ; 
Each star is to me a sealed book, , 

Some tale of that loved one keeping. 
We parted in silence, we parted in tears, 

On the banks of that lonely river ; 
But the odor and bloom of those by-gone years 

Shall hang o'er its waters forever. 

Mrs. J. Crawford. 

'Fanitas VmiMum, 

The stream that hurries by your fixed shore. 

Returns no more ; 
The wind that dries at morn yon dewy lawn 

Breathes and is gone ; 
Those withered flowers to summer's ripening glow 

No more shall blow ; 
Those fallen leaves that strew yon garden bed 

For aye are dead ; 
On shore, or sea, or hill, or vale, or plain, 

Naught shall remain ; 
Vainly for sunshine fled, and joys gone by, 

We heave a sigh ; 



VANITAS VANITATUM. 287 

On, ever on, with unexhausted breath, 

Time hastes to death ; 
Even with each word we speak a moment flies — 

Is born and dies ; 
Of all for which poor mortals vainly mourn, 

Naught shall return ; 
Life hath its home in heaven and earth beneath, 

And so hath death ; 
Not all the chains that clank in eastern clime 

Can fetter time ; ^ 

For all the phials in the doctor's store 

Youth comes no more ; 
No drugs on age's wrinkled cheek renew 

Life's early hue ; 
Not all the tears by pious mourners shed 

Can wake the dead. 

If thus through lesser nature's empire wide 

Nothing abide — 
If wind, and wave, and leaf, and sun, and flower, 

Have all their hour — 
He walks on ice whose dallying spirit clings 

To earthly things ; 
And he alone is wise whose well taught love 

Is fixed above : 
Truths firm and bright, but oft to mortal ear 

Chilling and drear ; 
Harsh as the raven's croak the sounds that tell 

Of pleasure's knell. 
Pray, reader, that the minstrel's strain 

Not all be vain ; 
And when thou bend'st to Grod the supphant knee, 

Remember me. 

Gerald GRirriN. 



288 SINGLE FAMO US POEMS, 

2l2HontierIantr, 

Mournfully listening to the waves' strange talk, 
And marking witli a sad and moistened eye 
The summer days sink down behind the sea, — 
Sink down beneath the level brine, and fall 
Into the Hades of forgotten things, — 
A mighty longing stealeth o'er the soul ; 
As of a man who panteth to behold 
His idol in another land, — if yet 
Her heart be treasured for him, — if her eyes 
Have yet the old love in them. Even so, 
With passion strong as love and deep as death, 
Yearn eth the spirit after Wonderland. 

Ah, happy, happy land ! The busy soul 
Calls up in pictures of the half-shut eye 
Thy shores of splendor. As a fair blind girl, 
Who thinks the roses must be beautiful. 
But cannot see their beauty. Olden tones, 
Borne on the bosom of the breeze from far, — 
Angels that came to the young heart in dreams, 
And then like birds of passage flew away, — 
Eeturn. The rugged steersman at the wheel 
Softens into a cloudy shape. The sails 
Move to a music of their own. Brave bark. 
Speed well, and bear us unto Wonderland I 



•■J 



Leave far behind thee the vext earth, where men 
Spend their dark days in weaving their own shrouds ; 
And Fraud and Wrong are crowned kings ; and Toil 
Hath chains for Hire ; and all Creation groans, 
Crying, in its great bitterness, to God ; 
And Love can never speak the thing it feels, 
Or save the thing it loves, — is succorless. 
For if one say, "I love thee," what poor words 
They are ! Whilst they are spoken, the beloved 
Traveleth as a doomed lamb the road of death; 



NATHAN HALK 280 

And sorrow blanches the fair hair, and pales 
The tinted cheek. Not so in Wonderland. 

There larger natures sport themselves at ease ' 
'Neath kindlier suns that nurture fairer flowers, 
And richer harvests billow in the vales, 
And passionate kisses fall on godlike brows 
As summer rain. And never know they there 
The passion that is desolation's prey; 
The bitter tears begotten of farewells ; 
Endless renunciations, when the heart 
Loseth the all it lived for ; vows forgot, 
Cold looks, estranged voices,— all the woes 
That poison earth's delight. For love endures, 
Nor fades nor changes, in the Wonderland. 

Alasl the rugged steersman at the wheel 
Comes back again to vision. The hoarse sea 
Speaketh from its great heart of discontent, 
And in the misty distance dies away. 
The Wonderland 1— 'T is past and gone. soul, 
Whilst yet unbodied thou didst summer there, 
God saw thee, led thee forth from thy green haunts, 
And bade thee know another world less fair, 
Less calm. Ambition, knowledge, and desire 
Drove from thee thy first worship. Live and learn, 
Believe and wait, — and it may be that he 
Will guide thee back again to Wonderland. 

Cradook Newton. 

Nathan Jgale. 

To drum-beat and heart-beat^ 

A soldier marches by : 
There is color in his cheek, 

There is courage in his eye, 
Yet to drum-beat and heart-beat 

In a moment he must die. 
25 



290 SINGLE FAMOUS POEMS, 

By starlight and moonlight, 
He seeks the Briton's camp j 

He hears the rustling flag, 

And the armed sentry's tramp; 

And the starlight and moonlight 
His silent wanderings lamp. 

With slow tread and still tread, 
He scans the tented line j 

And he counts the battery guns 
By the gaunt and shadowy pine j 

And his slow tread and still tread 
Gives no warning sign. 

The dark wave, the plumed wave, 
It meets his eager glance ; 

And it sparkles 'neath the stars, 
Like the glimmer of a lance — 

A dark wave, a plumed wave, 
On an emerald expanse. 

A sharp clang, a steel clang, 
And terror in the sound I 

For the sentry, falcon-eyed. 
In the camp a spy hath found ; 

With a sharp clang, a steel clang, 
The patriot is bound. 

With calm brow, steady brow. 
He listens to his doom ; 

In his look there is no fear, 
Nor a shadow-trace of gloom ; 

But with calm brow and steady brow 
He robes him for the tomb. 

In the long night, the still night. 
He kneels upon the sod ; 



TKE BLUE AND TEE GHAT, 201 

And the brutal guards withhold 

E'en the solemn Word of Grod! 
In the long night, the still night, 

He walks where Christ hath trod. 

'Neath the blue morn, the sunny morn, 

He dies upon the tree ; 
And he mourns that he can lose 

But one life for Liberty ; 
And in the blue morn, the sunny morn. 

His spirit-wings are free. 

But his last words, his message-words, 

They burn, lest friendly eye 
Should read how proud and calm 

A patriot could die. 
With his last words, his dying words, 

A soldier's battle-cry. 

From Fame-leaf and Angel-leaf, 

From monument and urn. 
The sad of earth, the glad of heaven. 

His tragic fate shall learn ; 
And on Fame-leaf and Angel-leaf 

The name of Hale shall burn ! 

Francis Miles Finch. 



€Se HDlue anti tf)e <§cap» 

By the flow of the inland river. 

Whence the fleets of iron have fled, 
Where the blades of the grave-grass quiver, 
Asleep are the ranks of the dead ; 
Under the sod and the dew, 

Waiting the judgment day; 
Under the one, the Blue ; 
Under the otlier, the Gray. 



292 SINGLE FAMO US P OEMS. 

These in the robin gs of glory, 

Those in the gloom of defeat; 
All with the battle-blood gory, 
In the dusk of eternity meet ; 
Under the sod and the dew. 

Waiting the judgment day ; 
Under the laurel, the Blue ; 
Under the willow, the Grray. 

From the silence of sorrowful hours, 

The desolate mourners go, 
.Lovingly laden with flowers, 
AHke for the friend and the foe ; 
Under the sod and the dew. 

Waiting the judgment day ; 
Under the roses, the Blue ; 
Under the lilies, the Gray. 

So, with an equal splendor. 

The morning sun-rays fall, 
With a touch impartially tender. 
On the blossoms blooming for all • 
Under the sod and the dew, 

Waiting the judgment day j 
Broidered with gold, the Blue ; 
Mellowed with gold, the Gray. 

So, when the Summer calleth, 
On forest and field of grain, 
With an equal murmur falleth 
The cooling drip of the rain ; 
Under the sod and the dew. 

Waiting the judgment day; 
Wet with the rain, the Blue ; 
Wet with the rain, the Gray. 

Sadly, but not with upbraiding. 
The generous deed was done ; 



TEE DEATH OF KING BOMB A. 293 

In the storm of the years that are fading, 
No braver battle was won ; 

Under the sod and the dew, 

Waiting the judgment day ; 
Under the blossoms, the Blue ; 
Under the garlands, the Gray. 

No more shall the war-cry sever, 
Or the winding rivers be red; 
They banish our anger for ever, 

When they laurel the graves of our dead. 
Under the sod and the dew, 

Waiting the judgment day ; 
Love and tears for the Blue, 
Tears and Love for the Gray. 

Francis Miles Finch. 

€f)e Beati) of Mm ^mU. 

Could I pass those lounging sentries, 
Through the aloe-bordered entries. 

Up the sweep of squahd stair, 
On through chamber after chamber, 
Where the sunshine's gold and amber 

Turn decay to beauty rare, — 
I should reach a guarded portal. 
Where, for strife of issue mortal. 

Face to face two kings are met: 
One the grisly King of Terrors ; 
One a Bourbon, with his errors, 

Late to conscience-clearing set. 

Well his fevered pulse may flutter, 
And the priests their mass may mutter 

With such fervor as they may ; 
Cross and chrism and genuflection, 
Mop and mow and interjection. 

Will not frighten Death away. 



294 SINGLE FAMO US F OEMS. 

By the dying despot sitting, 

At the hard heart's portals hitting, 

Shocking the dull brain to work. 
Death makes clear what life has hidden, 
Chides what life has left unchidden, 

Quickens truth life tried to burke. 

He but ruled within his borders ' 
After Holy Church's orders. 

Did what Austria bade him do, — 
By their guidance flogged and tortured 
High-born men, and gently nurtured 

Chained with crime's felonious crew. 
What if summer fevers gripped them, 
"What if winter freezings nipped them, 

Till they rotted in their chains ? 
He had word of Pope and Kaiser — 
None could holier be or wiser ; 

Theirs the counsel, his the reins. 

So he pleads excuses eager, 
Clutching with his fingers meagre 

At the bed-clothes as he speaks ; 
But King Death sits grimly grinning 
At the Bourbon's cobweb-spinning, 

As each cobweb-cable breaks. " 
And the poor soul from life's islet, 
Rudderless, without a pilot, 

Drifteth slowly down the darkj 
While 'mid rolling incense vapor. 
Chanted dirge, and flaring taper, 

Lies the body, stiff and stark. 

Anonymous. 

Love, whose patient pilgrim feet 
Life's longest path have trod, 



TACKING SHIP OFF SHOBE. 295 

"Whose ministry hath sjmboled sweet 

The dearer love of God, — 
The sacred myrtle wreathes again 

Thine altar, as of old ; 
And what was green with summer then, 

Is mellowed now to gold. 



Not now, as then, the Future's face 

Is flushed with fancy's light ; 
But Memory, with a milder grace, 

Shall rule the feast to-night. 
Blest was the sun of joy that shone, 

ISTor less the blinding shower — 
The bud of fifty years agone 

Is Love's perfected flower. 

Memory, ope thy mystic door ! 

dream of youth, return ! 
And let the lights that gleamed of yore 

Beside this altar burn I 
The past is plain ; 't was Love designed 

E'en Sorrow's iron chain. 
And Mercy's shining thread has twined 

With the dark warp of Pain. 

So be it still. thou who hast 

That younger bridal blest, 
Till the May-morn of love has passed 

To evening's golden west. 
Come to this later Cana, Lord, 

And, at thy touch divine, 
The water of that earlier board 

To-night shall turn to wine. 

David Gray. 

Cacfemg S!)ip off Store. 

The weather leech of the topsail shivers, 
The bowlines strain, and the lee shrouds slacken, 



296 SINGLE FAMOUS POEMS. 

The braces are taut, the lithe boom quivers, 

And the waves with the coming squall-cloud blacken. 

Open one point on the weather bow, 

Is the light-house tall on Fire Island Head. 

There 's a shade of doubt on the captain's brow, 
And the pilot watches the heaving lead. 

I stand at the wheel, and with eager eye 

To sea and to sky and to shore I gaze. 
Till the muttered order of " Full and by ! " 

Is suddenly changed for " Full for stays 1 " 

The ship bends lower before the breeze. 
As her broadside fair to the blast she lays ; 

And she swifter springs to the rising seas, 
As the pilot calls, " Stand by for stays! " 

It is silence all, as each in his place. 

With the gathered coil in his hardened hands, 

By tack and bowline, by sheet and brace, 
"Waiting the watchword, impatient stands. 

And the light on Fire Island Head draws near, 

As, trumpet-winged, the pilot's shout 
From his post on the bowsprit's heel I hear, 

With the welcome call of "Keady 1 About 1 " 

No time to spare ! It is touch and go ; 

And the captain growls, " Down helm ! hard down ! " 
As my weight on the whirhng spokes I throw. 

While heaven grows black with the storm-cloud's frown. 

High o'er the knight-heads flies the spray. 
As we meet the shock of the plunging sea; 

And my shoulder stiff to the wheel I lay, 
As I answer, " Ay, ay, Sir ! Ha-a-rd a-lee I " 

With the swerving leap of a startled steed. 
The ship flies fast in the eye of the wind ; 



TEE MISTRESS OF THE HOUSE. 297 

The dangerous shoals on the lee recede, 

And the headland white we have left behind. 

The topsails flutter, the jibs collapse. 

And belly and tug at the groaning cleats ; 

The spanker slats, and the mainsail flaps ; 

And thunders the order, "Tacks and sheets! " 

Mid the rattle of blocks and the tramp of the crew, 

Hisses the rain of the rushing squall ; 
The sails are aback from clew to clew. 

And now is the moment for "Mainsail haul I " 

And the heavy yards, like a baby's toy, 
By fifty strong arms are swiftly swung; 

She holds her way, and I look with joy 

For the first white spray o'er the bulwarks flung. 

"Let go, and haul I " 'T is the last command. 
And the head-sails fill to the blast once more ; 
Astern and to leeward lies the land. 

With its breakers white on a shingly shore. 

"What matters the reef, or the rain, or the squall ? 

I steady the helm for the open sea ; 
The first mate clamors, "Belay there, alll " 

And the captain's breath once more comes free. 

(And so oflf shore let the good ship fly ; 

Little care I how the gusts may blow, 
In my fo'castle bunk, in a jacket dry. 

Eight bells have struck, and my watch is below. 

Walter Mitchelu 

^f)e iHistress of tfte Jl^ouse, 

The guests are come, all silent they have waited ; 

Entering the noiseless hush with silent bows, 
They linger for her coming, sore belated — 

Where is the little mistress of the house ? 

25* 



298 SINGLE FAMOUS POEMS. 

She is not wont to leave her friends so lonely 
That come too seldom, as she gayly vows ; 

Yet they are here, and wait her pleasure only — 
Where is the little mistress of the house ? 

She cannot be far off — perhaps but sleeping ; 

Doubtless at their low call she would arouse ; 
Why do they summon her alone with weeping ? 

Where is the little mistress of the house ? 

The portraits stare behind their veiling covers j 

The dust is in the melancholy room, 
Upon the air a ghastly silence hovers — 

Within the threshold loneliness and gloom. 

Cold, dark, and desolate the place without her, 
Wanting her gentle smile as each allows; 

She bears a sunbeam light and warmth about her — 
Where is the httle mistress of the house ? 

The curtains fall, undraped by her shght fingers, 
Behind the wainscot gnaws a secret mouse, 

Her treasures need her care, but still she lingers — 
Where is the little mistress of the house ? 

Alas ! there was a rumor and a whisper 
Threading the busy town, this many days; 

The youngest baby here, a tiny lisper, 
Can falter forth the reason why she stays, 

Why care and love, the tenderest and sincerest, 

Have failed to shield and guard her fair young head 

Why she has fled from all she loved the dearest — 
For there has been a rumor, she is dead. 

Throw wide the door I Within the gloomy portal, 
Where her small feet fell light as falling snow, 

They bear her in, the mortal made immortal I 
She comes again, but heavenly and slow 1 



IN THE HOSPITAL. 299 

empty shell ! beautiful frail prison I 

Cold, white, and vacant, tenantless and dumb, 

From such poor clay as this has Christ arisen — 
For such as this He shall in glory come I 

But in the calm indifference to our sorrow, 
In the sharp anguish of her parting breath, 

In the dark gulf that hides her form to-morrow, 
Thou hast thy victory, Grave ; thy sting, Death 1 

Yet shall she walk so fair that we who knew her, 

Would pale before the glory of her brows, 
Nor in the radiant beauty dare to woo her 



To be again the mistress of the house. 



Leslie Walter, 



I LAY me down to sleep, 
With little thought or care 

Whether my waking find 
Me here, or there. 

A bowing, burdened head, 
That only asks to rest, 

Unquestioning, upon 
A loving breast. 

My good right hand forgets 

Its cunning now; 
To march the weary march 

I know not how. 

I am not eager, bold. 

Nor strong — all that is past; 
I am ready not to do 

At last, at last. 



300 SINGLE FAMOUS POEMS 

My half day's work is done, 

And this is all my part — 
I give a patient God 

My patient heart, 

And grasp His banner still, 
Though all the blue be dim ; 

These stripes as well as stars 
Lead after Him. 

Mrs. Robert S. Howland. 

Ci'me anti ISternitB, 

It is not Time that flies ; 

'T is we, 't is we are flying. 
It is not Life that dies ; 

'T is we, 't is we are dying. 
Time and eternity are one; 
Time is eternity begun. 
Life changes, yet without decay ; 
'T is we alone who pass away. 

It is not Truth that flies ; 

'T is we, 't is we are flying. 
It is not Faith that dies ; 

'T is we, 't is we are dying. 
ever-during Faith and Truth, 
Whose youth is age, whose age is youth, 
Twin stars of immortality, 
Ye cannot perish from our sky. 

It is not Hope that flies ; 

'T is we, 't is we are flying. 
It is not Love that dies ; 

'T is we, 't is we are dying. 
Twin streams that have in heaven your birth, 
Ye glide in gentle joy through earth. 
We fade, hke flowers beside you sown j 
Ye still are flowing, flowing on. 



MT AIN COUNTEEE. 301 

Yet we but die to live ; 

It is from death we 're flying ; 
Forever lives our life, 

For us there is no dying. 
We die but as the spring bud dies, 
In summer's golden glow to rise. 
These be our days of April bloom; 
Our July is beyond the tomb. 

Anonymous. 



I AM far from my hame, an' I 'm weary often whiles 
For the longed-for hame-bringing an' my Father's welcome 

smiles ; 
I '11 ne'er be fu' content until my een do see 
The gowden gates o' heaven, an' my ain countree. 

The earth is fleck' d wi' flow'rs, mony-tinted, fresh an* 

gay, 

The birdies warble blithely, for my Father made them sae ; 
But these sights an' these soun's will as naething be to me, 
When I hear the angels singing in my ain countree. 

I 've his gude word of promise, that some gladsome day 

the King 
To his ain royal palace his banished hame wiU bring ; 
Wi' een an' wi' heart running over we shall see 
"The King in his beauty," an' our ain countree. 

My sins hae been mony' an' my sorrows hae been sair, 
But there they '11 never vex me, nor be remembered mair ; 
His bluid has made me white, his hand shall wipe mine ee, 
When he brings me hame at last to my ain countree. 

Like a bairn to his mither, a wee birdie to its nest, 
I wud fain be ganging noo unto my Saviour's breast.; 
26 



802 SINGLE FAMOUS POEMS. 

For he gathers in his bosom witless, worthless lambs like 

me, 
An' he carries them himself to his ain countree. 

He 's faithfu' that hath promised, he '11 surely come again j 
He '11 keep his tryst wi' me, at what hour I dinna ken j 
But he bids me still to watch, an' ready aye to be 
To gang at ony moment to my ain countree. 

So I 'm watching aye an' singing o' my hame as I wait, 
For the soun'ing o' his footsteps this side the gowden gate. 
God gie his grace to ilka ane wha listens noo to me, 
That we may a' gang in gladness to our ain countree. 

Miss M. A. Lee. 



In a valley, centuries ago, 

Grew a little fern-leaf green and slender, , 

Veining delicate and fibres tender, 
Waving when the wind crept down so low. 

Eushes tall, and moss, and grass grew round it j 

Playful sunbeams darted in and found it; 

Drops of dew stole down by night and crowned itj 
But no foot of man e'er came that way ; — 
Earth was young and keeping holiday. 

Monster fishes swam the silent main ; 

Stately forests waved their giant branches j 
Mountains hurled their snowy avalanches; 

Mammoth creatures stalked across the plain. 
Nature revelled in grand mysteries; 
But the little fern was not like these, 
Did not number with the hills and trees, 

Only grew and waved its sweet, wild way j 

No one came to note it day by day. 



TEE PETRIFIED FERK 303 

Earth, one time, put on a frolic mood, 

Heaved the rocks, and changed the mighty motion 

Of the strong, dread currents of the ocean ; 
Moved the hills, and shook the haughty wood; 

Crushed the little fern in soft, moist clay. 

Covered it, and hid it safe away. 

0, the long, long centuries since that day 1 
0, the changes 1 0, life's bitter cost, 
Since the little useless fern was lost 1 

Useless ? Lost ? There came a thoughtful man, 
Searching Nature's secrets far and deep; 
From a fissure in a rocky steep 

He withdrew a stone, o'er which there ran 
Fairy pencilings, a quaint design, — 
Leafage, veining, fibres, clear and fine — 
And the fern's life lay in every line. 

So, I think, God hides some souls away, 

Sweetly to surprise us the Last Day. 

Mary L. Bolles Branch. 



NOTES. 

My Mind to Me a Kingdom is. Page 1. Byrd (b. 1540, d. 1623) was 
organist to Queen Elizabeth, and composed an Immense amount of vo- 
cal music. Three or four other stanzas. Inferior to these, are some- 
times inserted in this poem, and its authorship has been claimed for 
Sir Edward Dyer, a contemporary of Byrd's. There are also four 
stanzas of precisely similar construction, having many of the same 
thoughts, and in some cases almost identical words, which are attrib- 
uted to Joshua Sylvester. These are given at page 15. 

The Lye. Page 2. The authorship of this poem has been disputed. 
Percy ascribes it to Raleigh (b. 1553, executed 1618), and a copy of It 
among the Chetham manuscripts bears his signature. 

Man's Mortality. Page 6. Wastel (b. about 1566) published in 1629 
" Microbiblion, or the Bible's Epitome in Verse," of which these famous 
stanzas are a fragment. 

Witty Browned in Yarrow. Page 8. This poem is believed to date 
from the 15th century. 

Verses. Page 9. The story of Chediock Ticheborne is told in Dis- 
raeli's "Curiosities of Literature," Vol. II. He was executed for trea- 
son (of which he was probably innocent) in 1586. 

The BaUad of Agijicourt. Page 10. Drayton (b. 1563, d. 1631) pub- 
lished many poems, this being one of his latest. The battle, in which 
15,000 English defeated 50,000 French, took place in 1415. Longfellow 
borrows the metrical formula of this poem for his " Skeletonln Ar- 
mor." 

Take thy Old Cloaks about thee. Page 13. The seventh stanza of this 
poem is sung by lago in the Second Act of "Othello." The whole ap- 
peared in Ramsay's "Tea-Table Miscellany," 1724. 

A Contented Mind. Page 15. See the first of these Notes. Sylvester 
was bom in England in 1563, and died in 1618. 
305 



306 NOTES. 

Love me Little, Love me Long. Page 16. Tbis poem dates from the 
latter half of the 16th century. 

Good Ale. Page 18. Still (d. 1607), Bishop of Bath and Wells, was 
the author of "Gammer Gurton's Needle," one of the earliest of Eng- 
lish comedies, in which this poem occurs. 

Exequy. Page 19. King (b. 1593, d. 1669) was chaplain to James I. 
and became Bishop of Chichester. A single stanza exactly imitating 
those of Simon Wastel given at page 6 of this volume, is attributed to 
him. He turned the Psalms of David into verse, and wrote other poems. 

The Angler's Wish. Page 23. These lines occur in the "Complete 
Angler " of Izaak Walton (b. 1593, d. 1683). Old Piscator says, " When 
I sat last on this primrose bank, and looked down these meadows, I 
thought of them as Charles the Emperor did of the city of Florence, 
'that they were too pleasant to be looked on but only on holidays.' As 
I then sat on this very grass, I turned ray pleasant thoughts into verse." 
Bryan, mentioned in the last stanza, is supposed to be his dog. 

Death's Final Conquest. Page 34. Shirley (b. in London, 1596, d. 
1668) was a dramatist, and this poem occurs in his " Contention of Ajax 
and Ulysses." 

The Bride. Page 34. Suckling's (b. 1609, d. 1641) " Ballad upon a 
Wedding," from which these stanzas are taken, is never printed com- 
plete now-a-days ; for reasons which would be obvious if it were. 

Te Oentlemen of England. Page 36. These verses have probably at- 
tracted much more attention than they ever would if Campbell had not 
re- written them as "Ye Mariners of England." The three stanzas here 
given are the best of a long ballad which is not worth printing entire. 
Parker lived in the 17th century. 

Scmg. Page 36. Sedley (b. 1639, d. 1701) was one of the wits of the 
Restoration. 

My Bear and Only Love. Page 37. The author of this poem (b. 1613, 
hanged in Edinburgh in 1650) is the hero of Aytoun's "Execution of 
Montrose." 

The Splendid Shilling. Page 32. Philips (b. 1676, d. 1708) wrote this 
poem to parody the style of Milton. 

Bonnie George Campbell. PageSG. Motherwell, in his "Minstrelsy," 
says this is "probably a lament for one of the adherents of the house of 
Argyle, who fell in the battle of Glenlivat, Oct. 3, 1594." 

The Hermit. Page 37. Parnell (b. 1679, d. 1718) was a native of 
Dublin, and became Archdeacon of Clogher. 

On the Prospect of Planting Arts and Learning in America. Page 44. 
Bishop Berkeley (b. in Ireland, 1684, d. 1753) formed a scheme "for 
converting the American savages to Christianity, by a college to be 
erected in the Summer Islands, otherwise called the Isles of Bermuda," 



NOTES. ' 307 

obtained a royal charter, and with several friends came to Rhode 
Island. But his promised funds were not forthcoming, and at the end 
of seven years he returned. This poem was an expression of his enthu- 
siastic faith in the scheme. 

Sally in ottr Alley. Page 44. Carey (d. by his own hand, 1743) was an 
Englishman and a musical composer. 

Grmgar Hill. Page 46. Dyer (b. in Wales, 1698, d. 1758) was a 
landscape painter, but afterward entered holy orders. Grongar Hill is 
in Caermarthen, Wales. 

A Soliloquy. Page 51. Harte (b. about 1700, d. 1774) was a clergyman 
of the Church of England. 

The Braes of Yanvw. Page 53. Hamilton (b. 1704, d. 1754) wrote 
this ballad in imitation of an old one with the same refrain. 

The Schoolmistress. Page 56. Shenstone (b. 1714, d. 17G3) published 
this poem in 1743. Goldsmith said, "It is one of those happinesses in 
which a poet excels himself, as there is nothing in all Shenstone which 
any way approaches it in merit." 

The Chameleon. Page 65. Merrick (b. 1730, d. 1769) was an eminent 
Greek scholar at Oxford, and published a versification of the Psalms, 
and other poems. 

Waly, Waly, but Love be Bonny. Page 68. Percy says the heroine of 
this ballad was the wife of James, second Marquis of Douglas. "This 
lady, married in 1670, was expelled from the society of her husband in 
consequence of scandals which a disappointed lover basely insinuated 
into the ear of the Maiquis." 

The Tears of Scotland. Page 69. Smollett the novelist (b. in Scot- 
land, 1731, d. 1771) produced a few poems, of which this, written just 
after the battle of Culloden, is the most successful. 

Cumnor Hall. Page 73. Mickle (b. in Scotland, 1734, d. 1788) was a 
printer, and used frequently to put his poetry into type without writing 
it. This ballad suggested to Scott his novel of " Kenilworth." 

The Sailor's Wife. Page 76. This poem has been commonly attrib- 
uted to Mickle, author of " Cumnor Hall," because an imperfect copy of 
it was found among his papers. He never claimed it, nor would he be 
likely to have written it, as he never lived in a seaport. Miss Adam 
was a schoolmistress, who lived near Greenock, and died in Glasgow in 
1765. She published a volume of poems, and claimed this as one of hers. 

The Toper's Apology. Page 78. Captain Morris (b. in England, 1739 
or 1749, d. 1S38) published a great uuiubcr of songs, scarcely another 
one of which rises above doggerel. 

The Three Warnings. Page 80. It is said that Mrs. Tiirale (b. 1740, 
d. 1831) was indebted to her good friend Dr. Johnson for much of the 
finish of this poem. 



308 NOTES. 

Life. Page 83. Mrs. Barbauld (b. 1713, d. 1835) wrote numerous 
short poems, including some hymns. This one was greatly admired by 
Rogers. 

When Shall we Three Meet Again ? Page 84. There is no very satis- 
factory theory as to the authorship of this poem. The one which as- 
cribes it to three early students at Dartmouth College rests on slender 
evidence. 

Gaffer Gray. Page 85. Holcroft (b. 1745, d. 1800), author of "The 
Road to Ruin," was successively a shoemaker, horse-jockey, school- 
master, actor, playwright, and novelist. 

What Constitutes a State. Page 86. Jones (b. 1746, d. 1794) tells us 
ne got the idea of this poem from one of the extant fragments of 
Alcaeus: 

Ov XiQoi, ov8e ^vXa, ov8a 
Tex^V TEHToroov ai noXsii Etdiv, 
''AXV oTCov itor'> av c^div^AN^PES 
Avrovi doo^eiv etdorei, 
^ErravQa teIxt/ nai TCdX.Ei'i. 

To the CucJcoo. Page 87. Logan (b. 1748, d. 1788) was a Scottish 
minister. Edmund Burke, when in Edinburgh, sought him out, solely 
Decause of his admiration for this poem. Its authorship has been 
claimed for Michael Bruce (b. 1746, d. 1767), whose manuscript poems 
were entrusted to Logan for editing and publication. 

Axdd Robin Gray. Page 88. Lady Barnard (b. in Scotland, 1750, d. 
1825) published this ballad anonymously, about 1771, and it excited so 
much comment that a reward of twenty guineas was offered for dis- 
covery of the authorship. She never acknowledged it till two years 
before her death. Scott said, " ' Auld Robin Gray ' is that real pastoral 
which is worth all the dialogues which Corydon and Phillis have had 
together, from the days of Theocritus downwards." 

Mary's Dream. Page 88. Lowe (b. In Scotland, 1750, d. in Virginia, 
1798) wrote this poem on the loss at sea of a young surgeon named 
Miller, the fiance of a Miss McGhie in whose father's family Lowe was 
tutor. 

What is Time ? Page 90. Marsden (b. in Dublin, 1754, d. 1836), who 
spent thirty years in India, was famous as an orientalist. 

The Groves of Blarney. Page 93. Millikin (b. in Ireland, 1767, d. 
1815) was a lawyer, painter, and litterateur. The intention of this 
poem, written about 1798, was to ridicule the songs of the Irish village 
bards. There are several versions, and it is said that the fifth stanza 
was inserted by John Lander, when singing the song at an electioneer- 
ing dinner. , 

Hden of Kirkconnel. Page 93. There are numerous versions of this 



NOTES. 309 

poem. The one here given, by Mayne (b. In Scotland, 1759, d. 1836), Is 
metrically the most perfect. It was published by Scott, in the "Edin- 
burgh Annual Register " for 1815, who says : '• A lady of the name of 
Helen Irving, or Bell (for this is disputed by the two clans), daughter of 
the laird of Kirkconnel, in Dumfriesshire, and celebrated for her beauty, 
was beloved by two gentlemen in the neighborhood. The name of the 
favored suitor was Adam Fleming of Kirkpatrick ; that of the other has 
escaped tradition, although it has been alleged that he was a Bell of 
Blacket House. The addres.ses of the latter were, however, favored by 
the friends of the lady, and the lovers were therefore obliged to meet in 
secret, and by night, in the church-yard of Kirkconnel, a romantic spot 
surrounded by the river Kirtle. During one of these private interviews, 
the jealous and despised lover suddenly appeared on the opposite bank 
of the stream, and leveled his carabine at the breast of his rival. Helen 
threw herself before her lover, received in her bosom the bullet, and 
died in his arms. A desperate and mortal combat ensued between 
Fleming and the murderer, in which the latter was cut to pieces. Other 
accounts say that Fleming pursued his enemy to Spain, and slew him in 
the streets of Madrid." These events occurred in the reign of Mary 
Queen of Scots. 

Connel and Flora. Page 94. Wilson (b. in Scotland, 1T66, d. in 
Philadelphia, 1813) wrote several poems, but was only famous as an 
ornithologist. 

The Soldier. Page 95. Smyth (b. 1766, d. 1849) was an Englishman. 

The Beggar. Page 96. Moss (d. 1808) was an English clergyman. 
He published anonymously in 1769 a small volume of poems, of which 
this one alone has survived. 

The Oi-phan Boy. Page 97. Mrs. Opie (b. 1769, d. 1853) was the wife 
of a portrait painter of considerable celebrity. She was better known 
for her novels and tales than for her poems. 

Night. Page 99. White was born in Spain in 1775, and died In Eng- 
land in 1841. Coleridge considered this sonnet one of the finest in the 
language. 

The Tears I Shed. Page 99. Helen D'Arcy Cranstoun (b. In Scot- 
land, 1765, d. 1838) became in 1790 the second wife of Prof. Dugald 
Stewart. The first four lines of the last stanza were inserted by Burns. 

To an Indian Odd Coin. Page 100. Leyden (b. in Scotland, 1775) 
went to India as a surgeon in 1803. and died in 1811, of a malignant 
fever which he caught while searching the town library of Batavia, in 
the island of Java, for Indian manuscripts. 

A Viftit from St. Nicholas. Page 103. Moore (b. In New York, 1779 
d. in Newport, R. I., 1863) was a professor in the Protestant Episcopal 
Seminary in New York, and published a volume of poems in 1844. 

The Star Spangled Banner. Page 108. Key (b. in Maryland, 1779, d, 

26* 



310 NOTES. 

1843) began writing this song -while he -vritnessed the bomhardraent of 
Fort McHenry, near Baltimore, by the British in 1814. A collection of 
his poems was published in 1857. 

Lucy's Flittbi\ Page 105. William Laidlaw (b. in Scotland, 1780, 
d. 1845) was the amanuensis and confidential friend of Sir Walter Scott. 
"Lucy's Flittin' " was contributed to Hogg's "Forest Minstrel," and 
Hogg himself wrote the closing stanza. 

A Litany for Doneraile. Page 106. O'Kelly published two volumes 
of poems in Dublin (1808 and 1813), the former of which contained this 
famous litany. When Lady Doneraile read it, she sent the poet a splen- 
did gold watch, " with chain and seal," whereupon he wrote a palinode, 
calling down all sorts of blessings on Doneraile. When he was intro- 
duced to Scott, at Limerick in 1825, he got off, as impromptu, the follow- 
ing parody on Dryden's epigram: 

Three poets, of three different nations bom, 
The United Kingdom in this age adorn ; 
Byron of England ; Scott of Scotia's blood ; 
And Erin's pride, O'Kelly, great and good. 

A Piddle. Page 109. This enigma has been frequently attributed to 
Lord Byron, and printed in two or three editions of his works. The 
answer is, the letter H. Miss Fansiiawe was a contemporary of 
Byron's. 

The Philosopher'' s Scales. Page 109. Miss Taylor (b. in England, 
1783, d. 1834) was a sister of Isaac and Jeffreys Taylor. 

A Modest Wit. Page 111. Oscorn (b. in Trumbull, Conn., 1783, d. in 
Philadelphia, 1836) was editor of various newspapers, in Connecticut, 
Vermont, and Delaware, and published a small volume of poems in 
Boston in 1833. 

Saint Patrick. Page 113. According to Croker, this ballad was com- 
posed by Henry Bennett and a Mr. Tolleken, of Cork, who sang it in 
alternate lines at a masquerade in that city in the winter of 1814-15. 
They at first made only the first, second, and fifth stanzas ; after it had 
become popular, Tolleken added the sixth at the request of Webb the 
comedian. The third and fourth are the work of some other hand. 

The Cloud. Page 114. Christopher North (b. in Scotland, 1785, d. 
1854) wrote an abundance of poems, long and short, but this sonnet 
seems to be the only one that anybody now cares to read. 

The Bucket. Page 115. Woodworth (b. in Massachusetts, 1785, d. 
1843) produced this poem by some happy accident. His other verses are 
scarcely more than doggerel. 

The Sours Defiance. Page 116. Lavinia Stoddard was bom in Guil- 
ford, Conn., in 1787, and died in 1830. 

Tlie Mitherless Bairn. Page 117. Thom (b. in Scotland, 1789, d. 1848) 
was a weaver, and became a peddler, fiute-player, and wandering poet. 
Speaking to a friend of this poem, he said, " When I was livm" in Aber- 



NOTES. 311 

(ieen, I was limping roun' the house to my garret, when I heard the 
greetin' o' a wean. A lassie was thumpin' a bairn, when out cam a big 
dame bellowin' ' Ye hussie, will ye lick a mitherless bairn ? ' I hobbled 
up the stair, and wrote the sang afore sleepin'." 

Stanza-^. Page 118. Wilde (b. in Ireland, 1789, d. In New Orleans, 
1847) came to this country with his parents wlien he was a small boy. 
He was a lawyer, and served several terms in Congress. These stanzas, 
which were intended to be part of a long poem, are supposed to be sung 
by a European held captive among the savages of Florida. 

Afar in the Desert. Page 119. Pringle (b. in Scotland, 1788, d. 1834) 
spent several years in South Africa. 

The Beacon. Page 122. This little poem has been persistently at- 
tributed to Moore. James was a banker of Manchester, England, and 
was an uncle of the present Bishop of Lincoln. He first published this 
poem in 1810, and included it in his collected poems (1853). He died in 
1854. 

Mortality. Page 122. This poem owes its popularity to the fact that 
it was a favorite with President Lincoln, who found it in a newspaper 
and inquired in vain for the authorship. Kxox was born in Scotland in 
1789, and died in 1835. The poem in its wanderings has become very 
much corrupted. I have here printed it exactly as it stands in Knox's 
" Songs of Israel " (1S24). 

The Whistler. Page I'M. Story was born in Scotland in 1790, and 
died in 1859. 

We 'U go to Sea no More. Page 125. Miss Mitford quotes this poem in 
her "Recollections," but does not mention Miss Corbett's Christian 
name, or give any information about her ; and I have sought it in vain 
elsewhere. 

Geehale. Page rJ7. Schoolcraft (i. rear Albany, 1793, d. 1864) 
married the granddaughter of an Indian chief, and became famous for 
his researches and publications concerning the red race. 

I would not Live Alivay. Page 128. Dr. Muhlenberg (b. in Philadel- 
phia, 1796, d. 1877) made several revisions of his famous poem. The 
versions in the hymn-books contain some striking lines that do not ap- 
pear in his final revision, which is here presented. 

Lines Written in a Church-yard. Page 130. Kxowles (b. in England, 
1798, d. 1817) wrote this poem, at the age of eighteen, in the church-yard 
of Richmond, Yorkshire. 

The Mariner's Dream. Page 131. Dimond (b. In England, ISOO, d. 
1837) was a theatrical manager. 

Old Grimes. Page 133. Greene was a lawyer in Providen -e, R. I. 
where he was born in 1802, and died in Cleveland in 1888. He is said 
to have written this poem at the age of fifteen. 



312 NOTES. 

The Clodnj Year. Page 135. Prentice was bom in Connecticut in 
1803, and died in Louisville, Ky., in 1870. 

A Ilealtii. Fage 138. Pinkney (b. in London while his father was 
U. S. Commissioner to England, 1802, d. in Baltimore, 1828) wrote a few 
other poems which deserve to be generally known, but are not. They 
maybe found in Morris and Willis's "Mirror Library," at the end of 
the book. 

The Three Sons. Page 139. Moultrie, (b. in England, 1800, d. 1874), 
was a schoolmate of Praed's and Macaulay's at Eton, became a clergy- 
man, and was Rector of Rugby. He published this poem in 1839. 

T7ie Annuihj. Page 142. Outram (b. in Scotland, 1805, d. 1856) was 
a lawyer and journalist, and printed privately a small volume of humor- 
ous verses, entitled "Legal Lyrics." 

The Forging of the AncJior. Page 146. Ferguson (b. in Belfast, 1805) 
is a lawyer in Dublin. He has published two volumes of poetry. 

The Bells of Shandon. Page 149. Mahony ("Father Prout," b. in 
Cork about 1805, d. 18:»6) first published this poem in Fraser's Magazine, 
of which he was an editor, in 1834. The bells referred to are the chime 
in the high steeple of St. Anne, or Upper Shandon, which is in plain 
View from Cork. 

The Death of Napoleon. Page 151. McLellan (b. in Portland, Me., 
about 1805) ha.s been a lawyer and a farmer, and has published three 
volumes of poetry. He resides on Shelter Island, east of Long Island. 

The Grave of Bona2)arte. Page 152. I have not been able to learn 
anything concerning the author of this poem. 

Widow 3Ialone. Page 153. Lever, the novelist, was born in Dublin 
In 1806, and died in 1872. 

Lament of the Insh Emigrant. Page 155. Helen Selina Sheridan 
(b. in Ireland, 1807, d. 1807) married the Hon. Price Blackwood in 18,25. 
He became fourth Baron Dufferin, and died in 1841. In 1862 she mar- 
ried her old friend Earl Gifford. She was Mrs. Norton's sister. 

Thp, Happy Land. Page 157. Young (b. about 1805) is a native and 
resident of Edinburgh, Scotland, where he was for many years a teacher. 

Gluggity Glug. Page 158. George Colman the Younger (b. in Eng- 
land, 1762, d. 1836) was a dramatist and theatrical manager. 

Here she Goes— and There she Goes. Page 158. Nack (b. in New York, 
1809, d. 1879) became deaf by accident when he was a boy. His poems 
were published in 1859, with a memoir by George P. Morris. 

She Died in Beavty. Page 163. Sillery (b. in Ireland, 1807, d. in Ed- 
inburgh, 1836) studied medicine, and published two or three small vol- 
umes of poetry. 

The New Tale of a Tub. Page 164. Bayley (b. in England, 1807, d. 
1852) was the first editor of the London Illustrated News. 



NOTES. 313 

The Old Sexton. Page 175. Benjamin (b. In Demerara. British Gui- 
ana, 1809, d. in New York, 1864) was a journalist and lecturer. His 
writings have never been collected. 

The PHvate of the Bvfs. Page 1T6. Doyle (b. In England, 1810) was 
Professor of Poetry at Oxford in 1867-77. The poem is explained by the 
following extract from a China letter to the London Times: "Some 
Seiks and a private of the Buflfs, having remained behind with the grog- 
carts, fell into the hands of the Chinese. On the next day they were 
brought before the authorities and ordered to perform ko-tow. The 
Seiks obeyed ; but Moyse, the English soldier, declared he would not 
prostrate himself before any Chinaman alive, and was immediately 
knocked upon the head, and his body thro^^^l upon a dunghill." 

Light. Page 177. Palmer (b. In Stockbridge, Mass., 1805) Is an insur- 
ance officer In New York city. 

A Death-Bed. Page 179. Aldrich (b. In Sullivan Co., N. Y., 1810, d. 
1856) was at first a merchant, and afterward a magazine editor. This 
poem owes a great part of its fame to the fact that Poe pointed out the 
remarkable resemblance between it and one by Hood with an almost 
Identical title. 

A ChHstmas ITymn. Page 180. Pomett (b. in England, 1811) pub- 
lished this poem in Bla<;k wood's Magazine In 1837. He was educated at 
Cambridge, and has Avandered about the world In a most remarkable 
manner. For some time he was Colonial Secretary in New Zealand. A 
lew years ago he re-appeared in London, and published two volumes 
of poetry. He Is understood to be the hero of Robert Browning's poem 
"Waring." 

The Iry Green. Page 181. Dickens (b. 1813, d. 1870) published this 
poem as a song in the " Pickwick Papers." 

The Polish Boy. Page 182. Mrs. Stephens {nee Winterbotham, 
Derby, Conn., 1813), besides her many novels, has written occasional 
poems, but has never collected them into a volume. 

Balaklava. Page 186. Meek (b. in Columbia, S. C, 1814, d. in Georgia, 
1865) was a lawyer and journalist. He published a volume of poems 
In Mobile in 1857. 

The Pavper's Drive. Page 189. Noel, an English country gentle- 
man residing near Windsor, published In 1841 a volume of poems, which 
Included this one. 

Florence Vane. Page 190. Cooke (b. in Martlnsburg, Va., 1816, d. 
1850) was a lawyer, and published a volume of poems In 1847. 

The Ihile's V this Bonnet o' Mine. Page 191. Waugh (b. In England, 
1818) has published several small volumes of poems In the Lancashire 
dialect. 

Abrahnm Lincoln. Page 193. Taylor (b. in England, 1817, d. 1880) 
wrote or adapted numerous play.s, and published a few fugitive poems. 



314 NOTES. 

The Memory of the Dead, Page 195. Ingram was bom in Ireland in 

1830. 

The Bivmiac of the Dead. Page 197. In accordance with an act of the 
legislature of Kentucky, the remains of the soldiers from that state who 
fell at Buena Vista were brought home to Frankfort, and there Interred 
under a handsome monument. This was the occasion of O'Hara's poem. 
He was born in Kentucky about 1830, and died in Alabama in 1867. 

Nearer, my God., to Thee. Page 199. Mrs. Adams (b. in England, 
1805, d. 1848) wrote several hymns, and a drama. 

Lines on a Skeleton. Page 201. The manuscript of this poem was 
found near a skeleton in the London Royal College of Surgeons, about 
1830. The author has never been found, though a reward of fifty guineas 
was offered for his discovery. Perhaps the lines were suggested to him, 
consciously or unconsciously, by the 6th stanza of the Second Canto ot 
"Childe Harold.'' 

The Pkice where Man should Die, Page 303. Barry (b. in Ireland 
about 1815) published this poem in the Dublin Nation in 1843. 

A Hundred Years to Come. Page 303. Brown (b. in Whitingham, 
Vt., 1812) has been a reacher and editor, and now resides at Stevens 
Point, Wis. This poem was published originally in the Mother''s Joui^nal, 
Philadelphia. 

The Song of Sfmm.. Page 304. Cutter (b. in Massachusetts, 1801, d. 
in Washington, D. C, 1865) was a lawyer by profession. He won some 
distinction in the Mexican war, after which he married Miss Drake, an 
actress of Cincinnati, and settled at Covington, Ky. He published a 
volume entitled "Buena Vista, and other Poems," in Cincinnati in 1848. 
His "Song of the Lightning '■• is very similar to the "Song of Steam," 
but has not been so successful. 

Why tJius Loiiging? Page 206. Mrs. Sewall (formerly Mrs. LIST) 
was born in Portland. Maine, and after her first marriage resided in 
Philadelphia. She now lives in Boston. 

Nothing to Wear. Page 307. Butler (b. in Albany, N. Y., 1835) pub- 
lished this poem in 1857. He considers his "Two Millions" a much 
better poem, though it never attained equal popularity. 

Antony and Cleopatra. Page 317. Gen Lytle (b. in Cincinnati, 1836, 
fell in the battle of Chickamauga, September, 1863) is said to have writ- 
ten this poem one night after seeing Edwin Booth in Shakespeare's 
"Antony and Cleopatra." 

The Nautilus and the Ammonite. Page 218. Richardson, who was 
connected with the British Museum, wrote essays, poems, and geolog- 
ical works. This poem — first published, I believe, in Mantell's 
" Thoughts on a Pebble," London, 1849— gained much of its popularity 
through recitation by lecturers on geology. 



NOTES. 015 

Carmen Bellicosvm. Page 230. Judge McMaster (b. 1819) resides in 
Bath, Steuben Co., N. Y. 

Doris. Page 2Z1. Munby, an Englishman, published a volume of 
poems in 1865. 

The ExUe to his Wife. Page 223. Brenan (b. 1829, d. 1857) was 
a native of the north of Ireland. He joined the Young Ireland party in 
1848, and was one of the conductors of the Irish Felon. He was im- 
prisoned for nine months in Dublin, afterward edited the In^hman, and 
in October, 1849, being implicated in an insurrectionary movement in 
Tipperary, fled to America. He was for three years connected with the 
New Orleans Ddla, and died in that city in May, 1857. 

Rock Me to Sleep. Page 224. Mrs. Allen sent this poem from Italy 
(she was then Mrs. Paul Akers) to the Saturday Evening Gazette in 
1860. When it had become popular, several claimants to its authorship 
arose, and a fierce dispute ensued, one clannant hiring a whole page of 
a New York daily in which to set forth his proofs. Mrs. Allen's volume 
(Boston, 1865) contains better, though less popular, .poems than this. 

Only a Baby Small. Page 226. Bakr (b. in Edinburgh, 1831) resides 
in London. He published a volume of poems in 1865 ; enlarged edition, 
1870. He has been called " the Children's Laureate." 

The Jolly Old Pedagogue. Page 226. Arnold (b. in New York city, 
1834, d. 1865) published this poem in the Round Table, and without his 
signature it traveled the rounds of the press. His poems were edited 
with a memoir by his friend William Winter (Boston, 1887). 

Ode on the Centenary of Burns. Page 229. Miss Craig's ode, which 
bore off the prize of £50, offered by the directors of the Crystal Palace 
Company, from more than six hundred competitors, is one of the few 
prize poems which have possessed any poetical merit. She was born in 
Edinburgh in 1831, and in 1866 married John Knox, a London merchant. 
She has published three small volumes of poetry. 

Over the River. Page 232. Miss Priest (b. in Hinsdale, N. H., 1837, 
d. 1870) published this poem in the Springfield Republican in August, 
1857. She married Lieut. A. C. Wakefield in 1865. 

TJie Old Sergeant. Page 234. Willson (b. in Little Genesee, N. Y., 
1837, d. 1867) wrote this poem as a carrier's address for the Louisville 
Journal, Jan. 1, 1863. John James Piatt published a sketch of him in 
the Atlantic for March, 1875. His poems were published in 1867. 

Too Late. Page 239. Ludlow (b. in Poughkeepsie, N. Y., 1837, d. in 
Switzerland, 1870) wrote some of our best American college songs. 

What the End Shall be. Page 240. This poem has been handed about 
in m'lnuscript fur at least a quarter of a century. It is attrilmted to 
Fbances Brownk, the blind poetess (b. in Stranolar, Ireland, 1816). 

JTie Two M'orlds. Page 24-3. This poem has long been going the 



31Q NOTES. 

rounds, credited only to the Dublin University Magazine. Collins (b. 
in England, 1837, d. 1876) was editor of that periodical. He published 
three volumes of poetry. 

Rain on the Roof. Page 244. Kinney (b. in Penn Yan, N. Y., 1826) is 
a lawyer and journalist, and resides in Xenia, 0. The text of this poem 
as usually printed is very corrupt. It is here set from a copy furnished ' 
by the author. 

WiUie Winkie. Page 246. Miller is a native of Scotland, now living. 

The Old Canoe. Page 347. Miss Page (b. in Bradford, Vt., about 
1835, d. about 1859) wrote this poem at the age of seventeen. 

Only Waiting. Page 248. Published about 1860. 

Tfie BiiHal of Jfoses. Page 249. Miss Humphreys (b. in Strabane, 
Ireland) married in 1850 the Rev. William Alexander, who is now Bishop 
of Derry. 

Milton's Prayer of Patience. Page 253. Mrs. Howell was a resident 
of Philadelphia. 

Cmfew Must not Ring To-night. Page 253. Rosa Hartwick (b. in 
Mishawaka, Ind., 18.50) married Edmund C. Thorpe in 1871, and now re- 
sides in Litchfield, Mich. She wrote this poem in 1867, and published it 
in the Detroit Commercial Advertiser in the autumn of 1870. 

Revelry in India. Page 256. These lines are said to have been sung 
by a company of British officers stationed at a frontier post in India 
during a pestilence. It is also said that the author of them was the 
next victim. They have been persistently attributed to Alfred Domett ; 
but in a letter to me, dated February 6, 1879, he says : " I did not write 
that poem, and was never in India in my life. I am as ignorant of the 
authorship as you can be ; indeed, I never heard of the poem until I 
saw it attributed to myself in an article in the Chicago Times, in the 

year 1872, I thint The poem has splendid talent, and even 

more spirit, which makes me the more anxious to disclaim it, as I do 
not wish to take any credit that properly belongs to another man." 

The Rinng of the Moon. Page 358. Casey (b. in Ireland about 1840) 
has published a small volume of poems. 

My Maryland. Page 259. This song, written in the first year of the 
Rebellion, was first published in the Charleston Mercury. Perhaps it 
was suggested by Mangan's "Karamanian Exile," to which it bears a 
strong resemblance. 

Civil War. Page 262. This poem, which appeared originally in Lon- 
don Once a Week, with the .signature " From the once United States,'* 
has been attributed to Charles Dawson Shanly (b. about 1830, d. 1876). 

The Picket Guard. Page 263, The authorship of this poem has been 
disputed, but there is now no reason to doubt that it belongs to Mrs. 
Beers, who resided in Orange, N. J., and died Oct. 10, 1879. 



NOTES. 317 

The Counkrsign. Page 364. Concerning the authorship of "The 
Countersign," we only know that it was written by a private in Company 
G of Stuart's Engineers, at Camp Lesley, near Washington, during the 
first year of the Rebellion. It seems too good to have been a first poem ; 
but it is to be feared that the chances of war made it the last, as it has 
never been claimed. 

Sherman's 3Iarch to the Sea. Page 365. Adjutant Byers (b. in Penn- 
sylvania about 1835), Fifth Iowa Infantry, wrote this song while a 
prisoner at Columbia, S. C General Sherman, to whom a copy of the 
lines was handed when he arrived at that place, so admired them that 
he sent for the author and attached him to his staff. Byers is now U. S. 
Consul at Zurich, Switzerland. 

Driving Home the Cows. Page 367. Miss Osgood, who is a native of 
Fryeburg, Maine, contributed this poem to Harper's Magazine for March, 
1865. 

The Twins. Page 369. Leigh (b. in England about 1840) published 
•' Carols of Cockayne " in 1869. 

A Little Goose. Page 370. Mrs. Turner, who resides in Pennsylvania, 
published a volume of poems in 1871. 

Tired Motliers. Page 373. Mrs. Smith {nM Riley, Brighton, near 
Rochester, N. Y.) resides in Springfield, Illinois. 

The Children. Page 374. Dickinson (b. about 1845) was a teacher 
when he wrote this poem. He is now a lawyer in New York city. 

The Burial of Sir John Moore. Page 376. This famous ode is here 
printed exactly as it stands in "Wolfe's Remains," where it is copied 
from the original manuscript. The Rev. Samuel O'SuUivan, writing 
under date of April 32, 1841, says : " I think it was about the summer of 
1814 or 1815 (I cannot say for certainty which), I was sitting in my 
college rooms [in Dublin] and reading in the ' Edinburgh Annual Reg- 
ister,' in which a very striking and beautiful account is given of the 
burial of Sir John Moore. Wolfe came in, and I made him listen to me 
as I read the passage, which he heard with deep and sensible emotion. 
We were both loud and ardent in our commendation of it ; and after 
some little time I proposed to our friend to take a walk into the country. 
He consented, and we bent our way to Simpson's nursery, about half- 
way between Dublin and the Rock. During our stroll Wolfe was un- 
usually meditative and silent ; and I remember having been provoked 
a little by meeting with no response or sympathy to my frequent bursts 
of admiration about the country and the scenery, in which, on other 
occasions, he used so cordially to join. But he atoned for his apparent 
dullness and insensibility upon liis return, when he repeated for lue the 
first and last verses of his beautiful ode, in the composition of which he 

had been absorbed during ( ur little perambulation These were 

the only verses which our dear friend at first contemplated ; but moved, 
as he said, by my approbation, his mind worked upon the subject after 



318 NOTES, 

he left me, and In the morning he came over to me with the other verses, 
by which it was completed." Wolfe (b. in Dublin, Dec. 14, 1791, d. Feb. 
21, 1833) neither published this poem nor took pains to claim it. Manu- 
script copies were taken down from recitation, and it was finally print- 
ed, with the initials "C. W.", in the Newry, Ireland, Telegraph, from 
which it was speedily copied far and wide. An interesting discussion 
of its merits by Byron and Shelley is given in Medwin's "Conversations 
of Byron." 

Song.— If I had thought. Page 377. The Irish air " Gramachree " was 
a favorite with Wolfe, but he thought no words had ever been written 
lor it which were worthy of its peculiar pathos. Accordingly, he com- 
posed these. 

Song. — CrO, forget me! Page 378. These words were written for a 
celebrated singer, to an unpublished air of her own composition. 

The First 3Rracle. Page 379. Crashaw (b. in London, d. in Italy 
about 1650) was a clergyman— at first Protestant, afterward Catholic. 
This, famous as "the one-line poem," appeared in a volume which he 
published anonymously at Cambridge in 1634. 

A Javanese Poem. Page 379. Dekker is a native of Holland. This 
poem occurs in his novel " Max Havelaar ; or, the Coffee Auctions of the 
Dutch Trading Company," the English translation of which was pub* 
lished in Edinburgh in 1868. 

A Yukon On^adle-Song. Page 280. This occurs in Dall's " Alaska." 

The Passage. Page 283. Longfellow brought this poem into notice 
by quoting it in his " Hyperion," where he makes one of his characters 
say that, " though not very literal, it equals the original in beauty ; . . . 
though in the measure of the original there is something like the rock- 
ing motion of a boat, which is not preserved in the translation." Uhland 
w<as born in Tubingen in 1TS7, and died in 1862. Mrs. Austin, {nee 
Taylor, England, 171)3, d. 1S07j was the translator of Eanke's works. 

Ann Hathaway. Page 382. These lines were originally addressed 
•' To the Idol of my Eyes and Delight of my Heart." 

On Parting with his Books. Page 384. Roscoe (b. in Liverpool 1753, 
d. 1831) was a banker and historian. His firm failed in 1816, and he was 
ODliged to sell his library and art collections. 

H^jlas. Paqe 384. Hylas, a beautiful youth, was one of the Argonauts. 
When they stopped on the coast of Mysia, he went for water, and was 
seized by the nymphs of the stream into which he dipped his urn. Her- 
cules, to whom he had been entrusted, went in search of him, and was 
left by the ship. These lines appeared in the " London Keepsake," 1838. 

We Parted in Silence. Page 385. Mrs. Crawford is a native of 
Ireland. 

Yanitas Vanitatum. Page 386. These lines, which do not appear in 



NOTES. 319 

the collected poems of Griffin (b. In Ireland, 1803, d. 1840), are attrib- 
uted to him on the authority of the Glasgow Fi-ee Press, which published 
them about 1861. 

Wonderland. Page 288. Newton, an Englishman, contributed this 
poem to the London Athenceum in September, 1851. 

Nathan Hale. Page 289. Nathan Hale (b. in Coventry, Conn., 1755) 
was a captain in the Continental army, went within the British lines at 
New York as a spy in September, 1776, was discovered and arrested, and 
by order of Lord Howe was executed the next morning, 22d. The ladies 
of his native town have recently erected a monument to his memory. 
Finch (b. in Ithaca, N. Y., 1837) introduced this lyric in the poem which 
he read before the Linonian Society of Yale in 1853. An unknown con- 
temporary of Hale's wrote a poem on the subject, which is almost as 
unique as Finch's : 

The breezes went steadily through the tall pines, 
A-saying "Oh, hu-ush ! " a-saying "Oh, hu-ush !" 

As stilly stole by a bold legion of horse. 
For Hale in the bush, for Hale in the bush. 

"Keep still," said the thrush, as she nestled her young 

In a nest by the road, in a nest by the road ; 
"For the tyrants are near, and with them appear 

What bodes us no good, what bodes us no good." 

The brave Captain heard it, and thought of his home 

In a cot by the brook, in a cot by the brook ; 
With mother and sister and memories dear, 

He so gayly forsook, he so gayly forsook. 

Cooling shades of the night were coming apace, 

The tattoo had beat, the tattoo had beat ; 
The noble one sprang from his dark lurking-place, 

To make his retreat, to make his retreat. 

He warily trod on the dry rustling leaves, 

As he passed through the wood, as he passed through the wood, 
And silently gained his rude launch on the shore. 

As she played with the flood, as she played with the flood. 

The guards of the camp, on that dark, dreary night. 
Had a murderous will, liad a murderous will ; 

They took him. and bore him afar from the shore, 
To a hut on the hill, to a hut on the hill. 

No mother was there, nor a friend who could cheer, 
In that little stone cell, in that little stone cell ; 

But he trusted in love from his Father above, — 
In his heart all was well, in his heart all was well. 

An ominous owl, with his solemn bass voice, 
Sat moaning hard by, sat moaning hard by : 
"The tyrant's proud minions most gladly rejoice, 
For he must soon die, for he must soon die." 



320 NOTES. 

The brave fellow told them, no thing he restrained, — 

The cruel gen'ral, the cruel gen'ral,— 
Of his errand from camp, of the end to be gained, 

And said that was all, and said that was all. 

They took him, and bound him, and bore him away, 
Down the hill's grassy side, down the hill's grassy side ; 

'T was there the base hirelings in royal array 
His cause did deride, his cause did deride. 

Five minutes were given, short moments, no more, 

For him to repent, for him to repent ; 
He prayed for his mother, he asked not another, — 

To heaven he went, to heaven he went. 

The faith of a martyr the tragedy showed, 
As he trod the last stage, as he trod the last stage ; 

And Britons will shudder at gallant Hale's blood. 
As his words do presage, as his words do presage. 

Thou pale king of terrors, thou life's gloomy foe, 

Go frighten the slave, go frighten the slave ; 
Tell tyrants, to you their allegiance they owe. 

No fears for the brave, no fears for the brave. 

The Blve and the Gray. Page^l. This poem appeared originally in 
the Atlantic Montldy. It was suggested by the women of Columbus, 
Miss., decorating alike the graves of national and rebel dead. Certainly 
no fault can be found with it as poetry ; I know of nothing of its kind 
that surpasses it ; but James M. Dalzell, who served in the 116th Ohio 
Volunteers, thus takes issue with it on the score of patriotism or policy : 

You may sing of the Blue and the Gray, 
And mingle their hues in your rhyme, 
But the blue that we wore in the fray 
Is covered with glory sublime. 

So no more let us hear of the Gray, 

The symbol of treason and shame — 
We pierced it with bullets— away ! 
Or we'll pierce it with bullets again. 
Then up with the Blue and down with the Gray, 
And hurrah for the Blue that won us the day I 

Of the rebels who sleep in the Gray, 

Our silence is fitting alone, 
But we cannot afford them a bay, 
A sorrow, a tear, or a moan. 

Let oblivion seal up their graves 

Of treason, disgrace, and defeat ; 
Had they triumphed, the Blue had been slaves. 
And Union been lost in retreat. 
Then up with the Blue and down with the Gray, 
And hurrah for the Blue that won us the day ! 



NOTES. 321 

Of the rebels whom mercy still spares 

To boast of the traitorous fray, 
No boy iu the Blue thinks or cares, 
For the struggle is ended to-day. 

Let them come as tliey pr(/mised to come, 

Under Union and Liberty too, 
And we'll hail them with fife and with drum, 
And forget that they flref" on the Blue. 
Then up with the Blue and down with the Gray, 
And hurrah for the Blue that won us the day I 

As they carried your flag through the fray, 

Ye Northmen, ye promised the Blue 
That ye'd never disgrace with the Gray 
The color so gallant and true. 

Will ye trace on the leaves of your souls 

The Blue and the Gray in one line. 
And mingle their hues on the scrolls 
Which glorify Victory's shrine, 
And cheer for the false, and hiss at the true. 
And up with th.e Gray and down with the Blue ? 

Let the traitors all go if you may, 

(Your heroes would punish the Head), 
But never confound with the Gray 
The Blue, whether living or dead. 

Oh ! remember the price that was paid — 

The blood of the brave and the true — 
And you never can suffer to fade 
The laurels that cover the Blue. 
• Then up with the Blue, and down with the Gray, 
And hurrah for the Blue that won us the day I 

The Death of King Bowha of Naples. Page 293. Ferdinand II, King 
of the two Sicilies, who died at Bari, on the Adriatic, in 1859, was called 
King Bomba, according to some authorities, because during an insur- 
rection he ordered the bombardment of his cities. This poem was first 
published in Punch. 

The Golden Wedding. Page 294. This poem has been mistakenly at- 
tributed to David Gray, the young Scottish poet (b. 1838, d. 1861) who 
had so romantic and mournful a history. It was written in 1862, by 
Datid Gray, editor of the Buffalo, N. Y., Courier, for a golden wedding 
in Albany. 

Tacking Ship of Shore. Page 295. Mitchell (b. in Nantucket about 
1825) is an Episcopal clergyman and resides in Rutland, Vermont. 
This poem was published in the Atlantic MontJdy in 1858. 

Tlie Mistress of the House. Page 297. I have not been able to ascer- 
tain anything whatever concerning the author of this poem. 



322 NOTES. 

In the Hospital. Page 299. These lines were long supposed to have 
Deen "found under the pillow of a soldier who died at Port Royal, 
Bouth Carolina." 

TTie Petrified Fern. Page 302. Mrs. Branch, a native of Brooklyn, 
resides in New York. 



INDEX OF FIRST LINES. 



Accept, thou shrine of my dead saint 

A cloud lay cradled near the setting sun 

Afar in the desert I love to ride 

Ah me ! full sorely is my heart forlorn . 

A jolly fat friar loved liquor good store 

Alas ! how dismal is my tale . 

Alas ! the weary hours pass slow 

A little elbow leans upon your knee 

" All quiet along the Potomac," they say 

A monk, when his rites sacerdotal were o'er 

And are ye sure the news is true ? 

And there they sat, a popping corn 

As one who, destined from his friends to part 

A supercilious nabob of the east . 



Backward, turn backward, Time, in your flight 
Behold this ruin ! 'T is a skull 
Busk ye, busk ye, my bonnie, bonnie bride 
By Nebo's lonely mountain .... 
By the flow of the inland river .... 



PAGE. 

19 
114 
119 

56 
158 
106 
264 
272 
263 
109 

76 
268 
284 
111 

224 
201 
52 
249 
291 



Come a little nearer. Doctor, — thank you 1 — let me take 

the cup . 234 

Come see the Dolphin's anchor forged; 't is at a white 

heat now 146 

Come to me, darUng, I 'm lonely without thee . 223 

Could I pass those lounging sentries . . , 293 

323 



324 INDEX OF FIRST LINES. 

Dark lowers the niglit o'er the wide stormy main . 94 

Did you hear of the Widow Malone .... 153 

England's sun was slowly setting, o'er the hills so far 

away 253 

Fair stood the wind for France .... 10 

Far in a wild, unknown to public view ... 37 

From the quickened womb of the primal gloom . 177 

Goe, soule, the bodie's guest 2 

Gro, forget me 1 Why should sorrow . . . .278 

Hail, beauteous stranger of the grove I . . . 87 

Happy insect ! ever blest 61 

Happy the man who, void of cares and strife . 32 

Harness me down with your iron bands . . . 204 

Her suffering ended with the day .... 179 

Hie upon Hielands 36 

How dear to this heart are the scenes of my childhood 115 
Ho ! why dost thou shiver and shake 
How little recks it where men lie . 



I am dying, Egypt, dying .... 

I am far from ray hame, an' I 'm weary often whiles 

I am old and bhnd 

I asked an aged man, with hoary hairs . 

I can not eat but little meat .... 

I do not know where I shall die . 

If I had thought thou couldst have died 

I fill this cup to one made up ... . 

I gaed to spend a week in Fife .... 

I have a son, a little son, a boy just five years old 

I in these flowery meads would be ... 

I lay me down to sleep 

I loved thee long and dearly .... 

I 'm often asked by plodding souls ... 78 



85 
202 

217 

301 

252 

90 

18 

279 

277 

138 

142 

139 

23 

299 

190 



INDEX OF FIRST LINES. 



325 



I 'm sittin' on the stile, Mary 

In a valley, centuries ago 

In form and feature, face and limb 

In good King Charles's golden days 

In slumbers of midnight the sailor-boy lay 

In their ragged regimentals 

I said to sorrow's awful storm . 

I sat with Doris, the shepherd maiden 

It is not time that flies .... 

It was the calm and silent night 

I weigh not fortune's frown or smile 

I wish I were where Helen lies 

I would not live alway, I ask not to stay . 

Last night among his fellow roughs 

Life, I know not what thou art 

Like as the damask rose you see 

Lovely river, lovely river .... 

Love me little, love me long . « » 

Love still has something of the sea 

Many a year is in its grave 

Methinks it is good to be here . 

Miss Flora McFHmsey, of Madison Square 

Mournfully listening to the waves' strange talk 

Mourn, hapless Caledonia, mourn . 

My dear and only love, I pray . 

My life is like the summer rose 

My mind to me a kingdom is . 

My prime of youth is but a frost of care 

Mysterious Night ! when our first parent knew 

Nearer, my God, to thee 

Nigh to a grave that was newly made 

Not a drum was heard, not a funeral note 



155 

302 

269 

71 

131 

220 

116 

221 

300 

180 

15 

93 

128 

176 

83 

6 

284 
16 
26 

282 

130 

207 

288 

69 

27 

118 

1 

9 

99 

199 
175 
276 



0, a dainty plant is the ivy green 
28 



181 



326 



INDEX OF FIRST LIKES. 



0, blithely shines the bonny sun , 

Of all the girls that are so smart 

Oft has it been my lot to mark 

Old Grimes is dead ; that good old man 

Love, whose patient pilgrim feet 

On a lone barren isle, where the wild roaring billow 

Only a baby small 

Only waiting tiU the shadows .... 

say can you see, by the dawn's early Ught . 

0, the charge at Balaklava ! . . . . 

then tell me, Shawn O'Ferrall 

Our camp-fires shone bright on the mountain , 

Out of the clover and blue-eyed grass 

Over the river they beckon to me , . , 

0, waly, waly up the bank .... 

0, where will be the birds that sing . 

0, why should the spirit of mortal be proud ? , 

Pity the sorrows of a poor old man . . 

Rifleman, shoot me a fancy shot 

St. Patrick was a gentleman .... 

She died in beauty, — like a rose 

Silent nymph, with curious eye 

Slave of the dark and dirty mine . 

Stay, lady, stay, for mercy's sake . . , 

The blackbird is singing on Michigan's shore . 

The chill November day was done 

The despot's heel is on thy shore . 

The dews of summer night did fall 

The dule 's i' this bonnet o' mine . 

The glories of our birth and state 

The groves of Blarney, they look so charming 

The guests are come, all silent they have waited 

The maid, and thereby hangs a tale 



125 

44: 

65 
123 
294 
152 
226 
248 
103 
186 
258 
265 
267 
232 

68 
203 
122 

96 

262 

113 
163 

46 
100 

97 

127 
.270 
259 

72 
191 

24 

92 
297 

24 



INDEX OF FIRST LINES. 32Y 

The modest water saw its God, and blushed . . 279 

The moon had climbed the highest hill ... 89 
The muffled drum's sad roll has beat . . . .197 

The Muse, disgusted at an age and clime . , 44 
The nautilus and the ammonite , . . .218 

The Orient day was fresh and fair . . . 164 

There is a happy land 157 

There 's a grim one-horse hearse in a jolly round trot 189 

There sat an old man on a rock .... 239 

The scene was more beautiful far to the eye . . 122 

The stream that hurries by your fixed shore , . 286 

The tears I shed must ever fall .... 99 

The tree of deepest root is found .... 80 

The weather leech of the topsail shivers • . 295 

The wind blows over the Yukon .... 280 

This winter weather, it waxeth cold ... 13 

'T is midnight's holy hour, — and silence now . . 135 

To drum-beat and heart-beat .... 289 

'T was a jolly old pedagogue, long ago . . . 226 
'T was in heaven pronounced, and 'twas muttered in 

hell 109 

'T was the night before Christmas, when all through 

the house 102 

T was when the wan leaf frae the birk tree wus fa'in' 105 

Two worlds there are. To one our eyes we strain 243 

Two Yankee wags, one summer day . . . 158 



Wee Willie Winkie rins through the town 

We hail this morn 

We meet 'neath the sounding rafter 

We parted in silence, we parted by night . 

What constitutes a state .... 

What dreaming drone was ever blest . 

When a' ither bairnies are hushed to their hame 

When another life is added . . . , 

Whence come those shrieks so wild and shrill 



246 
229 
256 
285 
86 
95 
117 
240 
182 



When shall we three meet again ? . . . .84 



828 INDEX OF FIRST LINES. 

When the humid shadows hover over all the starry 

spheres 244 

When the lessons and tasks are all ended . , ,274 
When the sheep are in the fauld, and a' the kye at 

hame 88 

Where the rocks are gray, and the shore is steep . 247 
Who fears to speak of Ninety-Eight ? . , . 195 
Why thus longing, thus for ever sighing . . . 206 
Wild was the night, yet a wilder night . . 151 

Willy 's rare, and Willy 's fair 8 

With deep affection 249 

Would ye be taught, ye feathered throng . . . 282 

Ye gentlemen of England 26 

"You have heard," said a youth to his sweetheart, 

who stood 124 

You knew — who knew not Astrophel ? . • 5 

You lay a wreath on murdered Lincoln's bier . . 193 



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